Titus Andronicus

Titus Andronicus

Behold the amazing, yet true, story of the third Titus Andronicus LP, LOCAL BUSINESS.
It begins with a plan of action. While the first two LPs were elaborate concoctions, requiring the contributions of 30+ musicians, the most advanced computer wizardry and transmissions from an alternate universe, LOCAL BUSINESS would be of the earth, the handiwork of a living and breathing entity. No more would Titus Andronicus the studious recording project and Titus Andronicus the raucous touring machine be two distinct beings; there would only be Titus Andronicus, rock and roll band.
At the center of the band remained, as ever, singer-songwriter Patrick Stickles. Flanking him was the dynamic duo of Eric Harm on drums and Julian Veronesi on bass, rhythm section and principal backup singers. Returning to the fold was recent college graduate Liam Betson on guitar, whose studies kept him off the road but not away from the recording of the first two LPs. Rounding out the band was the latest addition, guitarist extraordinaire, and founder of Brooklyn DIY haven Shea Stadium, Adam Reich, moving gracefully from the position of live sound engineer to band member following the abrupt departure of keyboardist David Robbins.
With an album's worth of new songs in their pocket, Titus Andronicus took to the road in March of 2012, hashing out their new material night after night on tour, throughout the eastern United States and at the SXSW music conference. It would be the energy of the stage that they would strive to recreate in the studio.
The studio in question was New Paltz, NY's Marcata Recording, domain of master producer and engineer Kevin McMahon, whose credits include the first two Titus Andronicus LPs. Beginning on April 1st, the rare confluence of Palm Sunday and April Fool's Day, the converted barn became the band's home for the next two months. The first phase of recording found the band amassing hundreds of performances, playing together without headphones, three guitars strong, day in and day out, striving in pursuit of "the perfect take." A lengthy selection process followed, where the takes deemed most worthy of preserving for the ages were chosen. On top of these were placed much singing, still more guitars, and the contributions of an elite group of special guests – longtime Titus session keyboardist Elio DeLuca, famed violinist and string arranger to the stars Owen Pallett, and Eric's father, Steven Harm, blowing on a harmonica. This tight-knit group is just one of the meanings behind the phrase LOCAL BUSINESS. By the end of June, Kevin McMahon completed the mixing, and the mastering of the world famous Greg Calbi at Sterling Sound capped off the whole process.
But what of the songs themselves? While abandoning the linear narrative of The Monitor, the songs of LOCAL BUSINESS aim to make explicit the implications of the first two LPs, that the inherent meaninglessness of life in an absurd universe gives the individual power to create their own values and their own morality. This individual is celebrated throughout LOCAL BUSINESS's ten songs, though surrounded by a world that pressures endlessly to consume and to conform. The title LOCAL BUSINESS speaks to this anti-consumerist agenda, but fear not; the contradiction of the LP as a consumer product speaking against consumerism will be discussed at length therein. LOCAL BUSINESS should also indicate an interest in contemporary affairs, moving away from the historical content of The Monitor. Along the way, we witness a devastating automobile wreck, a food fight (that is to say, a battle with an eating disorder), an electrocution, a descent into insanity, and ultimately, a forgiveness of the self for its many faults. Titus Andronicus even finds time to broaden its emotional palette to include moments of pure positivity, brief respites from the usual doom and gloom.
LOCAL BUSINESS will be released on October 22nd, 2012. The release will be followed by a tour of the United States, which too shall be unique in the history of Titus Andronicus, as the band taking the stage every night will be the same band which made the record being promoted. So shall the story be complete, from tour to studio to tour again, the same band of brothers executing a singular vision. Five men, ten songs, no bullshit. LOCAL BUSINESS.

The So So Glos

PUP

As of lately, Toronto has been the breeding grounds for some of the best punk rock bands around. The scene is both a blessing and a curse. There seem to be 1,000+ loud rock bands in this city vying for attention, but when you are able to cut through the static, everyone seems to take notice. This is the case for Toronto four-piece, PUP.

What sets PUP apart in this booming scene is their ability to fuse raw punk energy with catchy earworms, big hooks, and scream-along choruses. Their songs are loud and fast, equal parts unchecked energy and calculated arrangements, with hair-pin turns, raging guitar riffs, and an overload of gang vocals.

Live, the band brings it full-throttled, every single show. They've gained a reputation for their sweaty, raucous, no-holds-barred live set. They play loud. Like really fucking loud. And every time they get on stage, you can be certain they're gonna play their guts out – house party, dive bar, festival stage, it doesn't matter. That's why AUX recently called them "One of Toronto's best live bands" and Grid T.O. named them their "Ones To Watch" for September.

In their short two years as a band, PUP has never stopped to catch their breath. It's been two years of tireless gigging, sleeping on couches, eating vegetable soup, nose-to-the-grindstone, eating/sleeping/breathing music. Two years of awesome tours, shitty tours, shows with Sloan, Titus Andronicus, Tokyo Police Club, Single Mothers, and a million shows with bands you've never heard of and probably will never hear of.

And now, at last, a full-length album, set to be released October 8th. The album was recorded by legendary producer Dave Schiffman (Weezer, The Bronx, Vampire Weekend, Rage Against The Machine), and will be available from Royal Mountain Records.

Of the recording process, frontman Stefan Babcock says "We wanted to make an album that captured what we do live. We recorded mostly live off the floor and there are a lot of mistakes on the album, but they're real and awesome, and it sounds like us, playing our songs. That's all I've ever wanted out of a punk rock record."

The first single, "Reservoir", has already been making its rounds, debuting at #1 on the CBC R3-30 charts, and catching the attention of Fucked Up and Billy Talent who both handpicked the band to open for them this fall. They'll also be heading out for a major national tour, supporting label-mates Hollerado.

Those bands know what so many others are about to find out: PUP is more than just another loud Toronto rock band. Go hear it/see it for yourself.

PUP is: Stefan Babcock, Nestor Chumak, Steve Sladkowski, and Zack Mykula.

"It's a tricky balance between aggression and pop, and they get it just right" - Stereogum "BAND TO WATCH"

$18.50

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www.leespalace.com

Tickets also Available at: Rotate This, Soundscapes, The Horseshoe

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Titus Andronicus with The So So Glos, PUP

Thursday, May 2 · Doors 8:30 PM / Show 9:00 PM at Lee's Palace