Scale The Summit, Mouth of the Architect, Kosmograd
794 Bathurst Street
Toronto, Ontario, M5R 3G1
This event is all ages
Watch & Listen
Los Angeles post-prog masters Intronaut return with their 4th and most impressive full length album to date; Habitual Levitations. Once again yielding thunderous, tribal drum beats, hypnotic bass patterns, angular guitar riffs and the trance-like vocals of Sacha Dunable, Intronaut pick up where they left off on 2010's Valley of Smoke, though this time around, see the songs a bit more refined and cultivated. The band toured heavily in support of Valley, including a stint opening for Tool in the US, which may explain the more polished sound. Intronaut has always teetered close on being a jam band. With one of the greatest rhythm sections in music (drummer, Danny Walker and bassist, Joe Lester) it would be hard not to just light up and see where those two take you. Experimenting on stage, knowing exactly where each band member is going in the song and thus really becoming one as a band is what Intronaut has achieved and what producers John Haddad [Exhumed, Phobia] and Derek Donley [Bereft] managed to capture perfectly on the new album. With a US tour supporting Meshuggah and Animals as Leaders set prior to Habitual's release, Intronaut will surely continue to mature and solidify themselves as one of the best metal bands around.
Scale The Summit
In 2004, Guitarists Chris Letchford and Travis Levrier moved to Los Angeles to attend the Musicians Institute, where they met drummer Pat Skeffington. After a few months, the band was completed with the addition of Bassist Jordan Eberhardt. While attending M.I., Chris and Travis also attended a luthier course, where the duo learned to build their own custom guitars. At the end of 2006, Scale The Summit moved to Letchford's home town of Houston, Texas, where they released their self-released debut album, Monument. They slowly started to gain attention from magazines such as Kerrang, Rock Sound and Amp. A couple years later in 2009 they signed with Prosthetic Records and began working on their second album, Carving Desert Canyons. The release of the second album was extremely successful, earning the band a spot on the 2008 Progressive Nation Tour with Dream Theater. After a couple more years of touring, the band settled in again in late 2010 to record their most recent album, The Collective.
Mouth of the Architect
Mouth of the Architect is an American atmospheric post-metal band from Dayton, Ohio, creating music influenced by and similar to Neurosis, Isis, Pelican, Cult of Luna, and various post-metal bands.
Mouth of the Architect formed in 2003 with the lineup of Jason Watkins, Gregory Lahm, Dave Mann, Alex Vernon, and Derik Sommer. They released their first album Time and Withering in 2004 to positive reviews.
Soon after the band released a split with label mates Kenoma in 2006, Vernon left, leaving Lahm to record all the guitar parts on their second album The Ties That Blind which was released in August, and featured Brent Hinds of Mastodon on guest vocals on one track, and bass from Brian Cook of Botch, Russian Circles, and These Arms are Snakes. To support The Ties That Blind, the band toured extensively around the United States, first with These Arms Are Snakes in late 2006, then with 400 Blows and Unsane in May and June 2007.
Their latest album, Quietly, was recorded after Lahm in turn left the band, with Vernon returning alongside newcomer Steve Brooks to jointly handle guitars and vocals, with Kevin Schindel providing bass. Soon after the release of the album by Translation Loss Records, Vernon left yet again, with Schindel filling the guitar void.
Schindel, Vernon, Mann and Brooks have been members of the band Twelve Tribes at various points in the past.
Toronto post-metal band creates the perfect winter music, moving at the pace of a snow drift, crushing heaviness & girth pull themselves forward. Slow distortion blistered guitar riffs, crackle and break through walls of cymbal hits, as they form their own wall of drone that washes over everything only easing up as we reach the calm in the storm., Quiet post-rock guitar artistry, builds on itself free of the chains & weight of distortion. Building back into the distortion laden caustic metal guitar jabs, the band lurches forward again, gaining speed & hardcore vocal intensity.
"Ferocious riffs, furious raging and glowing harmonies, slowly echoing haunting chords are build up a strange, but breathing universe of cold cutting steel and screaming stars. It’s definitively a very alive, pulsing journey, full of surprises and beautiful sound constructions." - brushvox.com