Invisible Oranges and BrooklynVegan Present
Floor, Thrones, VAZ
1120 Manhattan Avenue
Brooklyn, NY, 11222
This event is 21 and over
Floor was formed in 1992 by Steve Brooks (guitar), Anthony Vialon (bass), and Betty Monteavaro (drums). Jeff Sousa became the drummer in late 1993, and Steve and Anthony switched to just having two low-tuned guitars with no bassist. Several vinyl-only 7" EPs were released until their first break in 1996. They reformed with a new line-up for one show in 1997 with Henry Wilson on drums and practiced only occasionally until 2001. This time they finally released their first full-length album, self-titled 'Floor', before splitting in 2003 for good. Steve Brooks went on to form the band Torche. Henry Wilson went on to form the bands Dove and House of Lightning.
Thrones is the project of Joe Preston, a Seattle musician who played bass in Earth and Melvins. Conceived in 1994, Thrones emerged with a cassette (on Punk In My Vitamins) and with the single Reddleman/Algol (Punk In My Vitamins) . The album Alraune (Communion, 1996) presented an infinitely more mature musician, a full-fledged composer, and one who likes to take chances. The single Senex/Silvery Colorado (Soda Girl Records) was followed by the EP White Rabbit, White Rabbit (Kill Rock Stars, 1999). While these recordings overflow with ideas, and Preston's realization is always inventive, it is hard to define what Thrones is all about. Preston sounds more like someone who is looking for a style, rather than one who has a style. These are still formative works.
The EP Sperm Whale (Kill Rock Stars, 2000) refines Preston's approach in a more focused manner. While still spread 360 degrees all over the musical front, the tracks zoom on a tragic poet and his quest for a noir atmosphere. The whirlwind of distortions, android samplings and science-fiction sounds in the instrumental Oso Malo resembles the most nightmarish Six Finger Satellite, but the cavernous Melvins sludge is only a few minutes away. Preston's true soul is in these extreme sonic experiments, that balance grunge heaviness and an almost jazz aesthetics: the threnody for bass and electronics that opens Ephraim, the ominous bass theme that carries a loud distortion in Manmtn, the exoteric requiem from which Obolus takes off. Preston's tactic is to rip these morbid moods apart with torrid, infernal riffs and grooves. The effect is particularly gripping in Obolus, a veritable prayer from the underworld. In between the major experiments, Preston still enjoys surreal diversions. The best one here is Nuts And Berries, that comes through as a grindcore version of Syd Barrett.
After a five-year hiatus, Day Late Dollar Short (Southern Lord, 2005) collects singles an rarities.
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