Parade of Flesh presents . . .
Milk Music, Destruction Unit
2720 Elm St.
Dallas, TX, 75226
This event is all ages
Merchandise have announced details of their new album, A Corpse Wired For Sound, due for release on September 23rd, alongside the video for a second new track, ‘End Of The Week’. Formed nearly a decade ago, galvanized by Tampa hardcore and inspired by its miscreant noise, A Corpse Wired For Sound signals a new chapter for Merchandise.
Following 2014’s After The End — a full-band effort recorded in a closet — the band stripped back to its core of Carson Cox (vocals, electronics), Dave Vassalotti (guitar, electronics) and Pat Brady (bass). The trio travelled to Rosà, Italy for their first ever sessions in a recording studio, La Distilleria, with a local, Maurizio Baggio. The nine-song nocturnal A Corpse Wired For Sound was recorded half in the studio and half at home, in Tampa as well as Cox’s newly adopted bases of New York and Berlin – the culmination of a long-distance collaboration between Cox and Vassalotti.
The album’s metallic title is inspired by a science fiction short story by JG Ballard, but equally sums up the band’s current state of mind. “We were ‘reborn’ as a rock band for After The End,” says Vassalotti, “and then we straight-up died again. It couldn’t last. The result is this distended corpse responding to you from
both sides of the Atlantic, forever singing in spite of everything.” Cox continues further “It’s about the truth of growing up. You can’t take your friends or lovers with you. It’s about finding peace with that loneliness.”
The second song to be aired from A Corpse Wired For Sound, ‘End Of The Week’ is “really about personal reflection and horror,” says Cox, who is responsible for the song’s visuals (he also created the video for lead single ‘Flower Of Sex’). The video is a subliminal homage to Italian film director Michelangelo Antonioni and his motion pictures Blow Up and Zabriskie Point. “The smashed mirror isn’t just a symbol of death,” Cox continues. “It’s the broken image of humanity reflecting back at everyone when they read the news. Reality is an unbearable pill to swallow this year. Somehow the evil people that make up society can still wake up everyday and look at themselves in the mirror.”
A Corpse Wired For Sound will be released digitally and on CD and vinyl on September 23rd via
A very loud, and electric power trio lends a fuzz blanket over classic american songwriting in the vain of Dinosaur Jr., The Feelies, Hüsker Dü. Unlike other underground bands tackling pop via hardcore today, MILK MUSIC strays from the commonly generic reverb and surf sound to strengthen their no bullshit policy of presenting good songs, and for that they come off as a real band in an era of genre biting.
Destruction Unit are a band of trans-radical psychedelic desert dwellers, dug up from the sonic landfills of the cosmos, who have built a reputation for both mesmerizing and terrorizing crowds with their sheer power and intensity. Like running head first into a spinning wall of sound, they have been described by the press as "a band who felt more like a horror movie than a band … With guitars that were distorted beyond belief and acted more as auxiliary noise machines than instruments" (Transmission Entertainment)
and "Suicide-meets-Chrome-meets-Hawkwind-meets-Screamers-meets-the-killer-last-scene-reveals-in-all-the-alien-episodes-of-The Twilight Zone" (LA Weekly) or more simply put, "punk rock" (Austin Town Hall). However, Destruction Unit's brand of feedback worship and heavy psych does not sacrifice songwriting or catchiness; to the contrary, "it's their subtleties—distant bubbling murmurs of noise, faint guitar noodling—that make for the best hooks." (Chicago Reader) The current lineup features R. Rousseau (Reatards, The Wongs, Tokyo Electron) on Guitar and Vocals, brother Rusty Rousseau (Digital Leather) on bass, N. Nappa (Marshstepper, Nihilism) on Guitar, J. Aurelius (Pigeon Religion, Marshstepper, Avon Ladies) on Guitar and J. Keefer (Naive) on drums.
The band originated in the early 2000's and featured R. Rousseau with Jay Reatard (Reatards, Lost Sounds, angry angles) and Alicja Trout (Lost Sounds, Black Sunday). The three appeared together on the first release, 2000's My Disease 7", as well as the 2006 record Death To The New Flesh and Destruction Unit's debut LP, Self Destruction Of A Man. Destruction Unit were featured onThe Screamers tribute The Necessary Effect, Screamers Songs Interpreted.