Emancipator, Little People, Odezsa

To some, it must seem like this young electronic producer came out of nowhere this year, but those in the know have been following Emancipator since he self-released his first album, "Soon It Will Be Cold Enough," at the age of 19 in 2006. His agile melodies layered over headnodic, immaculately-produced beats captivated fans across the internet and across the world. "Soon It Will Be Cold Enough" was picked up by Japanese super-producer Nujabes, pressed in Japan and sold 5,000 copies in the first six months. Emancipator landed a Puma sponsorship, gave an interview to Rolling Stone Japan, and even had his song "Maps" played at the Beijing Olympics.

His latest album "Safe In The Steep Cliffs" blends new instrumentation and organic samples with the signature Emancipator style of clean production, silky melodies and addictive drums. Dense layers of choirs, horns, American folk instruments such as the banjo and mandolin, violin and some distinct Asian influences make for a playful but refined album built out of intricate tracks listeners can enjoy on as many levels as they want. Dance to it, chill out to it, immerse your mind in it.

You could be forgiven for thinking that growing up in the Swiss alps in the 90′s wouldn't exactly be the best place to be exposed to some of the best underground hip hop New York had to offer at the time. However anglo-swiss producer Laurent Clerc AKA Little People, argues he couldn't have been in a better place. Thanks to the forward thinking programming of Laurent's local radio station and a DJ with his finger on the pulse of a golden age in the making in New York – Laurent's musical education in all things hip hop was of the highest order. An old Mac and a stack of old LPs were mere catalysts for Laurent to try and emulate the sounds from across the pond.

A subsequent move to the UK introduced electronica to his broadening taste and influenced his own sound. Then followed work soundtracking short films and theater productions which added a cinematic element to his repertoire. Following a disheartening stint doing some production work for a Paris based hip hop label convinced Laurent that he should be doing things on his own terms. A self released EP led to being picked up by Illicit Recordings in London – through which "Mickey Mouse Operation" was eventually released. This was 2006 and his debut album only made a very modest splash. Over the past 4 years it has however turned into something of a sleeper 'hit' – gathering fervent support in the US and slowly climbing the US iTunes electronic chart in the process. Laurent seems to have timed the release of his second album perfectly – due to drop in Spring next year just as the interest in his first album is peaking.

Little people's sound is part beats, bleeps and snippets of other people's music. Stemming from hip hop, it effortlessly combines warm synths, intricate melodies and string arrangements. The cinematic quality of his sound led to his music being used on CSI and other shows in the US and UK.

Little people's upcoming album sees Laurent shift his focus away from what he feels is the over reliance of samples in his genre, towards composition and the use of organic instrumentation – whilst keeping the trademark warmth of an old piece of vinyl. However rest assured, the beats and the synth bleeps are still very much on the menu.

$20.00 - $25.00

Tickets

SunsetSF proudly presents the triumphant return of EMANCIPATOR, joined by rising forces LITTLE PEOPLE & ODESZA in an exclusive night of cutting edge instrumental electronica on Mezzanine's superlative sound system.

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Emancipator, Little People, Odezsa

Thursday, March 14 · Doors 9:00 PM at Mezzanine