True Blues: Corey Harris, Alvin Youngblood Hart, Guy Davis. Appalachian Tradition: Dirk Powell, Riley Baugus
45 Bleecker St
New York, NY, 10012
Doors 7:00 PM / Show 7:30 PM
This event is all ages
Corey Harris was born in Denver, Colorado to parents from Texas and Kentucky. He is a guitarist, vocalist, songwriter and band leader who has carved out his own niche in blues. A powerful singer and accomplished guitarist, he has appeared at venues throughout the North America, Europe, Brazil, The Caribbean, West Africa, Asia, Australia and New Zealand.
He began his career as a New Orleans street singer, travelling throughout the southern U.S. In his early twenties he lived in Cameroon, West Africa for a year, which had a profound effect on his later work. He has recorded many old songs of the blues tradition while also creating an original vision of the blues by adding influences from reggae, soul, rock and West African music. His 1995 recording, Between Midnight and Day, is a tribute to the tradition of acoustic blues. Subsequent recordings, such as Greens From the Garden (1999), Mississippi to Mali (2003), and Daily Bread (2005) show Harris’ maturation from interpreter to songwriter. Some of his imaginative compositions are marked by a deliberate eclecticism; other works stay true to the traditional blues formula of compelling vocals and down-home guitar. With one foot in tradition and the other in contemporary experimentation, Harris is a truly unique voice in contemporary music.
He has performed, recorded, and toured with many of the top names in music such as BB King, Taj Mahal, Buddy Guy, Henry Butler, R.L.Burnside, John Jackson, Ali Farka Toure, Dave Mattews Band, Tracy Chapman, Olu Dara, Wilco, Natalie Merchant, and others. His additional recordings include Fish Ain’t Bitin’ (1996), Vu-Du Menz (with Henry Butler, 2000), Downhome Sophisticate (2002), Zion Crossroads (2007), and blu black (2010).
In 2003 Harris was a featured artist and narrator of the Martin Scorcese film, “Feel Like Going Home,” which traced the evolution of blues from West Africa to the southern U.S. In 2007, he was awarded a $500,000 MacArthur Fellowship — commonly referred to as a “genius award” — from the John D. and Catherine T. MacArthur Foundation. The annual grant, which recognizes individuals from a wide range of disciplines who show creativity, originality and commitment to continued innovative work, described Harris as an artist who “forges an adventurous path marked by deliberate eclecticism.” That same year, he was also awarded an honorary Doctor of Music degree from Bates College, in Lewiston, Maine.
Whether Guy Davis is appearing on “Late Night With Conan O’Brien” or nationally syndicated radio programs such as Garrison Keillor’s, “A Prairie Home Campanion”, “Mountain Stage” or David Dye’s,“World Café”., in front of 15,000 people on the Main Stage of a major festival, or teaching an intimate gathering of students at a Music Camp, Guy feels the instinctive desire to give each listener his ‘all’.
His ‘all’ is the Blues.
The routes, and roots, of his blues are as diverse as the music form itself. It can be soulful, moaning out a people’s cry, or playful and bouncy as a hay-ride.
Guy can tell you stories of his great-grandparents and his grandparents, they’re days as track linemen, and of their interactions with the infamous KKK. He can also tell you that as a child raised in middle-class New York suburbs, the only cotton he’s picked is his underwear up off the floor.
He's a musician, composer, actor, director, and writer. But most importantly, Guy Davis is a bluesman. The blues permeates every corner of Davis' creativity.
Throughout his career, he has dedicated himself to reviving the traditions of acoustic blues and bringing them to as many ears as possible through the material of the great blues masters, African American stories, and his own original songs, stories and performance pieces.
His influences are as varied as the days. Musically, he enjoyed such great blues musicians as Blind Willie McTell (and his way of story telling), Skip James, Manse Lipscomb, Mississippi John Hurt, Elizabeth Cotton, and Buddy Guy, among others. It was through Taj Mahal that he found his way to the old time blues. He also loved such diverse musicians as Fats Waller and Harry Belafonte.
