The Black Angels

The Black Angels

Since Aristotle, man has organized his knowledge vertically in separate and unrelated groups---Science, Religion, Sex, Relaxation, Work, etc. The main emphasis in his language, his system of storing knowledge, has been on the identification of objects rather than on the relationships between objects. He is now forced to use his tools or reasoning separately and for one situation at a time. Had man been able to see past this hypnotic way of thinking, to distrust it (as did Einstein), and to resystematize his knowledge so that it would all be related horizontally, he would now enjoy the perfect sanity which comes from being able to deal with his life in its entirety.

It is possible for Man to alter his mental state and thus alter his point of view (that is, his own basic relation with the outside world which determines how he stores his information). He then can restructure his thinking and change his language so that his thoughts bear more relation to his life and his problems, therefore approaching them more sanely.

It is this quest for pure sanity that forms the basis of The Black Angels.

Hanni El Khatib

Hanni grew up in San Franscisco, California. The son of Palestinian and Filipino immigrants and the first American in his family, he became obsessed with classic Americana and pop culture of the 1950s and 60s. Influenced by pioneers of early rock and r&b (Johnny Burnette, Sam Cooke, Johnny Cash), El Khatib created a musical aesthetic to match his vision. The multi-instrumentalist serves as singer, songwriter & producer for his one-man band (live he is joined by a drummer) that is part blues, part garage rock, part soul, part folk & part doo whop.

As the creative director for HUF and lifelong skater, El Khatib professes to a love for well-crafted objects: classsic cars, cans pomade and stiletto switchblades. This craftsmanship carries over into his music, where El Khatib is inspired and informed by the specificity of a guitar tone or the fuzziness of an amp sound . His background in DIY and skate culture manifests as a desire to "keep mistakes in" and make things "as raw as possible." Merging primitive rock sounds with punk aesthetics, El Khatib toes lines between all genres and ends up firmly in his own.

His diverse interests in music, zines, art, photography, and film, converge around his singular personal aesthetic, which reveals itself in all of El Khatib's work. Combining the old weird America with the brave new frontier of home recording, El Khatib bridges the past and the present to create music that already sounds timeless and were written for anyone who's ever been shot or hit by a train.

Wall of Death

Wall of Death, together since April 2010, is now ranked among the principal exponents of the new European post-psychedelic rock scene.
Inspired by the scintillating understatement of the Velvet Underground, the esthetics of Pink Floyd, the stridency of Neu and the Silver Apples, this trio of Gabriel (vocals, guitar, sitar), Brice (keyboard, vocals) and Adam (drums) draws us into their somber, troubling world of uncertainty, perpetually seeking the keys to its future in the ruins of the past.
With roots extending from America to old-world European culture, Wall of Death creates a sound that is powerful, heavy, haunting and visionary.
A synthesizer reaching deep into the bass register, an acid-tinged guitar drenched with echo, a warm-toned organ and violent drums combine with voices that range from soaring to fathomless, creating a masochistic yet flamboyant universe in which this group heals its collective wounds.

$16.00

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The Firebird

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The Black Angels with Hanni El Khatib, Wall of Death

Wednesday, May 8 · Doors 7:30 PM / Show 8:30 PM at The Firebird