Tigers Jaw, Pianos Become the Teeth

Between the power pop melodies of early Saves the Day and the hard driving fold rhythms of Fleetwood Mac lies TIGERS JAW, a band who’s raw immediacy is infectious and intoxicating. Shimmering organ textures, chunky guitar chords, and male/female vocal harmonies show the Scranton, PA natives taking rural rock music from its legendary past to its vibrant future. Among the more innovative acts on Run For Cover Record’s star studded roster, TIGERS JAW have a profound musical purity that is as equally stirring in a basement of 40 people as it is in a club of 1,000.

Pianos Become the Teeth

Pianos Become The Teeth has a melodic yet uncompromising sound that brings to mind such diverse and influential bands as Thursday, Envy and City of Caterpillar. Brimming with sincerity and brandishing an experimental ambiance, the band is pushing beyond the boundaries of a stale genre. Mixing elements of screamo, hardcore as well as post rock, Old Pride breathes new life into a once decaying scene

Read more: http://topshelfrecords.com/tsr2/_pages/artist_pianos_become_the_teeth.php#ixzz1XNOskBMY

Dad Punchers

Elliot Babin, drummer of Touche Amore and DNF, has been busy. Since 2009, he has found himself on a demanding eight months out of the year tour schedule. In the brief interludes back home in L.A., Babin started writing and recording his own songs. The result is Dad Punchers, a nostalgic, sometimes searing dissection of Babin’s life and the people he has met in his time abroad. The 11 tracks on this “bummer punk” debut LP touch on gender roles, codependency, romantic comedy films, consumerism, body image, dwelling on the past, and living while always moving.

Dad Punchers s/t LP was recorded at Alex Estrada’s Earth Capital Studios with Joyce Manor’s Matt Ebert playing bass and providing backup vocals.


Saintseneca’s powerful new album Such Things is the band’s most cohesive, catchy and accessible output, and a work that solidifies the group’s singer and songwriter Zac Little’s status as one of modern indie music’s most thoughtful and talented artists. The record is available now via Anti-.
The first single, “Sleeper Hold” is a pulsating and infectious rock song that utilizes elements of punk, folk and straight up rock and roll, all centered around a soaring and beautifully anthemic chorus.
Such Things is the anticipated follow up to Saintseneca’s acclaimed album Dark Arc, which Stereogum celebrated writing, “Dark Arc shines in all the ways Saintseneca always has — gorgeous harmonies, rampant strumming, glimpses of both humanity’s fragility and power — but it also finds the band branching out into fuller arrangements and wilder instrumentation. (Wilder, even, than the plastic trash can they used to beat on.) It’s what an underground folk band stepping into the spotlight should sound like.”
Moving away from the cinematic, linear quality of Dark Arc, Little sought even higher ground for the new songs, and to incorporate the synapses and charges of his fellow members. “I was pushing myself with Such Things to try to explore the pop motif further, to try to use and bend that formula of having a groove, a beat, locking in and using that as scaffolding to build a song,” he says. “And even though it oftentimes might seem like this singular vision, at the core my creative strategy for the band is one that inherently involves other people. I think the best work I’ll make involves working that way.”
Those disparate pieces and parts have come together, like so many molecules, to form a solid rock object called Such Things. You can hold it in your hands and hear it in your head, this culmination of tiny, beautiful moments and fluctuations of energy and information, compressed and etched into an LP sleeve and eternity and all tied up in a rock and roll record.
“It’s definitely a new way of songs manifesting, and it feels like a step forward,” Little says. “I’m gonna push myself and try this thing I’ve wanted to try. I think it’s the best thing we’ve done so far, but then again I won’t write a song that I don’t think isn’t the best thing I’ve done. When I finish it I have to feel like it’s the best thing I’ve made. And if I don’t feel that way, it’s like, why bother?”


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