After The Burial

After The Burial

An uninhibited eight-stringed dual barrage of frenetic riffs and dynamic chord progression is exactly what the crushing new AFTER THE BURIAL delivers withpinpoint precision. The highly acclaimed new album, In Dreams, is quickly going to raise the bar for all others within the metal genre as this group effectively unleashes a frenzy of jaw-dropping dual guitar dynamics that is backed by a captivating energy and groove resulting in an overall unrelenting output of punishment. This Minnesota quintet is hell-bent on forging their own unique path within the extreme metal genre and In Dreams proves that they are well on their way to that very goal.

Justin (guitars) states: "We've spent the last year putting all of our hard work into this album, and we can assure you that the intricate dynamics of In Dreams will satisfy your appetite for the crushing guitars, driving drums and powerful vocals you've come to expect from us."

AFTER THE BURIAL spent the winter of 2010 touring relentlessly across North America on the “December Decimation” tour. This group has something for everyone that pleases the tech nuts while providing an entertaining stage show that is sure to always get the metalcore kids into a violent frenzy. This is a band that thrives on the road and tours relentlessly across the world non-stop. This is an extreme metal hybrid that is a voracious assault on all the senses forcing your brain to fire on all cylinders in order to process the amount of material that is currently being pounded into your ears. This is thinking man's metal and it's not for the weak minded.

AFTER THE BURIAL's highly acclaimed sophomore album, Rareform, hinted at their true potential, but In Dreams brings all of their combined talents to fruition. The disc opens with a freight train of brutality and sheer brute force busting out at the seams and never lets up on the gas for a split second. Each track will keep you on your toes guessing what might possibly be next in this never-ending array of intensity. This is essentially a roller coaster of unconventionality, so strap yourself in tight and prepare for a wild ride.

The Contortionist

Warped time signatures, percussive mathematics, spider-fingered fretwork, dazzlingly atmospheric keyboards and immediately arresting vocals collide within THE CONTORTIONIST, who have achieved a career defining milestone with a “sophomore slump” defying feat of agility dubbed Intrinsic. The Indiana based prog-metal alchemists conjure the kinetic texture of RUSH, the cinematic musicality of DREAM THEATER, the heavy but heady metallic might of jazzy death wizards CYNIC and the studied experimental precision of BETWEEN THE BURIED AND ME while simultaneously fashioning an overall sound uniquely their own. In a short amount of time, THE CONTORTIONIST has enveloped audiences and nearly swallowed them whole. They’ve toured with a wide-ranging number of acts including PERIPHERY, ALL SHALL PERISH and THE ACACIA STRAIN. The band headlined the inaugural edition of the Summer Slaughter Survivors Tour, as well.
With their earliest self-released work, THE CONTORTIONIST remade the rules within emerging genres like “deathcore” and “djent” as they evolved beyond scenes and categories, even as they were integral enough to be instrumental in defining them. The band teamed with Ken Susi of UNEARTH for their marvelously refreshing, conceptually driven debut, Exoplanet. With album number two, THE CONTORTIONIST entrusted Eyal Levi (DAATH, JOB FOR A COWBOY) and Jason Suecof (TRIVIUM, DEVILDRIVER) to help them capture their at once complex yet defiantly easy-to-connect-with esoteric material, which shatters the boundaries of conventional heavy music note-by-virtuosic-note.
In popular culture we often hear space referred to as “The Final Frontier.” And while it’s true that the vast majority of our universe remains unknown and deserving of further study, much of the inner workings of human beings beg further contemplation and discovery. How wonderfully appropriate, then, that having delved into deep space with their expansive sound and contemplative narrative on the genre-challenging and wholly impressive Exoplanet, THE CONTORTIONIST turns inward with the stunningly mind-bending follow-up, Intrinsic.

Whereas the first album explored the idea of earth’s destruction following the inevitable collapse of our star and the ensuing search for an inhabitable planet to call home, Intrinsic dives deep inside the mind. Moving across several operatic sections, the record transports listeners on a journey through the apparent holographic reality we call “experience,” through our very consciousness and metaphysical archetypes. Toward the album’s conclusion the band ultimately imagines advancements in neuroscience that would broaden and challenge who we are. All of the music, of course, captures these themes.

Canadian thrash architects VOIVOD would surely be proud of the band’s science based subjects. Like IRON MAIDEN before them, THE CONTORTIONIST is the kind of band that can be enjoyed for the basest of reasons but can also send astute listeners running to the library, like all of the generations of people who wanted to read more about the origins of “The Flight of Icarus” or “The Rime of the Ancient Mariner.” Lyrical inspiration and reference points came from a stack of research, which included books like Antonio Damasio's The Feeling of What Happens: Body and Emotion in the Making of Consciousness and Simon Young's Designer Evolution: A Transhumanist Manifesto. Immediate standout cuts “Holomovement,” “Causality” (about a person having a near death experience brought on by an obsession with lucidity in dreaming and astral movement) and “Dreaming Schematics” (where scientific minds develop procedures to strengthen and multiply synaptic networks) are epics. These songs and the rest of the album’s material inspire food for thought and aesthetic pleasure in equal measure.

THE CONTORTIONIST continues to be a study in contrast. In their quietest, most ambient moments, the band is intimately melodic. Alternately their heavy parts are as alarmingly bombastic as possible. An emphasis on songwriting and structure has resulted in a series of musical journeys that are constantly climbing new summits. There is only one song on the album with anything like a “repeating chorus.”

At the same time, the band is always ever careful to tastefully balance technique with purpose. They aren’t shredding for shredding’s sake. Each section of every song is rooted in logic, meaning and reason. THE CONTORTIONIST has succeeded at creating intelligently tasteful metal that is as memorable and melodic as it is creative and dynamic. Within their formula, a listener paying close attention is as likely to discover elements akin to MINUS THE BEAR as MESHUGGAH.

Just as different genre-pushing bands broadened their own minds, the men in THE CONTORTIONIST are happy to lead fans through the gateway of heavy music down pathways of new music and self-discovery. With fervent attention to every detail of their composition and presentation, the band’s future in the pantheon of heavy music is assured. Intrinsic is the next step in what will become a landmark catalog. THE CONTORTIONIST opens minds from within and without.

Within The Ruins

"Recognizing the talent and passion of Massachusetts natives, WITHIN THE RUINS, it’s no wonder Victory Records added them to its growing roster. This quintet is armed with a unique take on blending technology and metal together to write music that sets their band apart from the numerous metal bands today. WITHIN THE RUINS have mastered their technique of bringing breakdowns, riffs, tempo and a dash of personality together in order to form one cohesive entity. The development of WITHIN THE RUINS first began in 2002. That was when founding members Joe Cocchi (Guitar) and Drummer (Drums) began taking a more serious approach and started heading out on the road, doing DIY tours from 2006-2009. At that point in time the lineup was comprised of Tim Goergen (Vocals), Mike Beaujean (Bass), and Kyle Marcoux (Guitar), in addition to Cocchi and Drummer. As things progressed for the band, January of 2010 brought change when Jay Van Schelt (Guitar) was brought in to replace Marcoux; this change refueled the band to write their best record to date entitled INVADE." - last.fm

City In The Sea

KINGS

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Blue Moose Tap House

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After The Burial with The Contortionist, Within The Ruins, Glass Cloud, City In The Sea, KINGS, A Crimson Sea

Saturday, April 27 · Doors 5:00 PM / Show 5:30 PM at Blue Moose Tap House