His writing and storytelling have been influenced by Zora Neale Hurston, Garrison Keillor, and by the late Laura Davis (his one hundred and five year-old grandmother).
Davis' creative roots run deep. Though raised in the New York City area, he grew up hearing accounts of life in the rural south from his parents and especially his grandparents, and they made their way into his own stories and songs. Davis taught himself the guitar (never having the patience to take formal lessons) and learned by listening to and watching other musicians. One night on a train from Boston to New York he picked up finger picking from a nine-fingered guitar player.
Throughout his life, Davis has had overlapping interests in music and acting. Early acting roles included a lead role in the film "Beat Street" opposite Rae Dawn Chong and on television as ‘Dr. Josh Hall’ on "One Life to Live". Eventually, Davis had the opportunity to combine music and acting on the stage. He made his Broadway musical debut in 1991 in the Zora Neale Hurston/Langston Hughes collaboration "Mulebone", which featured the music of Taj Mahal.
In 1993 he performed Off-Broadway as legendary blues player Robert Johnson in "Robert Johnson: Trick the Devil". He received rave reviews and became the 1993 winner of the Blues Foundation's "Keeping the Blues Alive Award” presented to him by Robert Cray at the W.C. Handy Awards ceremony.
Looking for more ways to combine his love of blues, music, and acting, Davis created material for himself. He wrote "In Bed with the Blues: The Adventures of Fishy Waters" -- an engaging and moving one-man show. The Off-Broadway debut in 1994 received critical praise from the New York Times and the Village Voice.
Davis' writing projects have also included a variety of theatre pieces and plays. "Mudsurfing", a collection of three short stories, received the 1991 Brio Award from the Bronx Council of the Arts. The Trial", (later renamed, "The Trial: Judgement of the People"), an anti-drug abuse, one-act play that toured throughout the New York City shelter system, was produced Off-Broadway in 1990, at the McGinn Cazale Theater. Davis also arranged, performed and co-wrote the music for an Emmy award winning film, "To Be a Man". In the fall of 1995, his music was used in the national PBS series, "The American Promise".
Davis also performed in a theater piece with his parents, actors/writers Ruby Dee and the late Ossie Davis, entitled "Two Hah Hahs and a Homeboy", staged at the Crossroads Theatre in New Brunswick, NJ in the spring of 1995. The show combined material written by Davis and his parents, with music, African American Folklore and history, as well as performance pieces by Hurston and Hughes. Of Davis' performance, one reviewer observed that his style and writing "sounds so deeply drenched in lost black traditions that you feel that they must predate him. But no, they don't. He created them."
For the past decade, Davis has concentrated much of his efforts on writing, recording, and performing music. In the fall of 1995, he released his Red House records debut "Stomp Down Rider", an album that captured Davis in a stunning live performance. The album landed on top lists all over the country, including in the Boston Globe and Pulse magazine.
Davis' next album, "Call Down the Thunder", paid tribute to the blues masters, but leaned more heavily towards his own powerful originals. The electrifying album solidified Davis' position as one of the most important blues artists of our time. It too was named a top ten album of the year in the Boston Globe and Pulse, and Acoustic Guitar magazine called it one of the “thirty essential CDs from a new generation of performers”.
Davis' third Red House disc, "You Don't Know My Mind", which includes backing vocals by Olu Dara, explodes with passion and rhythm, and displays Davis' breadth as a composer and powerhouse performer. It was chosen as ‘Blues Album of the Year’ by the Association For Independent Music (formerly NAIRD)The San Francisco Chronicle gave the CD four stars, adding, "Davis' tough, timeless vocals blow through your brain like a Mississippi dust devil."
Charles M. Young summed up Davis' own take on the blues best when he wrote his review in Playboy magazine, "Davis reminds you that the blues started as dance music. This is blues made for humming along, stomping your foot, feeling righteous in the face of oppression and expressing gratitude to your baby for greasing your skillet."
