Country At The Congress Presents
CHRIS CAGLE, The Lost Trailers, Keith Anderson, PLENTY OF PARKING!, ALL AGES
2135 N. Milwaukee Ave.
Chicago, IL, 60647
Doors 7:00PM / Show 7:30PM
This event is all ages
Ask Chris Cagle what's most important to him and you can bet he'll answer this way: "Family, ranch, music. That's it." This response is seemingly simple for a man whose professional credits include two gold albums, two No. 1 albums and 12 charted songs. From 2000-2008, Cagle released an almost nonstop catalog of hits that resulted in a scorching hot career. Cagle's musical character and burning ambition never wavered but today, Cagle's personal perspective has mellowed. 2012's forthcoming album is, in more ways than one, a new lease on life.
Born in DeRidder, La., and raised "all over," Chris set off for Nashville after trying his hand at college in Texas and finding the pull to pursue music too strong to ignore. Like many young artists, he spent several years working odd jobs in Nashville and scraping up enough cash to record four original songs for a demo tape. Thanks to a couple of chance meetings and the opportunity to be heard by Scott Hendricks, Chris was signed to Virgin Records in 2000 – that first album featured the unaltered version of his demo songs. Chris quickly earned critical and commercial success and attracted a legion of fans that included industry heavyweights and country fans alike. Cagle's first number one smash, "I Breathe In, I Breathe Out," remains a fan favorite.
Cagle's 2012 release from Bigger Picture Group, under the working title, "Back In The Saddle" is his homecoming – a rekindling of his creative flame and a roaring reminder of his rock-infused country roots. It's something he originated and what he does best: relatable, back-roads and familiar while also being a striking form of country music worth getting excited about. While assuring his fans that the Chris they love hasn't changed, Cagle sees his new persona as a better version of himself. "I want my music to be an environment, to strike chords, passions, memories, faults, loves, angers and redemptions," Chris says. "Imagine my music just on the outside of town right where the road turns to the rural route. A dirt road cul-de-sac with trucks all parked in a circle. I would love to see my music fit into that."
The Lost Trailers
Ryder Lee and Stokes Nielson met in a church band as teenagers, and they've been making records together ever since. Their high school friendship begat a country band of five called The Lost Trailers, who have blazed their way through hundreds of honkytonks, joints, roadhouses, night clubs and concert halls, building a firewall of fiercely loyal fans. They are a band that came together naturally, matured creatively, perform explosively and have poured all of that into Holler Back, their new album on BNA Records.
Keith Anderson could be the poster child for the notion that good things happen to good people. He’s quickly earned the reputation of being an adept writer of award nominated hits, not just for his own projects but for other artists as well and his good guy persona is as widely known as his high energy, let’s-get-this-party-started live shows.
The release of his sophomore album C’MON! finds Anderson, the Grammy-nominated songwriter, in fine form. He co-wrote 10 of the disc’s 11 tracks, pairing with some of Nashville’s top tunesmiths including Rivers Rutherford, Tim Nichols, Chuck Cannon, Vicky McGehee, Jeffrey Steele (also the disc’s producer) and Bob DiPiero. "I wrote by myself for so long that it’s fun to co-write," the Oklahoma native says. "I’m just such a social person that I love people and working together with them. Different co-writers have different strengths and I think you tend to tuck away certain ideas for certain co-writers."
The album’s current single, "I Still Miss You," was written by Anderson, Tim Nichols and Jason Sellers and is one of his fastest rising to date. "More than just writing a breakup song, we made it more a universal song of missing someone no longer in your life," Anderson says. "You always hope to write a song that touches people."
While it’s said that you’ve got a lifetime to write your first album and less than a year to write your second, Anderson was prepared for the challenge. "I moved to Nashville to get a record deal and while it didn’t happen as quickly as I’d have liked, it was a blessing because I got to spend those years writing and developing a song catalog," he says. "And not just writing, but writing with people like Jeffrey Steele, Bob DiPiero, Craig Wiseman, guys like that. So while I wrote a lot of things for this record that reflect where I currently am in my life, it was also nice to be able to reach into that catalog."
Anderson admits that he keeps his touring schedule and his writing schedule separate. "There’s not much down time or quiet time on the bus and there are so many things going on every day," he explains. But that doesn’t mean that he can time those moments of inspiration. "I’m constantly grabbing my phone and leaving messages for myself or using my laptop to make note of something while on the road."
Although he’s co-written hits for other artists, most notably "Lost In This Moment," -the No. 1 smash for Big & Rich which also garnered him a CMA and ACM Song of the Year nomination, Anderson does not write with other artists in mind. "I think I’ll always write about what I know and feel and typically with myself in mind. But if it ends up as something I’m not going to cut, it does get pitched to other artists," says the artist who co-wrote the Grammy-nominated "Beer Run (B Double E Double Are You In?)" for Garth Brooks and George Jones and "The Bed" for Gretchen Wilson. Hot newcomer Jason Michael Carroll has just cut "Barn Burner," a tune Anderson co-wrote and also cut. "We cut it full steam but in the end, it didn’t make this new record," he says. "Jason Michael had been begging me to cut it since his first record so the minute I knew we would not be putting it on this record, I gave him a call."
Is it hard for Anderson to part with some of the things he’s written so that another artist can record it? "At times it’s really hard because there are some songs you let go and in the back of your mind you’re still thinking, ‘Man, if that becomes a big hit, it could’ve been for me!" he admits. "You always worry that you’re going to let one get away but at the same time you want to make a career as a singer/songwriter which means letting others cut your songs."
