Gold Panda

Hailing from Chelmsford in Essex, but now located to Berlin, Germany, Gold Panda started writing beats and collaborating a few years ago, beginning a journey that ultimately saw him nominated in the BBC’s sound of 2010 list and won the Guardian newspaper’s prestigious First Album Award 2010 for his debut album Lucky Shiner.

Having spent downtime behind the counters of various establishments of ill-repute he consolidated the rest of his hours creating archives of electronic music. He poked his head into the world by way of a collection of instantaneously raved-about remixes, that quickly attracted the interest of various labels, blogs and taste makers, leading to requests for him to re-edit the likes of Telepathe, Bloc Party, Simian Mobile Disco, Health and The Field. In the meantime, Gold Panda began culling his back-archive of material for a series of low key releases: the first was ‘Miyamae’, a 12” on Various, followed by the ‘Quitters Raga’ 7” on Make Mine, and the third, ‘Before’ was released digitally and on 250 limited CDs via Puregroove, all in 2009. In October 2010 Gold Panda released his debut album Lucky Shiner. A culmination of years of work spent refining his sui generis sound, the record was released to huge critical acclaim, culminating in the Guardian First Album award the following year.

Since then he has been touring throughout the world, as well as releasing a DJ Kicks compilation in November 2011, and a handful of additional singles, including last summer’s ltd run Mountain / Financial District 7”.

Gold Panda begins 2013 with the release of the Trust EP – the first full EP he’s released since his pre-Lucky Shiner days. That release will be followed later in the year by his second album.

For 2013, dates have already been announced in New Zealand and Australia, Singapore, USA, Canada, Mexico, the UK and central Europe. He will be performing at Barcelona’s legendary forward-thinking music festival Sonar, for the first time this summer, having already appeared at the likes of Primavera, Glastonbury, Melt Festival, Roskilde, Hove, Latitude and Sasquatch festivals across the world in the last couple of summers.

In the hands of producer Djavan Santos, a.k.a. D33J, what should be computer-quantized or staid is given light and life. Aquatic textures overlap with bedroom clicks, muffled vocals & vacuous guitar to form hazy late night jams with just enough rhythm for a syrup-drenched dancefloor. Colors change over the course of a song — cool blues melt to hearthy reds — and melodies wind their way through shifting textures while new forms are created at every turn. Though D33J is a solo sound technician, his sound is variegated. It is lush and large and it is alive.

Of course, the 22-year-old’s pedigree demands as much. Los Angeles born and bred, D33J attended the city’s prestigious yet public Hamilton High alongside Anticon’s Baths, OFWGKTA’s Syd the Kid, the FIDLAR boys, and Friends of Friends bit-bender Groundislava. While there, he studied both guitar and electronic music, and caught friends’ shows after-hours when he wasn’t experimenting with software at home.

When D33J moved north to study experimental audio and visual design at the San Francisco Art Institute, he was initiated into the WEDIDIT mafia (via Shlohmo, Ryan Hemsworth, Jonwayne, RL Grime), with whom he nurtured a strongly weirdo cult lifestyle and further developed his unique approach to crafting instrument-infused, R&B-touched bedroom techno.

D33J recently returned to L.A. to claim his rightful place among the city’s vital noise-makers. While he continues to seed the Wedidit BlogSpot with bold R3MIX3S — see clutch reinventions of Brandy, Sigur Rós, and Drake — Anticon is giving his Tide Songs EP the debut it deserves. The five tracks contained therein offer an inventive, brightly budding intro to an artist who’s only just begun to blow the eff up himself.

Slayron (Peaking Lights)

$15.00

Advance Tickets are Sold Out - Limited amount of tix may be available at the door

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Gold Panda with D33J, Slayron (Peaking Lights)

Tuesday, May 14 · 7:30 PM at The Echo