Manic Productions Presents
Kopecky Family Band
Matrimony, The Sea The Sea
254 Crown Street
New Haven, CT, 06511
This event is 21 and over
Kopecky Family Band
Like all families, Kopecky Family Band beats with the same heart and writes in the same blood. Whilst the band might not share actual familial bonds, the ties that keep this Nashville 6-piece together are just as strong.
The Family began creating music together in Nashville in Fall 2007. What began as late night talks about life and dreams gradually flowed into eccentric, beautiful music. Kelsey and Gabe settled on the name (Kelsey's last name lent itself well to a sort of 'family band' name), and recruited their friends to join the fold.
Gabe (guitar, vocals) and Kelsey (vocals, keys) lead the family, along with Steven (lead guitar), Corey (bass), Markus (cello), and David (drums). The music is emotive, the lyrics evoking raw honesty and vulnerability. The band will undoubtedly capture your attention with their unmistakable power and presence. The sounds created by the booming and orchestral-like 6-piece challenge the listener's ear and yet offer sweet melodies to sing along with. You'll be dancing up a storm by the end of a Kopecky set, and perhaps also be holding a maraca or two!
The band debuted their first EP, Embraces in 2008. In spring of 2010, the family packed into their 15-passenger van (lovingly called "The War Wagon", RIP) and headed to Austin for their first SXSW. It was during their performance at Next Big Nashville in the same year that they picked up steam, catching the ears of some influential folks. They headed back into the studio after this with Partners in Crime, Russ Long and Chris Grainger (Wilco) and produced The Disaster EP which was released in August 2010.
They trekked to New York City the same year, hitting up CMJ where they won over NPR's own Bob Boilen; and were invited to play the official Paste Magazine showcase. Straight back into the studio after CMJ, the band produced the follow up to The Disaster, the perfect compliment entitled Of Epic Proportions. The EP comprised digital B-Sides & rarities including "Howlin' at the Moon" and a remix of "God & Me".
A limited edition split 7″ vinyl with Seattle friends Ivan & Alyosha followed, as did several more tours and another SXSW jaunt. The band played 7 or so showcases this time around, with a marked performance at the infamous Paste Magazine showcase. And to keep themselves really busy early in 2011, the band played the Bonnaroo Music and Arts Festival, notching up 3 amazing sets and amassing several new friends and fans along the way. In other 2011 news, a deal was inked management company Red Light. Large tours alongside GIVERS and Gomez helped close out a super successful year, as did another visit to CMJ.
Early 2012 finally meant a break in the band's relentless touring schedule, and the chance to get away to work on their debut full-length album, which had already begun with ideas and songs being hatched whilst on the road. After a co-headlining tour with The Lumineers in April, the family once again bunkered down to put the finishing touches on the album. The result is Kids Raising Kids, a culmination of 5 years of hard work shared amongst friends, family, and fans. The album is due out later in the year.
Never the types to sit still, Camp Kopecky play their first Lollapalooza in August and will then head to Austin for ACL in October. There's indeed a lot on the horizon for this party of 6. There's never a dull moment when you're #PartoftheFamily.
Matrimony began as a duo in 2009. With Ashlee's Americana-rock influences and Jimmy's Irish-folk roots, Matrimony blends modern anti-folk and indie rock in their debut EP "The Storm & The Eye" produced by Bright City Studios and self-released to critical acclaim in the US.
Since then Matrimony has toured the country and has recorded a new record which is set for release in the spring time of 2013!
The Sea The Sea
If life is measured by our leaps of faith, then singer-songwriter duo Chuck e. Costa and Mira Stanley have found a way to catch us midair as we jump headlong into the infinite abyss. Their debut album LOVE WE ARE WE LOVE finds the duo in suspended animation, exploring moments of the unfolding future through their sincere, storyline lyrics, intimate harmonies and emotive sonic landscapes.
“It wasn't a theme we necessarily set out to pursue," says Chuck, "but all of the songs on this record take place immediately before, in the midst of, or after a decisive plunge into the unknown, believing the proverbial net will appear. This could mean uprooting and moving somewhere new, what comes of falling in or out of love, following a dream—and the struggle to confront these things honestly.”
It was a sign - very literally - that first brought Chuck and Mira together. "She was actually holding a sign with my name on it," recounts Chuck, who was showcasing in a songwriting contest that Mira had volunteered to stage-manage. However, it wasn’t until the fall of 2011, nearly five years later, when they reconnected to form THE SEA THE SEA. “We had both just gone through major upheavals in our lives,” says Mira, “And we were ready to test our faith in what was possible – in our art and in the world.” They borrowed their name from Xenophon's Anabasis, the ancient tale of Greek soldiers returning to their coastal home after a long arduous battle inland. "The Sea! The Sea!" is a cry of joy.
Once they began writing and singing together, it didn’t take long for Chuck and Mira to weave their many voices into one. They’ve already received praise from NPR and No Depression and now, by enlisting the careful production of Todd Sickafoose (Ani DiFranco, Andrew Bird) with accompaniment like tuned wineglasses and swathing strings, they’ve created their honest and ethereal debut album, Love We Are We Love.
They accompany each other with electric/acoustic guitars, the occasional banjo, piano, and percussion, but it is Chuck and Mira’s rich harmonies that provide the depth to their songwriting. Their perfectly matched voices sometimes share the back-and-forth conversations of the song’s characters and other times are the exchanges of one mind, weighing a decision, analyzing the moment, and trying to find the answers.
"There's a reoccurring idea on the record that we really wanted to explore," Mira says, "of the question and the answer being completely entwined or even the same (hence the palindromic album title). The leap of faith for example, what does it mean to really begin contemplating the leap? Have you already leapt just by asking the question in the first place? When is it too late to turn back? What happens next? And what is it that we can find in all of those spaces in-between?"
Each song is about it’s own leap, autobiographical or otherwise. In the album-opening “Re: Blah,” Chuck comforts his younger sister as she wonders “what’s the point of all this?” “Guess It Was” wrote itself during the night as Mira was coping with the passing of her grandfather. “Watertreader” finds the protagonist stuck in a situation where the mind has already moved on, but the body isn’t yet ready join it. The echoing and canon-like “Love We Are We Love” is the anthem that accompanies a leap of faith, and “Ten Thousand Birds” imagines all of mankind in a surge of courage taking that leap all at once like a murmuration of birds.
Indeed, The Sea The Sea implores us through beautiful song and their own connectedness to believe that we all exist in this world together, as we stare into the unknowable future. Though the album closes with the universal image of an amoebic flock of birds, Chuck and Mira shared the key to navigating it all at the very beginning, opening the album with the same belief that brought them together: “There is no such thing as having too much faith.”