Guy’s fourth album was, “Butt Naked Free”, the first of all of the albums since that have been produced by John Platania, former guitarist for Van Morrison. In addition to John on electric guitar, it includes musician friends such as Levon Helm (The Band), multi-instrumentalist, Tommy “T-Bone” Wolk (Hall & Oates, Carly Simon, ‘Saturday Night Live’ Band), drummer Gary Burke (Joe Jackson), and acoustic bassist, Mark Murphy (Walt Michael & Co., Vanaver Caravan). The musicians all performed “Waitin’ On the Cards to Fall” from this album on the Conan O’Brien show.
Of the fifth album “give in kind”, Music critic Dave Marsh wrote, “Davis never loses sight of the blues as good time music, the original forum for dancing on top of one's sorrows. Joy made more exquisite, of course, by the sorrow from which it springs.”
It was this album that caught the ear of Ian Anderson, founder and lead singer of one of Rock & Roll’s greatest bands, “Jethro Tull”, who invited Guy to open for them during the summer of 2003. He wrote in his invitation, “Folk Blues (Sonny Terry, J.B. Lenoir) is where I started. Hearing Guy is like coming home again.”
In fact, there are many notables in the entertainment world who call themselves Guy Davis fans including Jackson Browne, Maya Angelou, and Jessica Lange, who had Guy perform his take on the Bob Dylan song, “What’s a Sweetheart Like You (Doing in a Dump Like This)” for a special fundraiser she and her husband Sam Shepard organized for Tibetan Monks in Minnesota.
“Chocolate to the Bone”, Guy’s sixth album followed with more accolades and acclaim including a W.C. Handy award nomination for “Best Acoustic Blues Album”. In fact, Guy has been nominated for nine ‘Handy Awards’ over the years including for “Best Traditional Blues Album”, “Best Blues Song” (“Waiting On the Cards to Fall”) and as “Best Acoustic Blues Artist” two times.
His latest album, “Legacy” was picked as one of the Best CDs of the Year by National Public Radio (NPR), and the lead track on it, “Uncle Tom’s Dead” was chosen as one of the Best Songs of the Year. This of course is ironic as FCC rules won’t allow it to be played on the air, but it’s a fitting tribute none the less. The only other artist on both lists was Brian Wilson of the Beach Boys fame.
The cover for this album was drawn by noted comic book artist and graphic illustrator, Guy Davis. The tongue-in-cheek cartoon strip that is included in the liner notes, is a collaboration between the two Davis’. A winery in California completes the triumvirate as it is headed by a man also named Guy Davis. He created a limited edition wine in their honor with the label artwork done by illustrator Guy.
Bluesman Guy has contributed songs on a host of ‘Tribute’ and ‘Compilation albums’, including collections on bluesmen Charley Patton and Robert Johnson, for Putumayo Records collections including, “From Mali to Memphis” and the children’s album called, “Sing Along With Putumayo”, for tradition-based rockers like the Grateful Dead, songwriters like Nick Lowe, and for Bob Dylan’s 60th birthday CD called, “A Nod to Bob”, even on a Windham Hill collection of Choral Music, and alongside performers like Bonnie Raitt, Jackson Browne, and Bruce Springsteen for a collection of songs written by his friend, legendary folksinger, ‘Uncle’ Pete Seeger, called, “Where Have All the Flowers Gone”.
However, easily the proudest recording project he’s been involved with is the one produced by his friend Larry Long, called “I Will Be Your Friend: Songs and Activities for Young Peacemakers”, in which Guy contributes the title track. It’s a CD collection of enriching songs combined together with a teacher’s aide kit to help teach diversity and understanding. It is all part of the national “Teaching Tolerance” (www.tolerance.org) campaign and continues to be distributed by the Southern Poverty Law Center, and sent to every public school in the country to help combat hatred.
