Tight Bros & OK Productions presents
887 West Marietta St. Studio C
Atlanta, GA, 30318
Doors 8:00 PM
Trevor Powers, the Idaho musician known as Youth Lagoon, has found what used to be destructive is now what gives him life. "I've never felt truly comfortable. It's this feeling of uneasiness that follows me everywhere I go because my thoughts never shut up," says Powers. "It used to exhaust me, but I've learned discomfort is invaluable. Safety makes us numb. It's when we find ourselves in territories we're unfamiliar with that we can really grow."
While on tour throughout Europe, Powers received a phone call from home informing him that one of his closest friends had drowned in the local river. After canceling the tour and flying home for the funeral, the following months marked a defining shift in Powers' approach to songwriting. "Just how entwined we are never truly hit me before that," claims Powers. "We are all connected. Even strangers. Our existence is one dazzling pattern that repeats itself endlessly. What makes us distinct is our flaws. In our defects lies something great."
Youth Lagoon's third album 'Savage Hills Ballroom' is rooted in discomfort, rather than avoiding it. Influenced by society's desire to exude a flawless existence, the album's musical direction and visual aspects were conceived on Powers' late-night walks through Idaho's suburbs. "There's these rows and rows of seemingly ideal houses, but there's this emptiness to it all. Usually the better someone's life seems from the outside, the more they're hiding," states Powers. "I've had a lot of barriers for a long time that I haven't let people past, and I've gotten really sick of playing pretend."
Shortly after meeting co-producer/engineer Ali Chant (PJ Harvey, Gravenhurst), Powers relocated to Bristol, UK for 2 months to record 'Savage Hills Ballroom' at Toybox Studios -- an underground recording space in a vaulted Georgian basement.
Majical Cloudz is music and performance. Rooted in solo material written by Devon Welsh between rural Ontario and Montreal, he joined with Matthew Otto to collaboratively produce and perform the music. Their performance is deeply expressive — strong vocals sit on top of washes of white noise, filtered synths and sparse thuds. The songs are intensely lyrical, oriented around themes of death, patience, family, and desire. The live show celebrates the joy in sadness and the value of a shared musical experience.
Tickets Available at the Door
Wed, April 26
Thu, April 27
Fri, April 28
Mon, May 1
Fri, May 5