The Shelters, The Jacks

The Shelters fan a fresh flame with classic fuel on their upcoming second full-length, Jupiter Sidecar to be released on September 20 via Warner Records. Ebbing and flowing between rock ‘n’ roll roots, surf swagger, synth swells, and unassuming pop ambition, the Los Angeles-based group—Chase Simpson [vocals, guitar], Josh Jove [guitar, vocals], and Sebastian Harris [drums]— thread it all together with catchy melodic hooks and handcrafted instrumentation. This approach quietly cemented them as a fan and critical favorite following the release of their self-titled full-length, The Shelters, in 2016. Produced by none other than the late Tom Petty, the debut garnered widespread praise from the likes of W Magazine, Rolling Stone, and Paste who noted, “The band’s sound successfully marries elements of ‘70s and ‘80s rock and roll with a modern flair.” Meanwhile, the boys racked up close to 14 million total streams with the single “Rebel Heart” and toured alongside The Head and the Heart, Royal Blood, The Killers, Gary Clark Jr., Band Of Horses, BRONCHO, Tom Petty and the Heartbreakers, Mudcrutch and more, logging over hundreds of shows in two years.

However, The Shelters faced their biggest challenge in the wake of Petty’s tragic passing. Petty wasn’t just the band’s producer, he was the initial catalyst for The Shelters’ union as a band, encouraging them to hone their songwriting skill and offering his home studio for their near-daily use. Now with Petty gone, The Shelters returned to his studio Shoreline Recorders in Malibu to craft Jupiter Sidecar and to mourn the loss of their friend and mentor; and in the process learned to rely on one another like never before. “We definitely have something to prove,” says Simpson. “Obviously, we want to make Tommy proud. Even more so, we want to step out of his shadow and come into our own. We knew we had to do something exciting and different to carry on being The Shelters.”

Jonny Stanback (lead vocals/rhythm guitar) Tom Hunter (lead guitar/vocals) Scott Stone (bass guitar/vocals) Josh Roossin (drums/percussion)

When it comes to playing rock & roll, The Jacks simply don't have a choice. "It's what we listen to, it's what we play," bassist Scott Stone says, "and when you stick four guys like us in a garage with instruments, it's just the kind of music we are going to make."

You can hear a primal energy coursing through vocalist-guitarist Jonny Stanback's gritty howl on "Walk Away," the lead single from their debut self-titled EP and the rest of the guys match his excitement with driving riffs and infectious melodies. It's an electric charge that surges through each of the record's five tracks, guiding Stanback, Stone, lead guitarist Thomas Hunter and drummer Josh Roossin when they play together.

“We’re trying to push the boundaries of the rock & roll genre by incorporating modern elements, but still keeping the core structure of a four-piece band,” Stanback says. “We are creating a sound you’ve never heard before, but feels familiar.”

The way they see it, playing rock at a time when pop and hip-hop are dominating the charts is an act of defiance. If any band is poised to help bring authenticity back to rock & roll, it's The Jacks. The quartet has been making a steady ascent since forming in Los Angeles in the summer of 2016, selling out gigs at legendary hometown venues like the Troubadour, Roxy and Viper Room, supporting legends like the Doors' Robby Krieger (who told them personally that he liked their music) and playing major rock festivals like Aftershock and Sonic Temple. At one gig, they ran into John Fogerty who told them, "It's cool to see some rock & roll again."

Now the group has recorded their first EP with producer Matt Wallace (Maroon 5, Faith No More) at Los Angeles' famed Sunset Sound Recorders. But even though they've been playing together for only a couple of years, rock has been The Jacks' lifeblood for as long as they can remember.

As Wallace declares, “The Jacks deliver up lean, rugged rock & roll with songs that feel like instant classics that make you want to move, with earworm hooks and melodies that will have you kinda upset when you find yourself unintentionally and inappropriately humming their songs at work, in church, in court, or at wakes. If the Strokes, Cage the Elephant, and the Stones had an equally talented, but more handsome baby, it would be named The Jacks!”

Hunter and Stone started jamming together on Jimi Hendrix, Led Zeppelin and AC/DC covers in middle school. They kept it going through their college years, and one day when Stone was running sound for an open-mic night, he spotted Stanback. "He had a natural stage presence and a unique voice," the bassist says. "His singing could be growly, but also very sultry." The next day, Stone called up the singersongwriter and said they were supposed to play a house party at the end of the week and asked if Stanback would play with them. The three of them and their drummer at the time got together on a Monday and played their first gig that Friday. They eventually recruited Roossin, who'd gone to high school with Hunter and Stone, to join them on drums when their previous stickman left to pursue another career path. The four of them soon discovered that they shared a unique set of influences – the RollingStones, the Beatles, the Who, Oasis, the Black Keys – and began refining their sound. "The day I finished school, I flew home and had my first rehearsal, right off the plane," Roossin says. “Growing up I had always wanted to play music professionally but never found the perfect opportunity. After playing with these guys, I knew this was that opportunity.”

