The Big Spill 2013
Chelsea Light Moving (Thurston Moore)
Merchandise, Parenthetical Girls
107 E. Martin St.
San Antonio, TX, 78205
This event is all ages
Chelsea Light Moving (Thurston Moore)
CHELSEA LIGHT MOVING is the current group led by Sonic Youth founder Thurston Moore. He is the songwriter and plays over-amped hyper electric guitar and sings with raw-glam-destructo vocals. The band is a four piece featuring Samara Lubelski, who has played violin with TM on his last two solo LPs (Demolished Thoughts and Trees Outside The Academy) and with CHELSEA LIGHT MOVING plays deep psyche pop metal bass guitar. Keith Wood, who records under the aegis Hush Arbors, plays electric guitar with a pick forged from angel wing and John Moloney, aka “Pegasus”, approaches the drums like an asteroid hurtling toward Earth. The first CD self-titled was recorded in two spurious sessions with engineer Justin Pizzoferrato in Sone Lab, a killer studio in Easthampton MASSACHUSETTS.
Merchandise is the result of years and years of hallucinatory heat and musical quarantine in the skinhead mecca of Tampa, FL. A trio-gone-duo-gone-trio again, the band has been active since 2008, releasing numerous cassettes and CD-R's, along with two full-length LP's on Katorga Works. It's members (RCC, PDB, DMV) all have strong roots in the underground punk community, having released records and toured with much too many acts to be mentioned in this fragment of a bio.
2012's "Children of Desire" marks a turning point for the band. Their initial post-punk palette has begun to actively incorporate various influences from krautrock soundscapes to country ballads, from 1950's crooners to Madchester dopers. Sounds and ambitions have grown and multiplied. The platform continues to grow and the future remains uncertain, but Merchandise show no signs of slowing down. Expect more tours and records and movies and books and etc and and and…
Unconventional is probably the most succinct way of putting it. Obsessive, eccentric, indulgent: they're all equally fair. If Parenthetical Girls have learned anything over the course of their bewilderingly unorthodox discography, it's that they are—for richer or for poorer—a necessarily singular pop group. It's a peculiarity that they've learned to embrace—a single-minded conviction that pours itself over every corner of their latest album, Privilege*.
Having taken pop extravagance to its logical conclusion with their critically acclaimed, orchestral pop opus Entanglements, Privilege* finds a newly emboldened Parenthetical Girls giving the orchestra their leave—a brazen reinvention as immediate as it is inspired. Returning to its core membership of vocalist/creative director
Zac Pennington and producer/arranger Jherek Bischoff (composer and collaborator with David Byrne, Amanda Palmer, Xiu Xiu, etc.), Privilege* retains the group's signature ambitions—visceral intimacy, camp austerity, lurid eloquence—while confidently embracing the perfect pop pastiche their previous records only alluded to. Anchored by Pennington's distinctively lilting vibrato, Privilege* is a cascade of grim particulars and gallows humor—an unflinching treatise on privilege, indiscretion, betrayal, sex and class politics, failure, and resignation. This is Parenthetical Girls in fighting trim: unbridled, unambiguous, and with a new creative candor that's felt in both its words and music.
Originally recorded and self-released as a sequence of five self-contained, extremely limited 12" EPs (each heroically hand-numbered in the blood of the group's members, and available only through direct mailorder) the ambitious Privilege series was a grand and unequivocally impractical achievement. Privilege* condenses the 21 recordings of the original series to a single, 12-track, remixed and remastered statement of purpose: a bold, strikingly cohesive pop clarion call that further solidifies Parenthetical Girls' place amongst the most surprising and uncompromising pop groups at work today.
"With Privilege, Parenthetical Girls have forged what is arguably one of the most astonishing works of pop songwriting in this or any other year—a record that rubs shoulders with the upper echelons of pop music's storied history, and very probably the angels themselves. Arguably."—Britt Daniel, Spoon
"Music is pointless. Life is meaningless. Death is rushing towards us constantly. Everything is falling apart. Still, Privilege by Parenthetical Girls has emerged from the chaotic void and taken the form of a raft."
—Phil Elverum, Mount Eerie
"Privilege is riveting… [like] a dream of walking on a foot-long fluffy cashmere carpet, or flying thru the monster size, ice cream-shaped cloud."
—Satomi Matsuzaki, Deerhoof
"We never meant you any harm."—Parenthetical Girls
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