Wild Cub, The Box Tiger
2639 Poplar St
Philadelphia, PA, 19130
This event is 21 and over
Youth is a collection of captured moments...
like moving photographs: late night drives, the limitless feeling of falling in love, the freedom of finding a true friend and co-conspirator in an immense world, the cool ocean meeting your toes on a hot summer's day. A simmering mix of bass, synths, drums, and frontman Keegan DeWitt's low and soft, yet urgent vocals, lead track "Shapeless" sets the evocative and cinematic tone that permeates the album. The taut dreaminess of "Straight No Turns" and "Hidden In The Night" evolve into sensuous, dancefloor-ready electro-pop, while "Jonti" – with its soaring, cathartic chorus "I see it now, it's brighter when the lights are out" – and "Wild Light" – all quirky, staccato organ and lyrical guitar-led charm – are playful art pop sing-alongs. The rich, melancholic soundscape of "Drive" highlights Youth's moody romantic atmosphere. Produced in collaboration with musician (Tallest Trees) and photographer Dabney Morris, and mixed with Ephraim Nagler (You Are Plural, The Velvet Teen), the album combines live takes and programmed sounds, and was recorded digitally before the files were run through a TASCAM 4-track tape recorder, often used for intimate home demos.
Wild Cub is centered on film composer (Cold Weather, Dance Party USA) and singer/songwriter (2009's LP Islands, 2010's Nothing Shows EP and Two Hearts/Reluctance 7") DeWitt, and multi-instrumentalist Jeremy Bullock (Pico vs. Island Trees, Jessie Baylin, Madi Diaz). They toured most of 2011 under DeWitt's name, who'd gotten good press attention from AOL Music's Spinner, FilterMagazine.com, My Old Kentucky Blog, Paste ('Best New Solo Artists of 2010'), Popmatters, and Vogue.com, among others: hitting SXSW, New York Fashion Week (for designer Billy Reid), and the CMJ Music Marathon; and touring with Jeremy Messersmith and on the 4th Daytrotter Barnstormer tour alongside artists including Sondre Lerche and Guards, among other shows. Wild Cub was officially born upon returning home last fall, and Youth was written and recorded over two months in Bullock's house, which was turned into a multi-room studio.
After already catching the eye and ear of their hometown press (Nashville Cream has praised Wild Cub's "intricate melodic pop": "…don't ask how, but the Chris Martin-meets-'Bastards of Young' melody on the first of three new songs hit that elusive sweet spot of melody plus sing-along that every pop-based band should aim for"), the band is now beginning to catch attention from national press including American Songwriter, Paste, and RCRD LBL ("Straight No Turns" song premiere), and also performed at Bonnaroo in June.
The Box Tiger
Formed in late 2009, The Box Tiger is an indie rock band from the outskirts of Toronto, Ontario. Although young, the sound comes off as mature and well organized, while still maintaining heart, intensity, honesty and a sense of fun. The Box Tiger manages to keep a D.I.Y. indie aura, while simultaneously creating pop sensible hooks that make the music accessible to the masses.
The Box Tiger have played as support for known bands and artists such as Metric, Trail of Dead, The Joy Formidable, The Sheep Dogs, Hollerado, Free Energy, and Frank Turner. The band has managed to develop a fan base in Toronto and the surrounding areas and also has connections and buzz out in the North East United states; calling both Toronto and Portland, Maine home.
The band released their debut full length album "Set Fire" in August of 2013. The record features 10 new songs by the band with a sound bound to create buzz in the indie/rock music scene.
Not only one of the sharpest up-and-coming songwriters in Nashville, Natalie Prass possesses a rare artistic method she infuses into all her endeavors. She handcrafts album artwork and flyers and organizes local vinyl listening parties/drawing sessions, and there appears to be little end to the homespun creativity of this bright young talent. She's also no slouch in the pipes department either — the girl can sing. Although her debut EP is titled Small & Sweet, Prass' brand of indie folk is not to be underestimated. While her delicate alto evokes clear benchmarks of influence — see early Rilo Kiley, Feist, Karen Carpenter, etc. — Prass never seems weighed down by the artists she's absorbed. Instead, she has developed a refreshing guitar-grounded musical vocabulary and a knack for infectious and entrancing tunes. Still, it's a spirit of invitation and friendship that continues to be Prass' most pronounced attribute.
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