That's when The Jacks got serious. They started playing around Los Angeles, and eventually the band entered a local radio station’s battle-of-the-bands competition in 2017 – and won a recording contract. Instead, they passed and continued to tour and work on their songs. They waited for the right opportunity, which they got when EDGEOUT Records approached them and put them in the studio with Wallace. The label also set the group up with Grammy-winning engineer Andrew Scheps (Red Hot Chili Peppers, Adele) to mix the EP and bring out group's natural exhilaration.

“Working with Matt Wallace was an incredible experience. He was able to take our vision for our songs and record them exactly how we’ve imagined for the past few years,” declares The Jacks. “And it was a true honor to work with the legendary Andrew Scheps. We couldn’t be happier with his influence on the upcoming EP. We now have an amazing team with EDGEOUT and UMe, and are so excited for the world to hear our music.”

Earlier this year, they were tapped to perform at the NFL pre-Super Bowl and NHL Winter Classic events. For the remainder of the 2019 Stanley Cup playoffs, The Jacks’ music has been chosen to be heard during the games’ broadcasts, highlight reels, and commercial bumpers.

Since the quartet has been able to test-drive their songs on the road, they zeroed in on five that exemplify The Jacks experience for the EP. Lead single "Walk Away" has a big, catchy chorus and lyrics about feeling stuck and trying to move on. “That song is about a very frustrating relationship, where you keep falling into the same routine even though you know you should just get out of it,” Stone says. “It’s time to get out of it, but you keep going back to the same thing over and over and you’re frustrated that you keep doing that to yourself.”

The rest of the songs on the EP also address the human condition. "Who Are You," the bouncy, British invasion-inspired number, finds Stanback questioning somebody’s motivations. “It’s about an obstacle, a rough point for me personally, and I was thinking about how certain things in life are holding you back and how they seem like they are out to get you,” he says. “It’s me asking, ‘What is this thing? What is this force bringing you down?’” "Are You Looking for Love?," with its wailing lead guitar and urgent beat, is like a cousin of “Walk Away” that was born for the dance floor. “It’s about a relationship where you’re not getting serious at all and you’re like, ‘What the hell is going on?’’ Stone says. Stanback adds, “It’s about our lives and trying to be involved with girls and trying to figure that out.”

A bad relationship also inspired "Understand," which features Stanback deciding a relationship has “all been a waste” over a throbbing bass line. The song is about an argument I had with a girl,” he says. “It’s hard when things get emotional.” And similarly, "Hello My Friend" and its lifting vocal line finds Stanback singing about a bad friendship, though this time about a close friend of Stone’s who was struggling with addiction. “It’s my reaction to it and how disappointed I am in the fact that I did not step up and try to help more,” the bassist says. “It has a melancholy feel of ‘We were once great friends and now we’re losing that bond.’ He’s doing better now. Not totally better, but we have rekindled our friendship.”

The mix of songs is fitting since The Jacks got their name from a fan telling them early on that they were "jacks of all trades" when it came to playing different styles and blending their songs with those of their idols. They often performed four-hour shows covering songs from almost every music genre to make money to pay for their early recordings. The moniker also fits because of their diverse schooling and the fact they manage themselves, book their own shows and write their own music, too. Each of these tracks shows off a different side of the ensemble. From the hard-edged rockers to the more melodic numbers, you can hear how the band members have poured their hearts into each of the songs.

Now that the group has an EP under its belt, The Jacks are ready to take on the world. They've spent much of the last year on the road all over the U.S. and have more gigs lined up for the rest of the year,including a slot on the Sonic Temple festival, playing alongside Foo Fighters, The Cult, Joan Jett & the Blackhearts, the Hives, the Struts, and many others. It's all fitting into their vision of the future, and they're having fun while fulfilling it.

"There isn't an end goal for us, we just want to continue to write the music we love, share it with as many people as possible, and hopefully be remembered for it," Hunter says. "We hope that we can one day inspire other musicians to do the same. Oh ... and we want to sell out Wembley."

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"JUPITER SIDECAR" ALBUM RELEASE PARTY

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