"Popshop BK" A Pop Music Club Night. Second Saturdays At Brooklyn Bowl
Little Daylight, The Griswolds
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 10:30 PM / Show 11:30 PM
This event is 21 and over
The mysteriosos behind Sir Sly are dark knights in the truest sense. Since first making their presence known last summer, the LA outfit have been running the tastemaker underworld with their monochromatic blend of vigilante pop, leaving onlookers with nothing more than a pair of explosive tracks and a hero-shaped shadow to go on. So it's with great pleasure that we're able to pull the curtain back today and unveil our next release, as we bring Sir Sly's debut 7" into the world on Neon Gold next month in conjunction with our UK sister label, National Anthem.
Sir Sly is not one sir but three - Landon Jacobs, Jason Suwito, and Hayden Coplen to be precise - who have been hard at work for the past few months writing, recording and producing all aspects of their debut offering in Suwito's studio. From the arresting cold open to the ever-restless denouement, lead A-single "Ghost" doesn't just pass our every litmus test, it passes right through it, swimming through a fog of wartorn synths and floating with timeless melancholy in an ocean of unforgotten pasts. Elsewhere, the vinyl's AA-side "Gold" - for which the band have put together the perfect visual accompaniment (below) - jangles with moody desperation and reckless abandon, while digital-only B-side "Where I'm Going" delves deeper into the depths of the trio's doom-and-gloom pop noir.
-Neon Gold Records
The indie pop trio Little Daylight have been spending most of their time making remixes of everyone from Passion Pit to Penguin Prison, but now they're striking out in their own right with an excellent new single, "Overdose," and an accompanying video that suits the track's bubbly, late-night vibe, as the band's members take to some darkened streets with flashlights to light their way. It's got the deep bass throb and glossy instrumentals of Icona Pop but some of Sky Ferreira's melancholy, too.
The Griswolds’ first bio simply read: “The chameleons of pop.” That description holds true for the Sydney indie pop group, formed almost two years ago by singer/guitarist Christopher Whitehall and lead guitarist Daniel Duque-Perez, as they look to become a globally known act.
The Griswolds were thrown into the spotlight immediately after they found instant success in early 2012 when they became Australia’s Triple J “Unearthed” feature artist and won a slot on the 2012 Parklife Festival lineup alongside Passion Pit. In the beginning there was no set plan for the music, which was created almost incidentally by the joint efforts of the duo. The two musicians had been playing in various bands around Sydney and got together one night to expand on a guitar riff Dan had written. That was when they knew almost immediately, they had great songwriting chemistry.
“At the very beginning, you don’t really know what to expect and don’t really know what the potential is with a new project,” Christopher said. “There was some skepticism about what we would do with it, but after we wrote a few songs together it was clear that this was something special. These weren’t just good songs; they were some of the best songs we’ve ever written.”
That riff evolved into a song called “Mississippi,” which later became the band’s first hit in Australia. “Mississippi,” and its buoyant, upbeat melody, sing-along chorus and group vocals embrace the exuberant tone the musicians wanted to pursue with The Griswolds.
The Griswolds’ lineup is rounded out by bassist Tim John and drummer Chris Riley. They self-recorded and released their debut Heart of a Lion EP in Australia during the fall of 2012 without actually having a band name yet. After a long late night conversation, the name The Griswolds came up through their mutual love for National Lampoon’s Vacation film series and it stuck. The EP, a shimmering four-song collection of tropical indie pop numbers, immediately earned them notable accolades from press and fans alike will be released in the United States on September 3, 2013.
All of the songs were written and produced by Whitehall and Duque-Perez and were recorded in the musicians’ house as well as a studio in Sydney throughout 2012. They selected the four best songs they’d written to comprise their first EP release. “We decided to go all-in,” Christopher says. “We just wanted to write the best songs and then make it work. And we got lucky. The guys who are in the band are all amazing musicians.”
“Heart of a Lion,” the single, with its charming and buoyant toe-tapping sounds, has received airplay in over 20 countries worldwide. The track was also featured as an iTunes “Single of the Week” and notably created a huge buzz in the Netherlands, where it reached No. 3 in radio airplay.
The Griswolds have toured extensively in Australia, Europe and the U.S. with artists such as, Django Django, San Cisco and Last Dinosaurs to name a few and played numerous Australian festivals including Big Day Out, a show that stands out in their minds as their favorite show to date. “It was 48 degrees Celsius and it was early in the day but when we walked out to the stage the crowd was enormous, over 2000 people all screaming the words back at us,” said Dan, “and best of all was that it was in our home city.”
They plan to expand their aesthetic on their debut album, which they will record with Tony Hoffer in LA in November 2013. It will be released in early 2014 and will showcase the band’s growth since recording their EP. And now with the EP coming out in the States on Wind-up Records, The Griswolds have started thinking beyond making songs with no real intention. Everything, though, still goes back to the two guys who connected over a guitar riff.
“Back when we wrote the EP it was two guys in a house writing songs for fun and not really knowing who was going to be listening to it,” Christopher says. “We wrote for fun and for us and for Australia and that was great. Now we’re getting a lot more ambitious and we’re thinking globally. But we want to stay true to ourselves. I think our style of music all comes down to big choruses you can sing along to.”
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