Parish Ent Group & Dead Nation Presents
Aesop Rock, with Rob Sonic & DJ Big Wiz
579 18th St
Oakland, CA, 94612
Doors 8:00 PM / Show 9:00 PM
This event is all ages
Iconic New York-born, San Francisco-based rapper and producer, Aesop Rock, is joining forces with Rhymesayers to release his sixth studio album, Skelethon, on July 10th 2012. Since the release of None Shall Pass in 2007, we've seen Aesop Rock touring the world, launching online arts outlet, 900bats.com, and collaborating on LPs with Felt, Hail Mary Mallon, the Uncluded and more. Skelethon not only sees the rapper back waxing poetically on his own but also marks his first wholly self-produced effort. While the sounds are familiar, we see Aesop venturing in some exciting new directions with guest appearances from indie rock archetype, Kimya Dawson, as well as Allyson Baker of Dirty Ghosts, Hanni El Khatib, Nicky Fleming-Yaryan, Rob Sonic, DJ Big Wiz and the Grimace Federation. Aesop's new album follows in the wake of several deep personal losses and highlights subject matter that deals with the sometimes-futile ways people try to cope with serious issues. The cover art comes from Barcelona-based painter Aryz. Skelethon is set to be both a showpiece for his illustrious career and a serious payoff for his droves of ever-patient loyal fans.
Possessing a hyper-literate, intellectual style of rapping augmented with dizzying elocution that would tongue-tie even the fiercest auctioneer, Busdriver is eclectic and eccentric enough to cite vocalese jazz singer Jon Hendricks as a primary influence. Born Regan Farquhar, the Los Angeles MC was introduced to hip-hop culture early -- his father wrote the screenplay to one of the earliest films focusing on hip-hop, Krush Groove. He began rapping at age nine, releasing his first record at age 13 with his group, 4/29, named after the 1992 L.A. riots. By the mid-'90s, Busdriver was a regular at the Project Blowed open mic, where he would meet future collaborators and underground luminaries like Aceyalone, Abstract Rude, and Freestyle Fellowship. And shortly after, the vinyl did flow.
Busdriver guested on upward of 20 singles, and by 2001 he could no longer be contained by guest spots, releasing his first full-length, Memoirs of the Elephant Man. There were just as many detractors as supporters for his singular style, which was so densely packed it made his chosen name seem a reference for multiple-personality disorder, and the lo-fi production also left more listeners scratching heads than nodding them. His next album, This Machine Kills Fashion Tips (2002), continued in a similar manner before being trumped by better production and more focused rhymes on Temporary Forever the same year. Joined by another West Coast avant-garde MC, Radioinactive, and the breezy, fractured pop of electronic producer Daedelus, Busdriver released yet another odd puzzle piece in 2003, The Weather. Fear of a Black Tangent followed on Mush in 2005. After moving to Anti-/Epitaph, the rapper issued RoadKillOvercoat, which featured production from Nobody and Boom Bip. His second Anti- release, Jhelli Beam, appeared in 2009. In 2010 he put out a full-length mix tape of unreleased gems and illegal remixes called Computer Cooties. It was released as a free album. 2010 saw Bus toiling over a new album that will shock fans and confuse the unconverted into unwilling servitude. It is called Beaus$Eros and was released in January 2012 on Fake Four. Download preview song "No Blacks No Jews No Asians" here.
Other upcoming projects include a full-length release from Bus' new experimental punk band, Physical Forms and a hip hop superduo with rapper Nocando called Flash Bang Grenada.