And speaking of children’s projects, Guy wrote a couple songs and recorded with Dr. John for Whoopi Goldberg’s “Littleburg” series, and appeared and sang in “Jack’s Big Show”, both for the Nickelodeon network, “Nick, Jr”.
Guy has also done residency programs for the Lincoln Center Institute, the Kennedy Center, the State Theatre in New Jersey, and works with “Young Audiences of NJ”, doing classroom workshops and assembly programs all across the country and in Canada for Elementary, High School, and College students.
Most recently Guy had the honor of appearing in the PBS special on Jazz and Blues artist, the late Howard Armstrong. And he was an honored guest at the Kennedy Center Awards, in which his folks received their medals, alongside other recipients like Warren Beatty, Elton John and composer John Williams from the President of the United States.
Alvin Youngblood Heart
The cosmic American love child of Howlin Wolf and Link Wray! Known as a "musician's musician," Alvin Youngblood Hart's praises have been sung by everyone from Bob Dylan to Brit guitar gods Eric Clapton & Mick Taylor.
Since the release of his 1996 debut recording, the all-acoustic BIG MAMA'S DOOR, Hart has relayed his eclectic musical message around the world.
A devout follower of the "no barriers" approach carved out by veteran performers like Gatemouth Brown and the late/great Doug Sahm, Hart aims to delight the masses and points to challenge the so-called blues purists.
BIG MAMA'S DOOR was reviewed with blessings by Playboy with the prospect that Hart "had the power to bring the blues to Generation X" also stating that "Charley Patton would approve of Hart's version of Pony Blues, and the cover of Gallows Pole is the coolest since Led Zeppelin's".
Based on the strength of his record debut and the allure of his live shows, Hart received five nominations at the 1997 W.C. Handy Blues Awards. He was nominated for Best New Artist, Best Acoustic Artist, and Best Traditional Blues Artist and his album (BIG MAMA'S DOOR) was nominated for both Acoustic Album of the Year and Traditional Album of the Year. He received the award for Best New Artist. Hart also received two Living Blues Awards that same year. The anticipated sophomore release of TERRITORY in 1998 gave a rousing tribute to all forms of American music and received the Downbeat Magazine Critics' Poll Award for Best Blues Album (though TERRITORY is not a Blues album).
The summer of 1999 found Hart teaming up with celebrated producer Jim Dickinson to begin recording START WITH THE SOUL, a record hailed as a new-breed Southern Rock classic and one that piloted Hart's return to the "sacred garage." START WITH THE SOUL was chosen by the New York Times as one of the top 10 releases of 2000, as well as the BBC's Blues Record of the Year.
In 2001 Hart shared Living Blues Magazine's best guitarist honors with fellow road dog Big Jack Johnson.
The 2003 release of DOWN IN THE ALLEY garnered a Grammy nomination. Despite critics' recurring attempts to suggest Hart was "best enjoyed when performing solo", Hart continued to diversify his audience by extensively touring as a member of Job Cain, a hard-rocking side project he assembled with guitarist Audley Freed (Cry of Love/Black Crowes) and Nashville musician Robert Kearns (The Bottle Rockets/Lynyrd Skynyrd). In August of 2003, Hart was invited to fill in for Taj Mahal for five nights in Tokyo as a member of Kip Hanrahan's Conjure, the world's longest running jazz poetry ensemble. Assembled to lend musical support to the words of Bay Area poet Ishmael Reed, Conjure featured the talents of tenor sax giant David Murray and original Meters guitarist Leo Nocentelli. Hart remains a member of the revolving cast and recorded with the group on BAD MOUTH.
In 2004, Hart received a Grammy for his philanthropic contribution to the compilation BEAUTIFUL DREAMER: THE SONGS OF STEPHEN FOSTER. All of the proceeds from the recording benefited American Roots Publishing, a nonprofit organization dedicated to preserving American regional culture through literature and art.
