Peanut Butter Wolf, Jonas Reinhardt, Shock, Chautauqua
444 Jessie St
San Francisco, CA, 94103
This event is 21 and over
Chrome Canyon is the solo project of composer / producer Morgan Z, who was a member of the NY underground cult band Apes & Androids. Since their break-up Morgan has spent his time collecting a wide range of rare analog synths and gear in his Brooklyn studio while writing, recording and producing his brand of original soundtrack sci-fi / space disco. His remixes (for artist such as Phoenix, Passion Pit, Anoraak, and Erika Spring) have been widely circulated and praised, and his remix of Foster the Peoples "Pumped Up Kicks" was in the Top 20 downloads of 2011 for RCRDLBL.com and released as a b-side to the UK single. His first release "Body Music" was put out by the French label On The Fruit. His first full length "Elemental Themes" is due out later this year.
Peanut Butter Wolf
As a young kid growing up in San Jose, Chris Manak sought out an escape from suburbian life in the Silicon Valley. The age of nine was his coming of age. This was the year he discovered sports (Pittsburgh Pirates), video games (Pac man), girls (Anita Balderama), and hip hop ("Rappers Delight"). Alongside partner Sweet Steve, young Chris fashioned primitive mix-tapes (using the pause button) and ran amok at the local roller rink.
He took on the name Peanut Butter Wolf in the late-80s when he realized that, in an odd turn of events, a girlfriend's youngest brother feared the "peanut butter wolf monster" more than death itself. Wolf and his more conventionally-named counterpart, Charizma, began recording in 1989 when the two were still teenagers. Within three years, the duo signed a contract with Hollywood Basic (Disney) alongside label mates Organized Konfusion and DJ Shadow. Charizma and Peanut Butter Wolf were riding high, touring Europe, receiving press in magazines such as Billboard and (a then newspaper format) Urb , hanging with radio legends Sway & King Tech on Wake Up Show and performing live shows with groups like House of Pain, Nas and The Pharcyde. Then, in December of 1993, Charizma tragically lost his life. Stunned, Wolf temporarily gave up on music.
After releasing the song "Just Like A Test" with Charizma for David Paul's Bomb Hip Hop Compilation early in 1994, Upstairs Records, a label known primarily for house music, approached Wolf to record an instrumental LP. Thus, the Peanut Butter Breaks was born; the record became the Wolf's calling card, leading to meetings and collaborations with like-minded DJs like Q-bert, Cut Chemist and Rob Swift.
After the release of Peanut Butter Breaks, PB Wolf found himself in demand as a producer. His track for the all-scratching compilation Return of the DJ was labeled "incredible" by The Source magazine. He released a 6 song compilation for South Paw Records in 1995, featuring collaborations with up and coming San Jose MCs. He also produced Kool Keith's first single as a solo artist "Wanna Be A Star." These releases, amongst others, led to a picture disc EP for British label 2 Kool Records.
In 1996, Peanut Butter Wolf founded Stones Throw Records. Charizma's posthumous "My World Premiere" was the single to launch the label. A few highlights in the beginning were the songs "Unassisted" by Rasco, Super Duck Breaks LP by DJ Babu, and hip hop 7" series.
Lately, PB Wolf has moved away from producing (save the odd remix or compilation track) to build the Stones Throw label and to travel as a DJ to Europe, Japan, Australia, Canada, and across the US. Through his willingness to experiment and provide Stones Throw's artists with musical carte blanche, he has overseen the releases of Lootpack's Soundpieces, Quasimoto's The Unseen, Breakestra's Live Mix, Yesterdays New Quintet's Angles Without Edges, Madlib's Shades of Blue, and Jaylib's Champion Sound.
Jonas Reinhardt is the nom de musique of San Francisco-based electronic artist Jesse Reiner, who looks to the analog sounds, organic atmospheres, and hypnotic rhythms of '70s pioneers such as Jean Michel Jarre, Klaus Schulze, and Tangerine Dream for inspiration. Though he played other kinds of music before performing and recording as Jonas Reinhardt, Reiner always listened to electronic music of the late '60s and '70s, and got a Moog Realistic Concertmate MG-1 in the mid-'90s. A few years later, he studied music synthesis at the Harvard Electronic Music Center and maintained an interest in this approach to music-making while he played with other bands. Reiner began using the Reinhardt moniker for his self-titled 2008 Kranky debut; an iTunes EP, Modern by Nature's Reward, followed. Jonas Reinhardt eventually expanded into a full-fledged band, with Trans Am's Phil Manley on guitars, Mi Ami's Damon Palermo on drums, and Citay's Diego Gonzalez on bass. This lineup recorded Powers of Audition, which appeared in 2010 and married the meticulous sound of Reiner's earlier work with live instrumentation.
Shock is Terri Loewenthal, Dan Judd and Michael Taras. We make cosmic dance and emotional pop music. Vocals and space guitars surrounded with warm synth layers, deep bass, and electric rhythms encourage the crowd to dance. The gentle brush of a windchime signals the beginning of a journey from the pyramids to the ocean.
Sat, February 28
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