Gowanus Collective, Jamie Block, Indie Rock Live Band Karaoke Brunch
186 Bedford Ave
Brooklyn, NY, 11211
Doors 7:30 PM / Show 8:00 PM
This event is 21 and over
The Gowanus Collective is a spontaneous/improvisational group based out of NYC. Weather it be the pulsing grooves that rumble across the stage, the ambient soundscapes that graze the audience, or the sonic screams of their laser like notes, the Gowanus Collective delivers an intense organic, hand packaged, and exciting listening experience to the audience
Jamie Block is a New York-based singer-songwriter known for ramshackle, critical-darling, genre-bending antifolk music. In the 90s Block busked, skylarked and chainsmoked his way to indie stardom and then—rather than turn to a life of tears when Capitol Records dropped him—traitorously joined the one percent with a Wall Street career. Only when, years later, he heard a sultry New York deejay named Claudia Marshall call him back to music did he pick up his guitar again. Also, because nothing's ever simple: His life fell apart. Midlife, divorce, spiritual spiral, recovery.
The longer version is this. In 1996, Block self-released Lead Me Not Into Penn Station which, according to the Alternative Press, “practices the alchemy of melodious discord: pretty enough to draw you in, rough enough to keep you listening.” Block then opened for The Brian Setzer Orchestra, Bob Mould, and They Might Be Giants.
In 1998, Glen Ballard (who’d just produced Alanis Morissette’s Jagged Little Pill) signed Block as the first artist to his Capitol imprint Java Records, and released Block’s next album, Timing is Everything, that year. Time Out said, “stellar,” and the Boston Globe said, “tight, important and indeed well-timed.” Several of his songs appeared on movie soundtracks, including “Rhinoceros” (Blast from the Past), “I Used to Manage PM Dawn” (Clubland), and “Catch a Falling Star” (Never Been Kissed).
His return to recording came a few years later, when WFUV deejay Claudia Marshall began regularly spinning his music and demanding on-air that the folksinger-in-pinstripes phone home. This plea led to The Last Single Guy, released in 2006. Allmusic.com described it this way: “like a bedside book, this album can be played in one sitting, but so much better to dip in and out of it over time, letting one’s mood determine one’s favorites for the day.” It also appeared on Ms. Marshall’s “Best of the Year” list.
Block’s latest release, 2013’s Whitecaps On The Hudson, presents deranged Byronic songs in loose, even organic attire. Call it antifolk or steamfolk or folkcore: pure-of-heart love songs run into unabashed pop melodies and collide with haunting spoken-word invocations.
Producer/engineer Dean Sharenow brought in a world-class band to help realize the songs, including Erik Della Penna (Natalie Merchant, Joan Baez) on guitars, Mick Rossi (Paul Simon, Phillip Glass) on keyboards, and Byron Isaacs (Olabelle) and Jeff Hill (Rufus Wainwright) sharing the bass duties. The album was recorded in two live Brooklyn sessions to maintain the spontaneity and flow of Block’s homespun demos.
It is Block’s most personal record to date.
Praise for Whitecaps
"Virtually ever track is a perfect little musical play, so well crafted that we’ve had trouble finding appropriate words to describe them."
-Steven P. Marsh
Will You Miss Me When I'm Gone?
Indie Rock Live Band Karaoke Brunch
Remember nostalgia? Remember authenticity? Remember feelings? Remember indie rock?
Relive your glory days with Live Band Indie Rock Karaoke:
Sign up early or at the door to belt out your favorite songs by-- Guided By Voices, Pavement, Yeah Yeah Yeahs, Moldy Peaches, Belle & Sebastian, Pavement, Arcade Fire, New Pornographers, Pavement, Pavement, and many more!
Or just hang out and watch the emotional detachment pop like fireworks...
All free. All real. All for you. Come out won't you?
[Live band backing and vocal assistance for the timid by 'Double Irony']