Haunted Summer

Haunted Summer

Haunted Summer crafts languid pop music, adorned with orchestral strings and electronic textures that recall Soft Bulletin-era Flaming Lips.-Candice Aman (KXSC Radio)

Their brand of dream pop feels timeless, with just the right amount of youthful nostalgia to woo your ears into submission. Moody’s smooth, light as air vocals captivate like a siren of the sea, while the arrangements are lush and seductive, but never pushy. It’s a delightful combination that has the power to fill any lazy summer day with an extra bit of magic. -Jacqueline Caruso (The National Deli Magazine)

There’s no question that whatever is haunting Moody and Seasons is steering the duo toward a beautiful place. -Kevin Bronson (Buzzbands LA)

Windswept vocals, sultry strings and spacey guitar blend together beautifully. The whole thing is mysterious and engrossing enough that it gets under your skin and stirs your own private nostalgia. -Billy Gil (Amoeba Blog)

On their forthcoming album, "The Hoss, The Candle," White Dove's delicate and haunting songs, find a more celestial and hazy sound. Shedding their former name Monster, a monicker founder Alex Johnstone has carried since highschool, 2012 finds White Dove completing their first fully collaborative album at Kingsize Sound Labs in Los Angeles with producer Dave Trumfio. Multi-instrumentalist Jack Long and bassist Carl Harders joined Johnstone in 2009 for a tour of France in support of a 2005 self-titled LP. Originally released on The New Black, and repressed by Le Jardin Collectif, this album drew comparisons to Mojave 3, Galaxie 500, Big Star and Cat Power. "The Hoss, The Candle" again puts Johnstone's voice and songwriting front and center, this time supported by the melodically spry guitar lines of Long and the cool bass lines of Harders. Keyboards and pedal steel round out the record, an album that reflects the groups interest in 60s and 70s rock à la Fleetwood Mac and late era Beach Boys with hints of cosmic American music.


DRÆMINGS spent her early years reading dark fairy tales while listening to a warped cassette tape of Ace of Base's The Sign on repeat.

At 17, she ran away to San Francisco, where she was adopted by a gang of drag queens and street urchins. She embarked on a strange, magical adventure which included a short stint as a gangster rapper, a incubation period in India, and a heart-break fueled weekend that resulted in her writing 5 songs that would comprise her demo, and the birth of DRÆMINGS.

Her dark, powerful melodies, colorful lyrics and intense live show have drawn comparisons to the likes of Siouxsie , Bowie, Florence, and Chrissie.

She’s currently the only female act, and one of the only alt-pop acts signed to the seminal metal label SUMERIAN RECORDS.

Her eclectic full-length, The Eternal Lonesome, produced by Eric Palmquist (The Bad Suns, Trash Talk, Night Riots) will be released in Spring of 2016.

Simone White

LA-based singer-songwriter Simone White has worked with the producers of Fol Chen to deliver her most affecting and ambitious album yet: Silver Silver. White’s delicate voice is framed by complex arrangements, pulsing, speaker-rattling bass tones, delicately layered vocal harmonies, and exquisitely lush washes of sound.

Fans of White’s work may already be aware of her unusual life story. Born in Hawaii to a light sculptor dad and folk singer mum, burlesque grandmother and pop-song writer aunt, White grew up moving across the US, her parents following the demands of a cult leader. Leaving home in her teens, White traveled, acted, took photos and made films, living in Seattle, Paris and London—finally finding her voice as a musician in New York City.

"Los Angeles based singer Simone White has a voice like ether. It's sweetly airy and hypnotic. Hearing it can pull you under to a strangely beautiful, glittering world where nothing seems real." - NPR

"The beguiling singer Simone White is known as much for her whispered vocals as for her smart songwriting." - Huffington Post

"Silver Silver is...an album of cathartic intimacy, built around electronic textures and sparse percussion, with White's gently yielding, half-spoken vocals pitched, pleasingly, equidistant between Laurie Anderson and Joni Mitchell."
Four star review, MOJO



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