The Flatliners

The Flatliners’ career is a testament to perseverance and dedication. With a lineup that has never strayed from the original members who met as teenagers, the band has since logged countless miles on the road and amassed a dedicated legion of fans along the way.

Now approaching 15 years of hammering out bombastic tunes everywhere from dive bars to festival stages to European concert halls, The Flatliners hold fast to the DIY punk-rock ethos that has been at the group’s core since the beginning. The band came out swinging with youthful exuberance on their debut record, Destroy To Create, in 2005, and they’ve honed their anthemic style with each subsequent release: The Great Awake in 2007, Cavalcade in 2010, Dead Language in 2013 and Division of Spoils in 2015.

But frenetic touring schedules and prolific recording output takes its toll, and The Flatliners decided to spend the majority of 2015 off the road to recharge and reconnect with friends and family. Striking a balance between home and road life is a difficult task, but frontman and guitarist Chris Cresswell concedes that it’s necessary.

“That’s what we’ve been in search of for probably the last seven years. We noticed it in ourselves, and that’s what we’re really striving for now,” he says. “We have a lot of people in our lives that are super supportive of what we do, and we’re supportive of each other.”

The band may have opted for more downtime, but there was still plenty going on behind the scenes. Early in 2015, the guys found themselves without the familiarity of the jam space they had inhabited for nearly a decade—four walls that had been the incubator for hundreds of songs and uninhibited creativity. Several months were spent renting rooms wherever they were available before the band was able to settle into a new space, but the group did their best not to let the upheaval hinder their burgeoning roster of new material. Borne out of that chaos was Nerves, a two-song EP released in October 2016 that also marked the band’s first recording on Dine Alone Records.

The recording serves as a taste of what eager fans can expect to hear on The Flatliners’ new album, Inviting Light, set to be released on April 7, 2017. The band has been working hard to refine its unmistakable style, ensuring they don’t lose sight of their roots while continuing to move forward.

“Inviting Light is about trying to keep up with life around you but also wading through the potential bullshit of people thinking that a digital landscape is more important than their friends,” Cresswell explains. “It’s inevitable that you’re fighting for people’s attention now, whether you’re a band or an individual, and there’s not as much value placed on face-to-face human interaction as there is in elevating the profile.”

Meaningful interaction may be more difficult to achieve these days, but the group’s steadfast members continue to build on the enduring connection that brought them together all those years ago, celebrating one another’s personal milestones and weathering each new experience as a unit.

“It feels like we’re onto something,” Cresswell adds. “It’s exciting for a band to be 15 years into their existence and have this. It’s a refreshing thing.”

A fashion-crust Pollack, a dude that looks like if Ben Franklin was young and handsome, a drunken 90lb weakling and a hair-farming little guy that looks like he either parties with the Beastie Boys or the Arab Spring walk into a bar. Sounds like the start of a pretty good joke right? Well, this joke calls itself the Holy Mess and chances are that it walks into a bar, breaks a bunch of things, insults a few people, angrily grumbles and then melts your dick right off your pelvis with their sloppily aggressive take on the already sloppy and aggressive pop punk sound popularized by bands like Dillinger 4 and Lifetime. The punchline of the joke is that the Holy Mess don’t give a fuck on a level so profound that when I asked them some history so I could write this bio I just got a message back that said “if that ain’t country, I’ll kiss your ass.” Yet somehow, they have managed to crank out a modern masterpiece of booze soaked, regret fueled bangers that they’ve foolishly titled "Cande Ru Las Degas" and even more foolishly left up to the flying monkeys over at Red Scare Industries to disseminate to the masses, and said dissemination will commence August 2012, so hold onto your fancy opera glasses, grandpa. -Brendan Kelly

Blasting out of a dirty basement’s rehearsal room there comes the straight forward punkrock sound of Austria’s very own ASTPAI. Think of Strike Anywhere meets AC/DC, never lacking a sense in melody and sing-a-longs. Their Hardcore/Punk sound comes along with both very personal as well as political views and offers some new ideas without just presenting shallow paroles and drained statements.

ASTPAI has been a consistently touring band for five years now, including destinations such as Western-, Central-, and Eastern Europe as well as the USA, Canada and Russia.

In a total of ten years the band has shared stages with numerous international acts like Anti-Flag, Flogging Molly, Leftöver Crack, Fucked Up, Paint It Black, The Flatliners, Dead To Me, A Wilhelm Scream, The Casting Out (Ex-Boysetsfire), and many more.

ASTPAI love to be busy and they’re busy with what they love.

$10.00 - $12.00

Tickets Available at the Door

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