Hearts won. Love lost. Battles waged. Demons cast. Fatherhood, fellowship and full circles. The winding road and the welcoming home. The great beginning, the great unknown and a lot of in-between, too. It’s all present and accounted for on Vandaveer’s fifth and career-defining LP, The Wild Mercury.

Having written his most personal collection of songs to date, Mark Charles Heidinger initially planned to strip the recording process down to as few elements as possible, pursuing a more direct, minimalist approach. But after huddling with vocalist, Rose Guerin, and long-time producer, Duane Lundy, they charted a new course, enveloping these autobiographical vignettes with a full spectrum of sound. And with more than a little help from their friends. The trio called in brothers-in-arms, J. Tom Hnatow, Robby Cosenza and Justin Craig, for a prolonged session of sonic wayfinding. What emerged is musical alchemy—these are songs fully realized; this is Vandaveer fully formed.

The album’s title is an apt allusion to the musical explorations therein, fluid and bright, reaching from the traditions of Americana into modern pop soundscapes. The end result—a set of songs honest and wry, personal yet utterly relatable—proves that solitary journeys can find deeper, more meaningful truths through collective exploration.

Heidinger’s saturated vocals alternately soothe and electrify. When paired with Guerin’s angelic, bittersweet alto, the two create quicksilver harmonies. Long the defining quality of Vandaveer’s shapeshifting sound, this amalgam comes into full focus here. And throughout, Heidinger’s undeniable gift for storytelling shines as he reflects on possibilities forfeited, on narratives yet to be formed from the raw materials of the past. These are songs from a father to a child, a musician to his muse, a bandmate to a brother—songs of parting and return, of joy and melancholy, of life with all its paradoxes, of beauty, both indelible and ephemeral.

With poignant, everyman narratives and striking, folk-based harmonies, Vandaveer loosely fall under the Americana umbrella, but the band regularly elbow their way into wider spaces with a kaleidoscopic assortment of sounds. On The Wild Mercury, they’re stretching the genre’s fibers even further.

The Wild Mercury will be released on February 19th via WhiteSpace Records and distributed by MRi / Sony RED.

Kelly Fine and Chris Robinson have been captivating audiences in the Mid-West region for the past three years. Their soaring harmonies have silenced and tamed crowds of varying textures. Focused musicianship shines in every element of their songwriting. Young Heirlooms' name articulates their style and take on their fusioned genre. Young alludes to the modern spin on the traditional sound of folk music. Heirlooms are items or ideologies handed down from generation to generation. Young Heirlooms' music has a sound that is handed down from a bygone era, loved for its history, but remains in a new contemporary setting. A mixture of pop-folk and americana songwriting begin to describe the unique style of Young Heirlooms.

"I love it when I happen upon an unplanned supergem. That occurred at The Know Theatre’s smaller stage, where I wandered in on The Young Heirlooms’ music. From Dayton, singer/songwriter Kelly Fine is fantastic. Backed by mandolin, guitar, horns and bass, this six-piece was effortlessly bleeding out catchy, tight songs that were touching and definitely ear-grabbing. It seemed like they were having a hell of a lot of fun, and the vocals were amazing. No fancy clothes or gimmicks here, just pure talent, and I was absolutely taken with them. They gave the vibe of creative, natural artists who gelled completely. Hey, this Folk Pop symphony of sounds just worked. I would definitely buy the CD." - C.A. MACCONNELL, CityBeat

Molly Sullivan

With the promise of a dynamic set, Sullivan's sonic palette incorporates folk, pop, and experimental values with lush vocal-scapes, catchy melodies, and heart-tugging, honest lyrics. Now working with a loop station and several instruments, what-would-be standard ballads and pop tunes have become something denser and haunting.

$10.00 - $12.00

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