The Firebird and Judy Productions Present
All Get Out, Seahaven, Young Statues
2706 Olive St
Saint Louis, MO, 63103
Doors 6:30 PM / Show 7:00 PM
This event is all ages
"Music is about connecting with people, and that’s what we focus on more than anything else,” says Transit’s vocalist Joe Boynton. Hailing from north shore Boston, Transit is a band that expresses an arresting degree of honesty and individuality in their music. While clearly drawing inspiration from seminal groups such as Saves The Day, as well as the Northeast US pop-punk scenes that all five members grew up in, Transit has swiftly evolved into a group with a more alternative, indie rock sound. “We all grew up listening to a wide variety of music, but bands like Archers of Loaf, Braid, Osker and American Football demonstrated to us that there are always refreshing ways to create a new style and feel,” explains guitarist Tim Landers. Illustrating Transit’s artistic evolution from one release to the next, early descriptions of the group compared them to Taking Back Sunday and Brand New, and now, more recently, to bands like Death Cab For Cutie and Modest Mouse.
The band’s prolific output is also impressive by any measure, having put out seven releases over the last four years. Transit’s highly acclaimed LP, “Keep This To Yourself”, released in August 2010 on Run For Cover Records, inspired ABSOLUTEPUNK to rave: “Good luck keeping Transit’s passionate and infectious tunes a secret. Once you hear the first chords of opener “Dear Anyone,” you’ll immediately go out and tell all your friends about the best pop-punk album of 2010.” Transit also released an acoustic EP, “Something Left Behind” in February and a limited edition Record Store Day 7”, “Promise Nothing”, was released this past spring and sold out in advance. ALTERNATIVE PRESS, in a glowing review of “Promise Nothing”, praised the band’s meteoric creative growth, comparing them to Jimmy Eat World and Moneen.
Named one of the “Bands To Watch in 2011” by ALTERNATIVE PRESS, Transit has played throughout North America and overseas alongside Four Year Strong, The Wonder Years, Less Than Jake, Bayside, Man Overboard, Senses Fail and many others. The band—whose members also include Torre Cioffi (guitars), PJ Jefferson (bass) and Daniel Frazier (drums)—has just finished tracking its first full-length on Rise Records, LISTEN & FORGIVE. The album, which ALTERNATIVE PRESS just named as one of the “Top 20 Must-Hear Fall 2011 Releases”, is set to drop in the US and around the world in early October.
To mark the release of LISTEN & FORGIVE, Transit will be touring this Fall around the US with Saves The Day, Bayside and I Am The Avalanche, before heading to the UK and Europe in December with Title Fight and Balance and Composure. From that point onwards, fans can expect to see the band touring extensively around the globe throughout 2012 and beyond.
All Get Out
The road is family—the disciplining father, the nurturing mother; exist as shadows at each stop to any band betrothed to relentless touring without a safety net. With miles behind and miles ahead, life in a van will change a band; and All Get Out are no exception. From the wasted days stranded, to the desolate moments of doubt, to the nights where immortality stretches through bended notes, two-hundred and fifty shows a year has shaped the band known for their attitude and angst on display through high woven volume into a refined framework fusing gambled moments and glossy catchiness.
“We sound like we’ve been on tour for three years. We’ve been smoking and driving, and we don’t smell too good,” Nathan Hussey, singer and guitarist, defining the coming of age sound on their full-length debut, The Season.
In 2007 the foursome from Charleston, SC found themselves with two EPs, stumbling into regular weekend tours of the South. Soon three days became a month and a month became six. A play-anywhere-for-anyone ethic kept All Get Out on tour for three years. A loyal fan base that has been equally enamored and entertained with their big ditch, bigger valley sound has grown with them, anticipating when the band would enter the studio again.
Acting as a centerpiece to an album with running themes, the title track for The Season puts all the moments that have shaped the members square into the light. “While touring is fun and a dream, there were times where all of us wanted a wall to punch and cry and wished we were home, or had a home.” Hussey explains. Writing in the moment, truly unfiltered, each verse displays specific moments of disarray the band found themselves in: broken friendships, fights, and empty wallets. In the end The Season is about moving past it all so you can keep on driving.
Just as All Get Out accidentally ended up spending the formidable part of their ‘20s counting mile markers, so did The Season unintentionally transform itself into a pop record when the band began tracking with producer Matt Malpass (Lydia, Copeland). Still visceral and soul-bearing as before, The Season stretches All Get Out into the frequencies beyond reactionary abrasions.
Rather than discard older material that dated back to 2007, when a much younger All Get Out wore relationship dirt all over each melody, the songs were kept for nostalgia, giving everyone a chance to hear how the band grew. Songs like My Friends, Son of Mine, Don’t Let Me Go and Girl Gun display an innocence, but the rest of the album shows a band aware that the horizon holds more than can be comprehended. Even Hussey has taken himself out as the protagonist of each song, changing his voice into a character that meanders in, saying “hello”, as the much bigger story unfolds.
“It’s a book on the history of our band,” Hussey says of album. “Now we start another Season.”
Seahaven began in 2009 as four friends in Southern California who shared a passion for the post-punk and indie sensibilities of favorites Brand New, Jawbreaker, and Crime in Stereo. After ex-Final Fight drummer James Phillips decided to take a break from the hardcore tendencies of his previous band, he joined forces with Kyle Chadwick, Eric Findlay, and Michael Craver to create a sound that has been described as "a somber combination of indie / punk elements and overtones that inspire and uplift your average punk-listener".
Featuring a guest vocal performance from Jordan Brown of Set Your Goals on the track "Love", as well as the crystal clear production of acclaimed producer Zack Ohren (Heartsounds, Set Your Goals), it is easy to distinguish the more pop-punk and lighthearted qualities of the band's youthful energy (the average age of the band members being 20) which at first glance is buried beneath the downtrodden lyrical content and darkened sonic musical passages of the debut offering. The combination of the two contrasting musical themes within the bands debut EP "Ghost" has proved succesful for the Torrance, CA four-piece, given the overwhelming positive rsponse to the record thus far. The band will be hitting the road in July in support of the album, and plan to stay on the road for the remainder of the year.
In the winter of 2010, a spontaneous trip to Athens, GA became the birth of New Jersey/Philadelphia indie-rock outfit Young Statues. The record first began to take shape at Chase Park Transduction Studios, where a series of songs were recorded between friends, songs that were initially never intended to be released. Intrigued by the results of these sessions, songwriter and vocalist Carmen Cirignano decided to continue working on them with longtime producer and engineer Steve Poponi at the Gradwell House in Haddon Heights, NJ. It was here, with the help of bassist Tom Ryan and drummer Daniel Bogan, that these songs were transformed into the impressive debut record for a band comprised of longtime friends in the Philadelphia area music scene.
Full of swelling guitars, intricate vocal melodies and introspective lyrics, "Young Statues" is evidence of a group of musicians who have honed their skills and made a record to be revered for its beauty, tact, and honesty.
$12.00 - $14.00
Tickets Available at the Door
$2 minor surcharge at the door
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