In the summer of 2005, fortified in the wake of much recognition and determined to defy any stereotypes attached to his artistry, Hart released the self-produced (and personal favorite) MOTIVATIONAL SPEAKER a rock guitar free-for-all, paying homage to fallen and missing rockers like Phil Lynott and Sly Stone. Hart's songwriting, singing and electric guitar prowess are all championed on this project and showcase the versatility he continuously strives to offer his fans and profession.
In 2006, Hart collaborated with several Memphis area musicians in the Craig Brewer cult hit film "Black Snake Moan" by both serving as a guitar tutor to the film's leading actor, Samuel L. Jackson, and recording a duet with the film's female lead, Christina Ricci, for the film's riveting soundtrack. In the fall of 2006, Hart was invited to hit the road for two months with Rock-n-Roll legend Bo Diddley for what turned out to be Diddley's final coast to coast tour.
In April of 2007, Hart's extended and varied interests led him to influence his local educational arena by participating on a tour of Mississippi high schools as a member of the Thelonious Monk Institute of Jazz.
Hart then joined fellow notable string playing colleagues Corey Harris, Don Vappie, Keb Mo and Guy Davis and contributed to the uniquely progressive 2007 OtisTaylor record RECAPTURING THE BANJO.
Later that year, Hart was called upon to contribute his doyen knowledge of blues music to the Denzel Washington-co produced and directed film THE GREAT DEBATERS. Based on a true story about the black historical Wiley College debate team, the release of the film coincided with a nationally stepped-up effort by urban debate leagues to get hundreds of inner-city and financially challenged schools to establish debate programs.
As an avid roots music performer and connoisseur, not only did Hart fit the bill to record predominately on the films dynamic soundtrack, Hart also proved a natural onscreen fit for the role of a juke joint musician. Songs for THE GREAT DEBATERS soundtrack were comprised of remakes of traditional blues and gospel songs from the 1920s and 1930s and were hand-picked by Denzel Washington from over 1000 selections.
A personal career highlight occurred in the summer of 2008 when Hart met the late Irish guitar legend Gary Moore. Moore invited Hart, a lifelong Thin Lizzy fan, onstage to jam with himself and original Thin Lizzy drummer, Brian Downey. In the Spring of 2009 Moore requested Hart’s band as the opening act on a tour of Germany. Moore was seen offstage most every night with friends, cheering Hart's band along during their set.
In 2010 Hart joined forces with friends Luther Dickinson (North Mississippi Allstars, Black Crowes) and Jimbo Mathus (Squirrel Nut Zippers, Tri-State Coalition) to form "The South Memphis String Band". The fun-loving and regaling trio was quickly dubbed by the media as an "acoustic super group". Recorded in a borrowed radio station studio while the band was on its first road trip, their debut record HOME SWEET HOME was received with rabid enthusiasm. The 2011 Blues Music Awards (The Blues Foundation) nominated the record for "Best Acoustic Album". The group plans to release a second album in the spring of 2012.
When not touring solo or plugged in with his revered rock trio "Alvin Youngblood Hart's Muscle Theory", Hart enjoys researching, collecting, repairing and modifying obscure musical equipment.
Dirk Powell has expanded on the deeply rooted sounds of his Appalachian heritage to become one of the preeminent traditional American musicians of his generation.
In addition to acclaimed releases on Rounder Records, he’s recorded and performed with artists such as Loretta Lynn (playing several instruments on her Grammy-winning release Van Lear Rose), Sting, Jack White, Levon Helm, Jewel, T-Bone Burnett, Ralph Stanley, and Linda Ronstadt. His ability to unite the essence of his culture with modern sensibilities has led to work with many of today’s greatest film directors, including Anthony Minghella, Spike Lee, Ang Lee, Victor Nuñez, Steve James, and Edward Burns. His live performances of powerful Appalachian music with The Dirk Powell Band have inspired audiences across the globe in a wide variety of venues, including such prestigious settings as the Eastman School of Music and Interlochen Academy. Dirk also selected and arranged traditional Appalachian material for Riverdance: The Show, in which he also performed on fiddle.
