LA Font, Astra Heights, Majken

LA Font

"Hovering just under LA’s radar, but quickly coming into view, is the City of Angels' LA Font. ... Already comparisons are being drawn between modern peers like Speedy Ortiz and ’90s influences like Built to Spill and Pavement. It’s a compliment to the band’s tight drum-bass combo and witty lyrics, yet a disservice to a group that’s clearly growing into its own sound, with thick guitar hooks and orchestral flourishes, who are ready to forge their own path." – Filter

"We love LA Font. If you don't know them, you should reconsider a few things about your life, like whether or not you're cool." - Vice

Astra Heights

"We are Hispanic," says bassist James Morales, "and Bernard, our lead guitarist, is half-Greek and half-Chinese. It's weird: three Hispanic guys from small-town Texas playing British-inspired music. People say, 'You must be Latin rockers.' But we aren't. We see ourselves" he laughs softly, "as these London- Liverpool kids."


Astra Heights are an L.A-based band of three brothers and one "honorary brother" who play crisp, melodic, timeless rock and roll meant to fill big spaces. They grew up in a family of eleven kids in the rural shrimping town of Palacios, Texas, forming later when they moved two hours away to Houston for college. The band's music -- as demonstrated by 'Astra Heights', their self titled release for Universal Republic -- extends the lush British tradition of pop-rock as invented in the '60s by the Beatles and subsequently further cultivated and tweaked by '70s supergroups such as Queen and T Rex, by '80s visionaries such as the Smith and by the titanic '90s rivals Oasis and Blur. The band's name blends the Latin phrase ad astra, which means "to the stars," with the Houston Heights neighborhood they liked.

Although the Morales didn't begin playing instruments until they were in college, music was no foreign notion. "Our father and grandfather were life-long musicians," James points out. "Our dad was in a jazz band and grandfather still plays in a tejano band. Plus, growing up, we heard the music our parents listened to, which was really good '60s music: Beatles, Motown, Beach Boys. That gave us a great background. Then we began to hear other related bands. This inspired us to want to pick up instruments, especially given how we knew our dad had been doing it. And then, we had sung with him in the choir together. So we were just like hey, let's take the next step."

As much as melody in all its manifestations -- cuddly McCartneyesque basslines, soaring lead vocals, and hook-minded guitar parts, plus an unfailing sense of clear rhythm so foundational it functions as melodic -- compels Astra Heights, they are not the sort of harmony heads who ever sat around obsessively transcribing ELO tracks. "We grew up in the church choir," Mark explains, "where my dad was choir leader. We went from being altar boys to singing in the choir. We started in junior high staying through High School, learning the harmonies. That influence definitely stayed with us. So much of our melodic tendencies come from learning those harmonies in the choir, from learning to sing together as brothers."

Produced partly by noted Beatlesque producer David Kahne and partly by Bill Leffler 'Astra Heights' teems with unabashedly large rock tunes that interweave the Morales' love of melody, rhythm, and harmony. Some songs, such as "Good People" and "The March," address the vexations of living through today's difficult politics; others, such as "Whole World Changes" and "Well Farewell" are about love and girls. "We don't try to write a certain type of song," James says. "We write a song and then let it become whatever it becomes. It may crystallize into something that has a Spanish sound, like 'Whole World Changes', or it may not. We're not afraid to play any style."

'We know we're a pop band," Mark says. "Some people will relate to the joy of some of our songs, or to the frustration we depict in some of the others. Some of the rock songs, like 'Good People', are a little cryptic. But they're rock and roll through and through. When you get to some of the poppier songs, they're obviously about love."

Astra Heights are a brilliant example of coaxing something vital out of the various parts of one's reality. The band combines their youthful experience in harmony with their later love of London pop-rock and the rhythmic vitality that is their birthright. " When we go see our grandfather play his music, " James says, "there's always a groove there. That naturally had an effect on us, on how we play our music, on the idea of making a song move. For us, rhythm is its own kind of melody."

To all of this rich stuff, the Morales' add their generous notion of the large -- even if it's rooted in some cool notion of Suede selling out an enormous venue in Rio. "Just by virtue of writing these big songs, we separate ourselves from the pack," says Mark, "It's very stadium-rock, with lots of la-la-la's going on. We have all these strange influences bearing down on us. And when we're performing they all come out."

That's Astra Heights.

When you first hear Majken's music, you may not believe that those deep, husky vocals are coming from that blonde, green eyed Danish girl on stage, but you quickly become entranced with the lyrics and the dreamy rock noise. It's like you know the first song she's playing; yet it has a new feel to it, as if the Velvet Underground and Lana Del Rey had a love child.

Hailing from a small town in Denmark, Majken always wanted to travel the world and write stories that would move people. Art and music was always the center of her life. She studied dance in Copenhagen all throughout her childhood and began to work as a professional dancer as a teenager. After high school she made a quick stop in Copenhagen and then London for a few years, studying acting and dance before relocating to Los Angeles 5 years ago. She achieved some renown in creative circles as a dancer/choreographer, working on campaigns for brands such as NIKE and CLINIQUE, but quickly began to devote all her time to music.

She was playing percussion in French indie pop act Tropical Nirvana and living in the Hollywood Hills when she began writing and recording her own songs. The title of her debut EP "Deronda Hotel" is an homage to the winding street she called home while curing the troubled heart that produced many of her lyrics. "This EP it was all written from a pretty dark place, but it's still hopeful and kind of fun" she says. The six track record was produced in Los Angeles by Jesse Nolan (Caught a Ghost) and features a collaboration with French musician Maxime Sokolinski, whom she's also currently recording her second EP with - to be released in the fall of 2015. Majken is also performing live with her band, who has developed her ideas into a fresh take on a classic sound. They've played at venues around LA such as The Echo, Hotel Cafe and The Standard Hotel. - You may not know what to expect when she takes the stage, but if you let her, she will take you on a journey.



Upcoming Events
The Satellite