224 S. Blount
Raleigh, NC, 27601
Doors 9:00 PM / Show 10:00 PM
Watch & Listen
Black Tusk is an American sludge metal band from Savannah, Georgia. The band was formed in 2005, when its members were all living on the same street. With the dissolution of Andrew Fidler (guitar, vocals) and Jonathan Athon (bass, vocals) crust punk band and James May (drums, vocals) street punk band, Andrew and Athon went down the street to James' house and asked him if he wanted to play with them. During the next few days they jammed continuously, and within a few months they had recorded the EP When Kingdoms Fall, which was released on Wrecked Signal. Two years later the band self-released their first full-length studio album, The Fallen Kingdom, followed by another a year later with Passage Through Purgatory, released through the local label Hyperrealist Records. In 2009, Black Tusk released a series of split albums with bands such as ASG, The Holy Mountain, and Fight Amp, before signing to relapse records in November. The band released its debut for Relapse, Taste The Sin, in May 2010. They released their third album, Set the Dial, in October 2011 through Relapse Records.
Black Tusk is mostly associated with Baroness and Kylesa, for their shared hometown of Savannah, as well as for their sludge metal sound. The band is linked to Baroness' guitarist and vocalist John Dyer Baizley, who is also a painter and creates all of Black Tusk's artwork. Black Tusk's members describe their music as "swamp metal," a term that has been described by Allmusic as "the murkiest, dirtiest sludge to come out of Savannah since Kylesa".
Raleigh’s Bedowyn spent two years honing their sound before issuing 2013’s five-song debut Wolves & Trees. Their patience served them well. Full of familiar inflections, Wolves & Trees embraces the soar and scope of classic metal while reveling in the gruff thunder of doom and death, the pace of thrash and the hooks of hard rock. And where many are content to retread tire tropes, Bedowyn looks to fuse them together in new shapes. When the band shifts from a thrash gallop into pensive psych-rock on “Evil and Right,” the transition is seamless. This pan-metallic fluency helps Bedowyn avoid monotony, but it also makes their music more inviting. Where codified subgenre purism breeds insular orthodoxy, Bedowyn’s heretical embrace of all things heavy leaves room for fresh inspiration.
“Black Sabbath gathered the kindling, and Bedowyn are burning down the camp sire. The only difference is, without question, I would take Bedowyn over modern day Sabbath any day of the week.” - Sorrow Eternal
“While they'd never be confused for a style-over-substance tech-metal act, Bedowyn doesn't shy from instrumental ambition”- Indy Week
“Bedowyn is a band I want to see live. Not in a 'The Chariot' way where the live show is something to take notice of but the album is a complete joke. No, I want to see Bedowyn live like I want to see The Sword live. Their music is there to knock you on your ass.” - Metal Recommendations
Coming from a diverse musical background within the realm of all kinds of Metal, Punk, Prog and beyond, the quartet has honed in on their unique sound that melds the styles of all four members. Formed in early 2010, Stampede has recorded one full length and another is on the way. Miraculously, there have been no line-up changes. Stampede consistently plays along the east coast with the west in their sights. Volume. Absolute Riffage.
For fans of: Neurosis, High on Fire, Mastodon
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