In his early teens, Dirk formed a musical bond with his grandfather, James Clarence Hay of Sandy Hook, Kentucky. Here Dirk discovered a personal resonance with traditions that stretch back to Scots-Irish ancestors who came to the mountains in the middle of the 18th century, and, in continuation of this line, learned banjo and fiddle firsthand. He was featured as part of “The Great High Mountain Tour,” an outgrowth of the Academy Award-winning film Cold Mountain, for which he acted on screen, arranged traditional material, and served as musical advisor and consultant. Other dramatic films featuring his performances include Ang Lee’s Ride With The Devil, Spike Lee’s Bamboozled, and Edward Burns’ The Brothers McMullen.
Dirk has scored several documentaries, including the award-winning films Stranger With a Camera, The Unfinished Civil War, and Thoughts in the Presence of Fear. He also appeared in the BBC/RTE documentary series “The Irish Empire” as an expert on the culture of early Scots-Irish immigrants to Appalachia. He recently collaborated on a fusion of Appalachian music and Hip Hop with Richmond producer/rapper Danja Mowf for the film From the Holler to the Hood, which explores tension between guards and inmates in the new maximum-security prisons in Appalachia.
In short, Dirk Powell displays a vibrant creative energy that crosses many boundaries while remaining grounded in the rural traditions of his heritage. His formal musical training, deep-running roots, and dedication to self-expression as a necessary part of life combine to make him one of the most important artists in America today.
Riley Baugus represents the best of old time American banjo and song. His powerful singing voice and his expert musicianship place him squarely in the next generation of the quality American roots tradition.
Riley first came to music through his family. His father had left his roots in the mountains of North Carolina in the search for work, settling near Winston-Salem and bringing with him a love of old time music and a record collection that included, amongst others, the works of fellow North Carolinian Doc Watson, which touched the young Riley on a molecular level.
His family’s attendance at Regular Baptist church gave him early exposure to the unaccompanied singing that is a time-honored tradition for ballad singers throughout the Appalachians. Starting on the fiddle, Riley quickly moved on to the banjo, building his first instrument from scrap wood with his father.
With friend and neighbour, Kirk Sutphin, Riley began honing his musical skills. Together they visited elder traditional musicians throughout North Carolina and Virginia, learning the Round Peak style at the knee of National Heritage Award winner Tommy Jarrell and other traditional musicians of the area, including Dix Freeman, Chester McMillian and former Camp Creek Boys members Verlin Clifton and Paul Sutphin.
Over the years, whilst working as a weldor and a blacksmith by day, Riley played with many old time string bands, including the Old Hollow String Band and the Red Hots. His self-produced recording, "Life Of Riley" (Yodel-Ay-Hee, 2001), showcases his masterful, elegant banjo playing and his rich, raw boned singing voice.
One fateful day, Riley got a call from longtime friend and collaborator Dirk Powell. Dirk was involved in the music direction for the Academy Award-winning film "Cold Mountain" and had convinced the producers that they needed Civil War era banjos made in the Carolina hills, specifically Riley’s handmade banjos. They also needed an authentic acapella ballad singer for the voice of Pangle, played by Ethan Suplee. Riley put the hammer down on the anvil and didn’t look back. A whirlwind Hollywood experience ensued, culminating in a place on the star studded "Great High Mountain" tour.
From there, Riley has made his own path, building in-demand instruments and performing at festivals all over the world. He made musical contributions to the Appalshop film, "Thoughts In The Presence of Fear", and to a film by Erika Yeomans; "Grand Gorge: No God But Me". He has worked with the Lonesome Sisters as producer and performer on their recording "Going Home Shoes". Riley collaborated with Laurelyn Dossett and Preston Lane of Triad Stage on theatrical presentations featuring original and traditional southern Appalachian music.