Parade of Flesh presents . . .
Cancer Bats, Black Tusk, Mothership
2720 Elm St.
Dallas, TX, 75226
This event is all ages
Brutally catchy punkrock/metal with a taste of groovy darkness!
Kvelertak shamelessly draw inspiration from every corner of something that could fit into their idea of good hard-hitting and catchy rock'n'roll. Regardless of genre, but always truthful to the basic idea of the band; good songs performed with the tongue-in-cheek attitude of their punk-rock pioneers. Unlike the majority of heavier bands they sing in their native language – adding even more character to their already unique sound.
Releasing their much anticipated debut album, Kvelertak are already well known in Norway for their furious live energy and catchy, melodic, metal-inspired punk rock. Outside Norway they are fairly unknown… yet.
It is a classic story; A bunch of good friends decide to create a band. It turns out to be a very good band, and from the start in 2007 things have been going very fast for these young lads from the west coast of Norway. National radio airplay and stunning live performances have taken them to some of the biggest festivals in the country and also to the infamous Roskilde festival in 2009, where they performed in front of 3000 crazy fans. Quite astonishing for a (then) unsigned act with a few demos.
A classic performance at the Eurosonic Festival in Holland spawned this review in the festival paper:
"Norway and black metal are hand in glove. A bloody serious matter at that, with emphasis on bloody and serious. High time for a more light-hearted look at the case, preferably by a compatriot. Enter Kvelertak, a delicious motley crew from Stavanger that uses the Turbonegro method for its black metal approach: an orgy of thickly sliced punk rock and good old rock & roll in IMAX 3D format. In other words: completely over the top, these six rocking rascals with a three-man guitar front, going for all sacred cows in the aforementioned genres with undisguised fun and catchy melodies. Whether the listener will like it? Let's put it this way: once gripped by Kvelertak you never want anything else."
Late 2009 Kvelertak inked a deal with Indie Recordings and the search for a producer started. On top of the list was the name of Kurt Ballou of Converge, and it is no surprise the band went ballistic when he agreed to produce the album in his God City studio in Salem, MA.
Guitarist Bjarte Lund Rolland comments:
"Kurt was on top of our dream-list of producers. His records always sound amazing; they have that driving energy and the punchy drums we were looking for. To have him say yes to our humble request was the best thing that could have happened to this record. Kurt had a plan from the beginning, and was able to produce exactly the sound we were hoping for."
The story actually repeated itself when it came to finding the right artwork. All time favorite of the band, John Baizley of Baroness, heard a demo while on tour and felt he absolutely had to do the art, which Kvelertak absolutely agreed on.
From the very first demos Kvelertak had a tradition of bringing in people whose work they admired to guest on their songs. Early demos include classic performances of amongst others Nattefrost (Carpathian Forest). The debut album keeps the tradition alive and sees great performances by Hoest (Taake), Andreas Tylden (JR Ewing and Altaar), Ivar Nikolaisen (Silver), and Ryan McKenney (Trap Them). All of which add their unique touch to their respectively tracks.
Cancer Bats have come to destroy. Fueled by a burning desire to rage harder, play louder and have more fun than any other band, Cancer Bats mix hardcore, southern metal and punk rock into a lethal rock and roll explosion.
The band originated in May of 2004 with singer Liam Cormier and guitarist Scott Middleton, former member of Toronto metal band At The Mercy Of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Refused, Black flag, Led Zeppelin and Down, among others. The lineup was rounded out with the addition of Andrew McCracken on bass and Mike Peters on drums.
The four-piece wasted no time writing and recording songs for a self-released EP that saw light in January of 2005 (later reissued on Oct 31 2005 on vinyl by Tragicomedy Records). The band began playing shows throughout North America, spreading the gospel of rage with bands such as Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, A Life Once Lost, The Bled, Misery Signals and This Is Hell. With hundreds of shows and several tours in the US and Canada under their belts, Cancer Bats are eager to party in every city, town and metropolis that will have them. Cancer Bats' long anticipated first full-length record "BIRTHING THE GIANT" is due out NOW on Distort Records and will be released September 5/06 on Abacus Recordings.
Black Tusk is an American sludge metal band from Savannah, Georgia. The band was formed in 2005, when its members were all living on the same street. With the dissolution of Andrew Fidler (guitar, vocals) and Jonathan Athon (bass, vocals) crust punk band and James May (drums, vocals) street punk band, Andrew and Athon went down the street to James' house and asked him if he wanted to play with them. During the next few days they jammed continuously, and within a few months they had recorded the EP When Kingdoms Fall, which was released on Wrecked Signal. Two years later the band self-released their first full-length studio album, The Fallen Kingdom, followed by another a year later with Passage Through Purgatory, released through the local label Hyperrealist Records. In 2009, Black Tusk released a series of split albums with bands such as ASG, The Holy Mountain, and Fight Amp, before signing to relapse records in November. The band released its debut for Relapse, Taste The Sin, in May 2010. They released their third album, Set the Dial, in October 2011 through Relapse Records.
Black Tusk is mostly associated with Baroness and Kylesa, for their shared hometown of Savannah, as well as for their sludge metal sound. The band is linked to Baroness' guitarist and vocalist John Dyer Baizley, who is also a painter and creates all of Black Tusk's artwork. Black Tusk's members describe their music as "swamp metal," a term that has been described by Allmusic as "the murkiest, dirtiest sludge to come out of Savannah since Kylesa".
Rock n' Roll history is rife with brothers working together to create their artistic vision. But rarely do we hear about a full-fledged family unit embarking down the treacherous path of a musical career. In the case of Texas based Mothership, the Brother Juett (Kyle on bass, younger brother Kelley on guitar) enlisted the aid of their father, John Juett, to help get the 'ship off the ground. Raised on a healthy dose of their father's 70's-era record collection, the brothers began crafting songs fueled on the raucous and raw good time vibe when music seemed to know no bounds. Lifting off the pad for the first time in 2010, the band began to gain momentum and notoriety with their unabashed live shows. Knowing that the service of the family patriarch was temporary, Father Juett actively helped his boys find his replacement, and in late 2011, enter the mighty Judge Smith to hammer away on the skins.
In early 2012, Mothership entered Crystal Clear Studios with Wo Fat mastermind Kent Stump manning the boards and by mid-year, the band self-released their debut album. It was the combination of the 70's-era heavy rock fuzz and fury mixed with the blistering guitar solos of the NWOBHM-era that drew the bands attention to California-based Heavy Rock label, Ripple Music. In the waning months of 2012, after a successful year of traveling regionally throughout Texas and opening for national acts such as Prong, Red Fang, Gypsyhawk, Earthen Grave, and Lo-Pan, Mothership officially dubbed Ripple Music as its Home Port and began plotting a course for their first U.S. Tour in early 2013. The band's debut album will see its official Ripple release on February 12th, 2013 in the way of CD, LP, Deluxe LP, and Digital releases.
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