Consider The Source

Consider The Source

Drawing from progressive rock, fusion and jazz, with alien sounds soaked in Indian and Middle Eastern styles, CTS blends disparate parts into a striking, utterly original whole. Dubbed “Sci-Fi Middle Eastern Fusion”, the band’s music strikes a rare balance between cerebral and emotional, intellectual and primal. A relentless touring schedule has won the band a fervent following from California to Israel, with fans ranging from jam-band hippies and jazz cats to corpse-painted headbangers and prog geeks.

Formed in 2004, Consider the Source features Gabriel Marin on fretless double-neck guitar, bassist John Ferrara, and drummer/percussionist Jeff Mann. Marin “boasts insane chops, impeccable time, mastery of diverse traditional scales, rare fretless guitar fluency, and a gift for manipulating effects”. He channels the mystical fury of McLaughlin and Coltrane into wailing melodies, kaleidoscopic soundscapes and bone-shaking riffs. With a background in classical musics both European and Indian, and an instinct for avant-jazz and destructive metal, Marin’s hypnotic fusion of styles is ever unpredictable. Ferrara’s propulsive, percussive attack, equally suited to simple grooves and impossible chords, can ground the music or launch it into space. Ferrara has been called “a tried and true nerd of the low end that translates the mystery of chops into a musical and improvisational environment”. His propulsive and percussive attack is equally suited to simple grooves and impossible chords, and can ground the music or launch it into space. His madcap gumbo of slap bass, Indian rhythms, earthy minimalism and complex tapping constantly pushes into strange new worlds, whilst dropping thick booty-clapping beats. Underneath them lies Mann’s rolling thunder; dense rhythmic architecture built from pure swagger and bounce. Half double-bass prog-metal, half crackle-pop Buddy Rich-swing, with African and Balkan swirls, Mann’s muscular, freewheeling polyrhythms are the engine fuel for CTS’s multiversal mischief. Even when not improvising, the band’s music is always a conversation, a roiling stew of dynamic interplay. Each member of Consider the Source alternately leads and follows, spars and assists; in any single song, alliances are made and broken, bargains struck and divorces finalized.

Touring from coast to coast, as well as Europe and the Middle East, has not only earned the band thousands of fans, but has allowed them to perform with a wide variety of well-known artists, including Victor Wooten, Wayne Krantz, King Crimson Projekt, Kris Myers (Umphrey’s McGee), Wyclef Jean, Andy Statman, Matt Darriau (Paradox Trio), Oteil Burbridge, Jacob Fred Jazz Odyssey, Dumpstaphunk, Keller Williams, George Porter Jr., Jeff Sipe, Panzerballet (Germany), Eatliz (Israel), Freak Kitchen (Sweden), Morglbl (France) and many others. They have performed at numerous festivals and events including Gathering of the Vibes (Connecticut), Peach Fest (Pennsylvania), Summercamp (Illinois), Catskill Chill (New York), Aura Music & Arts Festival (Florida), Jazz Fest (New Orleans), Burning Man (Nevada), Head For The Hills Festival & SXSW (Texas), Rootwire (Ohio) and the The WerKout (Ohio), to name a handful.

Barreling out of the northern woods like a grizzled bear on speed, Lucid, the hardest working band in the North Country (Upstate NY and VT), careens across the musical spectrum as a V8 blend of genres emerge- from jazz to rock, honky-tonk blues to reggae.

Formed in 2003, the latest album from the sextet, "Dewdmanwah", was released this past fall to regional acclaim in the northeast.

With 2010 aimed at being their breakthrough year, keyboardist Andy Deller looks forward to gracing the country with a healthy dose of Adirondack soul and passion.

"Our sound is catchy yet eclectic. The songs get stuck in your head, and there is a very distinct tone," said Deller. "The influences and the styles we play are wide ranging. But always at the center of it all is a thick thread of rock tying everything together. Our music has a little something for everybody. Audiences all over are very appreciative. We get applause, we get hooting and hollering, and sometimes nakedness. They're always dancing."

Roaming the nation on their graffiti-doused, Neal Cassady-esque psychedelic bus, "Lucy", the rock bandits roll joyously along the road towards musical stardom, taking no prisoners, and always having fun in a sometimes-unforgiving industry.

"We just want people to go away thinking 'that was a good time'," Deller said. "And maybe for the next week or two they can't get that one song out of their heads, but it's a good thing. It's like burping four hours after a meal, and saying, 'oh yeah, that lasagna was good'."

"Living in a ski town, one constantly hears the adage, 'if you like it now, you should have been here 10 years ago, before all these people showed up'," said Garret K. Woodward (Roving Festival Writer/State of Mind Music Magazine). "The funny thing is, in 10 years, I'll probably be saying the same thing about Lucid and the unforgettable presence they create onstage and out of your speakers.

$6.00 - $8.00


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