1-2-3-4 Go! & KALX presents Night #3 of The Go! Go!
Hunx & His Punx, Shannon and the Clams, FuzZ
Peach Kelli Pop, Twin Steps
579 18th St
Oakland, CA, 94612
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Hunx & His Punx
Too Young To Be In Love is the first fully-realized Hunx and His Punx album, and the group's first for Hardly Art. It was recorded in New York City by Ivan Julian—one of the founding members of inimitable NYC punk legends Richard Hell and the Voidoids. This record was made in the same studio that one of Hunx's idols, Ronnie Spector, once recorded in. While it is preceded by the Gay Singles LP (True Panther Sounds/Matador Records, 2009), a collection of hard-to-find and out-of-print 7" singles, Too Young To Be In Love is the first proper studio record from Hunx and His Punx.
Too Young To Be In Love also marks the first time the group has ever been comprised entirely by "punkettes"—another name for the all girl band that band leader Seth Bogart (aka Hunx) always dreamed of. Shannon Shaw (of Shannon and the Clams) plays bass, and wrote three of the album's songs. Her powerful voice on "Lovers Lane" and "The Curse of Being Young" crackles and breaks with a raw ferocity that perfectly compliments Hunx's swoon-worthy nasal croon. This album also represents a distinct reversal of roles—the all-girl quartet (Shaw, plus guitarist Michelle Santamaria, drummer Erin Emslie, and Amy Blaustein on guitar/organ) bring the fire… while Hunx brings the softness—the sweet, oh so sweet, sugar. All of the ladies sing on this album, and their voices combine to create some modern Wall of Sound magic.
Hunx and His Punx might be the first ever "girl group" fronted by a flamboyant gay male whose dream in life is to sound like a girl. They have created a unique new sound they refer to as "Young Oldies," a mixture of 50s teenage rock 'n' roll, 60s girl groups and bubblegum pop.
Hunx is that boy you just wanna kiss—maybe after sharing a triple scoop ice cream cone, then roller skating with the Shangri-Las and Redd Kross rotating on a never-ending loop. He's the boy in that picture from your high school yearbook—the one you pasted sparkly red heart stickers all over, then taped inside your locker. He's the boy you fantasize about because he always saves you from your broken heart. You've never met him—but you love him… because you know he believes in love.
"I only write songs out of heartbreak," says Hunx of the new record. Older songs focused on trashier homoerotic topics like cruising and boyfriend stealing. But Too Young To Be In Love is all about love and heartbreak. People tend to have scandalous ideas about Seth "Hunx" Bogart. This can happen when you try to French kiss the entire front row at one of your shows, pose for photographs nude or bare everything in the video for "Lust For Life" by the band Girls. But behind all of this is a sweet and somewhat innocent entertainer who knows how to put on a show.
Despite the sweet overtones of Too Young To Be Love, there is also plenty of heartbreak and some dark moments. One might think, at first glance, that the final track, "Blow Me Away" is a winking nod to fellatio. "It's a song about my father who killed himself when I was a teenager," says Hunx, somehow proving that the album's title, Too Young To Be In Love, might be selling Bogart a little short. He has never been "too young." And he really does believe in love.
After doing brief tours with Girls, Harlem, Nobunny and Jay Reatard, the band is set to embark on a headlining US tour in April 2011.
"Deliciously trashy homoerotic pop." --Pitchfork
"Bogart is a vivid, alluring frontman with one thing on his mind." --The New York Times
Shannon and the Clams
Beach Rock revival Oakland, California band Shannon and the Clams take you back to a time when Judy and Johnny were your favorite worst couple, with the help of some very heartbreaking background vocals and guitar riffs of which The Beatles would be proud. Influences like The Beach Boys, The Shangri- La's, The Ronettes, and Patsy Cline shine through in songs like "When You're On", with front woman Shannon crooning like a scorned Leslie Gore, but with a rough unpolished edge inspired by the likes of The Cramps, Bad Brains, and fellow beach bum Nobunny.
Since it's first issue in 1966, the 'Fuzz Face' pedal has sung it's distorted siren song & lured many a burgeoning guitar player to the rock. Hendrix & Townshend swore by them, and apparently so does the San Francisco mystery group FUZZ. [Trouble in Mind] received an unsolicited email submission from these guys & despite [their] best efforts, cannot discern who is responsible for these jams. All [they] know is that [they] haven't been able to stop playing these two tracks over & over & over! Tinnitus here we come! Two addictive & ferocious slabs of doomy fuzzed-out rock & fucking ROLL that break open the gates of Hades & lurch forward like rabid hounds of Hell! "This Time I Got A Reason" & "Fuzz's Fourth Dream" are both flaming embers of molten rock that evoke a serpentine head-banging & rage skyward on evil riffs like the red-headed stepchildren of Black Sabbath, Blue Cheer, Jerusalem & Wicked Lady! W-W-Whoah!
"As Fuzz, Segall and his former Epsilons pals — Roland Cosio (bass) and Charlie Mootheart (guitar) — are a well-oiled doom machine spewing out noxious proto-metal and blues-dripping rippers the likes of which the world hasn't heard since Black Sabbath and Blue Cheer infested the airwaves." --SPIN
Photo by: photo by Loren Risker
sometimes i wake up with hands in my pockets still sleepwalking till i find somewhere to vomit..
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