Anderson grew up in Miami, OK, near the Arkansas border, surrounded by a loving family that includes his mechanic father LeRoy, his mother Janice, his older brother Brian and his younger brother Jason. Always athletic, he didn’t pick up a guitar until well into his teens after realizing that girls dug musicians. He dabbled at songwriting while studying up on the hits of the Eagles, Kenny Rogers, Willie Nelson and the like and actually played drums on early gigs at his church.
Athletics continued to be an important part of his life and Anderson played baseball while pursuing a degree in engineering from Oklahoma State. He excelled in sports and academics: graduating top in his class with a 3.9 GPA and playing baseball well enough to catch the attention of scouts from the Kansas City Royals. A shoulder injury quickly put an end to a possible career with MLB, but Anderson stayed focused on his commitment to fitness, even coming in second in the Mr. Oklahoma bodybuilding competition. "There are so many reasons to stay fit," says Anderson who later earned certification as a personal trainer from the famed Cooper Institute in Dallas. "Just for the brutal schedule, you’re working hard throughout the day and then getting on stage for an hour or more of rocking around and sweating."
Upon graduation, Anderson accepted a job with a top construction engineering firm in Dallas, all the while continuing to work on his songwriting. In the end, songwriting and live performance won out. Anderson quit his lucrative day job and began performing as a regular at the Grapevine Opry and Six Flags Over Texas. Other quick money fixes included modeling and even singing telegrams for the Romeo Cowboys, a company he started.
He made his first trip to Nashville to record six of his own songs for a sampler that he’d then solicit to radio stations in Texas, Oklahoma and Kansas. His efforts paid off in the form of new friendships and relationships with people in the industry.
Anderson moved to Nashville in the spring of 1998 and took a job waiting tables. What he lacked in food service skills, he more than made up for in people skills. An early introduction to respected songwriter George Ducas lead to some songwriting appointments which opened further doors in Nashville’s songwriting community.
Another one of those early introductions was to singer/songwriter/ producer Jeffrey Steele, the man who would go on to produce both of Anderson’s albums. "The minute I met him, I felt like I’d known him for years," Anderson says of Steele. "It was a natural chemistry; hanging out with him is like hanging out with one of my brothers. He’s a great friend first and foremost and being that comfortable with someone makes it easier to dig deep in the soul and write the happy stuff and also the deep, dark stuff."
His debut "Three Chord Country and American Rock & Roll" garnered two Top 10 hits (accompanied by two No. 1 music videos), "Pickin’ Wildflowers," and "Every Time I Hear Your Name," along with singles "XXL" and "Podunk," success that prompted music trades Billboard and Radio & Records to name him country music’s No. 1 new male artist of 2005. It wasn’t just his music that was getting attention. Anderson was named one of People Magazine’s "50 Hottest Bachelors," Men’s Fitness magazine’s "Ultimate Country Star," and continues to show up in Country Weekly’s fan-voted "Hottest Bachelor" feature.
And it’s not just the ladies who fill the house at his concerts, he’s fortunate to also be the kind of guy’s guy that men appreciate. "Watching my heroes, Garth, Tim, Kenny, George, those guys have a ton of female fans and a ton of male fans at their shows and I think that’s something that you develop over time," he says. "Let’s face it, in order to have a real party, you’re going to need both!"
Anderson seems to have it figured out, building a successful career out of sheer talent, hard work and a clear vision of what he’s bringing to his own party. "What I love about him is that he is very centered about what he wants and how he wants to do it," says C’MON! producer Jeffrey Steele. "Keith really brings that to the table and makes it very hard to deny."
The San Francisco based rock band, All Ages, isn't shy about making as many friends as possible! Formed in 2005 as a trio, the band has evolved as a duo and is thriving in the National and Japanese rock world as one of the most anticipated live and touring musical acts in recent history.
In 2006 All Ages released the "What Do You Believe?" EP. With this release, All Ages funded and produced a 6 month tour of the US and Japan. And again in 2007 following the release of the single, "High School", All Ages produced an even larger version of their previous "show" on a 6 month US and Japan tour.
Touring and hard work paid off when All Ages began receiving offers from top Japanese artists, such as The Pillows, Noodles, Red Bacteria Vacuum and Saboten to tour both the US and Japan. Later in 2007 All Ages was introduced to and signed with Japanese record label Zenext Records for production in Japan.
For the US, All Ages began Shameless Self Productions in 2007, a music production company, overseeing pre-production, recording, publishing and distribution of their work. Shameless Self Productions promotes shows for All Ages and various acts in the US and Japan, including The Pillows, Red Bacteria Vacuum and Noodles.
In 2008 All Ages was featured in the documentary, "POP! How Japanese Culture took over my Life."
All Ages spent much of 2008 and 2009 writing and recording their highly anticipated debut album "A New Kind of Citizen" released in 2010.
All Ages spent the majority of 2010 and 2011 on their outrageous 220 show US/Japan tour, sharing stages with the Pillows and Noodles among dozens of high profile acts in the US and Japan.
In 2011 All Ages left Zenext Records and signed a working agreement with Bad Music Group in Tokyo to distribute the release of "A New Kind of Citizen" and 2012's "42 Sub Machine Guns" single.
All Ages released the single "42 Sub Machine Guns" in June of 2012 and toured California with Red Bacteria Vacuum to commemorate the release. They will spend much of the summer recording their follow album to be released in the Fall followed by a US and Japan tour.
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