The Echo Presents
Boris play "Flood"
Deafheaven, Ides Of Gemini
1822 W. Sunset Blvd
The Echoplex is located below The Echo, enter through the alley at 1154 Glendale Blvd
Los Angeles, CA, 90026
This event is 18 and over
Boris has earned its rabid cult following for their ability to expertly harness music as power. Be it psychedelic metal, colossal drone, blistering punk or distortion-ravaged shoegaze, a Boris song is an exploration of sound as physical mass. The Japanese trio's classic 2002 album, Heavy Rocks is a landmark of their mastery. So, it's fitting that the group's new album sharing the same title and very similar artwork to that disc, this year's Heavy Rocks seeks to redefine "heavy" music in a culmination of the band's tireless efforts over the past two decades. Heavy Rocks (2011) is beyond heavy, it firmly establishes Boris as the pillar of innovation and integrity in guitar-based music.
Heavy Rocks opens with fitting aplomb as a driving drum beat catapults a thunderous drop-tuned guitar riff headlong into the Sabbath meets Eddie Hazel pummeling of "Riot Sugar" (featuring guest backup vocals by Ian Astbury). Boris' bristling thrash meets ethereal psychedelia ("GALAXIANS", "Window Shopping") and lush, languorous nearly 13-minute songs "Missing Pieces" and "Aileron" navigate explosive quiet/loud dynamics with inventive use of song structure and emotionally-wrenching melody. Heavy Rocks is at once both a reinvention of Boris' magical ability to combine elements of myriad genres as much as it is a return to form, expanding and developing on the ideas explored on the original 2002 Heavy Rocks album.
Boris invited some very, uh, heavy friends to contribute to songs the album, including longtime collaborator and Boris' touring second guitarist Michio Kurihara (Ghost), Ian Astbury (The Cult, BXI), Faith Coloccia (Mamiffer) and Aaron Turner (Isis, Mamiffer, et al.) It's worth noting that all of them tracked their parts in Tokyo, not via file transfer.
Some of Heavy Rocks (2011) originated following Boris touring the world in 2008 in support of their last album, Smile. The trio set about recording new material and an album was completed, then abandoned. The band sought to challenge themselves further, and the end results are two new albums of dramatic growth and the most powerful extension to Boris' unparalleled creativity, the all new Heavy Rocks (not to be mistaken for their earlier 2002 release, Heavy Rocks) and Attention Please.
Boris formed in the early 90s as a four piece just-for-fun endeavor with the sonic template of influences like Melvins and Earth. By the time of its 1996 debut as a trio Absolutego (later released in the US via Southern Lord in 2000), Boris had already hit its stride in creating unique ground-rattling heavy, melodic music. The group, bassist/vocalist Takeshi, guitarist/vocalist Wata and drummer/vocalist Atsuo went on to release nearly 20 studio albums, as well as numerous collaborative albums -- including projects with Merzbow, Sunn0))), Ian Astbury and Michio Kurihara of Ghost -- EPs and singles on various labels throughout the world. For a further in-depth band history and discography, please see HERE.
Heavy Rocks (and its counterpart, Attention Please) will be available worldwide on LP, CD and digital download via Sargent House on May 24th, 2011. The vinyl edition of Heavy Rocks includes different, extended versions of "Missing Pieces" and "Czechoslovakia".
Based out of San Francisco, CA, Deafheaven started as an isolated project between frontman George LeSage and guitarist Kerry M. After sending the demo to various blogs and receiving overwhelmingly positive reception, they accepted offers to play live shows and added members of Whirl and Temple Of Saturn to form the quintet that today tours as Deafheaven. On July 29th, 2010, Deafheaven played their first show, marking the unofficial genesis of their rise to bay area prominence. Within months of forming, they began receiving interest from numerous record labels and officially signed on with Deathwish Records in December of 2010.
Since signing to Deathwish, Deafheaven has released a limited edition 7" demo, debuted their first full album, Roads to Judah, toured the West Coast; and are currently preparing for a tour of the South West.
Their music is described as "A dizzying hybrid of shoegaze shimmer, hardcore punk passion, emo vulnerability, and black metal intensity." They have cited a wide range of musical influences, including, but not limited to, Morbid Angel, The Smiths, Godspeed You! Black Emperor, Orchid and My Bloody Valentine.
Ides Of Gemini
IDES OF GEMINI is a collusion of musical forces precipitated by the haunting and inimitable vocal prowess of singer/bassist Sera Timms, also of Los Angeles dark-psych alchemists BLACK MATH HORSEMAN. The compositions are the long-simmering mental fallout of veteran music and film journalist J. Bennett (guitar/backing vocals), who has spent most of the last 14 years writing for such publications as Decibel, Terrorizer, Revolver, Alternative Press and Thrasher. The third and final corner of the triangle is Kelly Johnston, whose martial drumming techniques and soaring backing vocals literally brought IDES OF GEMINI to life as a performing entity.
Last year, Timms and Bennett recorded and self-released IDES OF GEMINI's four-song EP, The Disruption Writ, which was anointed "My Favorite Demo of 2010" by the highly influential music blog Invisible Oranges. Lyrically, the songs detailed the terrifying permanence of dismemberment in all its unsettling forms: psychological, emotional and physical. Musically, though? Someone on the Internet called it "dream doom." Nobody likes to be pigeonholed, but IDES OF GEMINI will gladly take up temporary residence in that particular nook for the sake of shorthand. Which is to say that "dream doom" will do the trick for now. And now is nothing if not fleeting. Mostly because IDES OF GEMINI are about to unveil their full-length debut, Constantinople, on May 29th (May 28th in the UK) via Neurot Recordings.
The nine songs on Constantinople evince the light and shade of the IDES dynamic: the vicious and the atmospheric mingling in a spacious panorama of high white ether. Respected metal journalist Etan Rosenbloom described it best on MetalSucks.net: "Guitarist J. Bennett lays down imperial metal riffs swathed in so much reverb that they seem isolated from the rest of the world. Bassist/vocalist Sera Timms layers her affectless voice in ghostly counterpoint, turning tales of spiritual discord into disturbing lullabies…If something seems missing from Ides Of Gemini's sound, that's exactly the point. Their accretion of small musical gestures inverts metal's normal use of space. They imply terror without ever exposing it. Each song is an accumulation of outlines, a sort of sonic daguerreotype."
Produced by IDES OF GEMINI and engineered and mixed by Chris Rakestraw (Danzig, Skeletonwitch) at Sunset Lodge Recording in Los Angeles, Constantinople was mastered by James Plotkin, formerly of doom masters Khanate and currently of Jodis. The artwork and design was conceived by Sera Timms and J. Bennett and constructed by Sera Timms.
$17.00 - $19.00
**"Flood" will be a performance of the cult classic album "Flood" and their noise/drone/experimental set. This evening will also include many songs that have never been performed in the US. **Tickets purchased on day of show at the door will have $1 facility fee applied **
Wed, December 11
Fri, December 13
Sat, December 14
Sun, December 15
Wed, December 18
Thu, December 19
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Fri, December 27
Sat, December 28