Unknown Mortal Orchestra

The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. On Multi-Love, Unknown Mortal Orchestra frontman and multi-instrumentalist Ruban Nielson reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align. Where Nielson addressed the pain of being alone on II, Multi-Love takes on the complications of being together.

Multi-Love adds dimensions to the band’s already kaleidoscopic approach, with Nielson exploring a newfound appreciation for synthesizers. The new songs channel with the spirit of psych innovators without ignoring the last 40 years of music, forming a flowing, cohesive whole that reflects restless creativity. Cosmic escapes and disco rhythms speak to developing new vocabulary, while Nielson’s vocals reach powerful new heights. “It felt good to be rebelling against the typical view of what an artists is today, a curator,” he says. “It’s more about being someone who makes things happen in concrete ways. Building old synthesizers and bringing them back to life, creating sounds that aren’t quite like anyone else’s. I think that’s much more subversive.”

While legions of artists show fidelity to the roots of psychedelia, Unknown Mortal Orchestra shares the rare quality that makes the genre’s touchstones so vital, constant exploration.

Foxygen is the bi-coastal songwriting duo of Sam France (vocals, Olympia, Wash., 22 years old) and Jonathan Rado (guitar/keyboards, NYC, 22). They are the raw, de-Wes Andersonization of The Rolling Stones, Kinks, Velvets, Bowie, etc. that a whole mess of young people desperately need. They create a sometimes-impressionistic, sometimes-hyper-real portrait of sounds from specific places and times. Yet, it never comes across as anything but absolutely modern music. They bring the manic, freewheeling qualities of an artist like Ariel Pink to those aforementioned influences to make for one of the most refreshing listens of the year. They are the real deal and total savants. Their albums are love letters to vinyl collections. Jagjaguwar is proud to share with you Foxygen's bedroom masterpiece, Take the Kids Off Broadway.


In 2007, longtime best friends Rocky Tinder and Eric Phipps moved to Portland, Oregon and decided to start a band. With all the buoyancy and idealism of youth (being fresh out of high school at the time), and stimulated by the massive amount of creative output surrounding them in their new city, they sketched out a vision for a massive friend band - the possibility of getting every single one of their buds on stage and creating a monumental live show. Yet both boys have discerning taste, having backgrounds in music theory from a tender age, and questioned the logistics of a chaotic set-up. Moreover, they were enamored of the freedom that local dance music outfits had with their compact set-ups, allowing these acts to show up and throw down anywhere. Accordingly, they tweaked their vision and decided to just do it themselves. Armed with two guitars and an iPod filled with their meticulously prerecorded beats, bass lines, and bells, they became Wampire – two boys on a mission to have as much fun being a dance-rock duo as 20 people combined. Now, 3 years later, with the new addition of drummer Cyrus Lampton for extra beats and extra smiles, it is very safe to say that Wampire have succeeded: this band is epically, epically fun. Whether rocking out in the dark of a nightclub, with Flashdance projected behind them from out of Tinder's gold-painted VCR, or stripping down to their skivvies during an afternoon parking lot performance, Wampire is a sight to behold. They're certainly not taking themselves too seriously, but one can say a lot more than that about their live show. Their easy chemistry and inexhaustible joviality is totally infectious – you're powerless to resist the dance floor when they take the stage.

$12 Advance - $14 Day of Show

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