3025 Walnut Street
Philadelphia, PA, 19104
Doors 7:00 PM / Show 8:00 PM
This event is all ages
To many, Lady Lamb is an enigma. Her songs are at once intimate and unbridled– both deeply personal and existentially contemplative. Aly Spaltro is a fearless performer who can command a pitch black stage with nothing more than her voice. Yet, when the band bursts in and the lights come up, what began as a demonstration of restraint shifts seamlessly into an emphatic snarl. On her newest work, After, Spaltro explores dualities further - giving equal attention to both the internal and external, the before and after. Her most palpable fears and memories are on display here, with a familiar vulnerability even more direct than her last effort. After boasts driving rhythms, bold melodies, candid lyricism, and a growling sonic stamp that is all her own.
Spaltro’s formative years were full of change – moving houses, cities, and countries every three years until she landed in her family's home state of Maine. It was here that Spaltro found her voice among thousands of films at Bart & Greg’s DVD Explosion, an independent rental store in the small coastal town of Brunswick. During the day Spaltro would rent movies to the locals. At night she would lock up, pull out her 8-track recorder, and create songs completely uninhibited by musical conventions, learning to play and sing as she hit record. These creations brought forth nearly one hundred recordings, twelve of which were carefully curated and fully realized on her 2013 full-length studio debut Ripely Pine (released on Ba Da Bing! Records). Ripely Pine garnered praise for its lyrical intricacies, emotive vocals, and often unpredictable musicality, introducing Spaltro as a formidable new artist.
In between tours, Spaltro returned home, focusing with laser-like intent on writing, arranging, and demoing the songs on After. These new works - which found Spaltro co-producing with her Ripely Pine partner Nadim Issa at his Brooklyn studio, Let 'Em In - are sonically vibrant, with an assertive use of grit and brightness. Thematically, they provide direct insight into Spaltro’s rumination on mortality, family, friendships, and leaving home.
There are many songs on After that explore themes of a much larger scale. In “Heretic” Spaltro sings of a childhood UFO sighting in Arizona. In “Batter” she dies in a plane crash, while in “Spat Out Spit” she questions whether she was even born at all. Alternatively, in “Billions of Eyes” Spaltro can "only see into her suitcase," her mind simultaneously present and wandering as she "gnaws [her] way back home." The tender and sparse “Ten” delves into her mother’s childhood diary, giving the listener a clear view throughout into some of Spaltro's warmest memories of her loved ones. Ripely Pine was marked by an undeniable passion and confidence, but where it sometimes lacked in personal narrative and directness is where After shines. The last line on After encompasses the self-assurance of the work as a whole, stating "I know where I come from." This theme is a constant throughout After, as Spaltro seeks to allow the listener to move in closer than ever before, to reflect on the past with grace, and envision the future with fervor. Spaltro invites us to contemplate the dualities that make us human, encouraging the celebration of both fear and love: internally and externally, before and after.
Music maker Xenia Rubinos uses her powerful voice to create beats and melodies from scratch. Xenia's sound grows from a wide range of influences from Caribbean rhythms and beat music to minimalism and indie rock all delivered with a soulful punk aura. Her debut record, Magic Trix, is an ecstatic collection of songs featuring layered beats, crunchy keyboards, and driving syncopated rhythms.
Recorded in a sweaty Brooklyn basement, Magic Trix is a colorful illustration of both Xenia's quirky songwriting and the band's live show. Co-producer/drummer Marco Buccelli helped shape the record's sound, "We experimented with distortion and having an electronic aesthetic on my acoustic drum set. Our overall philosophy was to use what we know and what we have around us to strike a balance between analogic live sound and today's digital perfection." The record was engineered, mixed, and mastered by Grammy award winning engineer Jeremy Loucas. Buccelli's experimentation paired with Loucas' technical prowess scored the team the punchy, live, aggressive sound they were looking for.
Having toured Europe and US , the CubaRican songstress continues touring steadily in support of her new album. Xenia's music has been featured on MTV, WNYC, East Village Radio, The New Yorker, Fader, Vice, and TimeOutNY.
All Upstairs tickets are General Admission. Dining is available at World Cafe Live. Reservations are accepted for Upstairs Live, our full service restaurant; we recommend scheduling a reservation time 1½ to 2 hours before show time. For more information and to see menus, please read the Restaurant Info and Dining FAQ.
WHEELCHAIR ACCESSIBLE SEATS are located on all seated levels of this theatre. For more information, please contact us at firstname.lastname@example.org or call 215-222-1400.