(((folkYEAH!))) & KFJC Present
W.I.T.C.H. (We Intend To Cause Havoc)
777 Valencia Street
San Francisco, CA, 94110
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Watch & Listen
WITCH (We Intend To Cause Havoc) were the biggest rock band in Zambia in the 1970s and spearheaded a new genre dubbed Zamrock, fusing influences that ranged from the Rolling Stones to Black Sabbath and James Brown and mixing them with traditional African rhythms and bush village songs. At the peak of their popularity, the band often needed police to keep fans at bay while their lead singer Jagari - whose name is an Africanisation of Mick Jagger’s - riled up crowds by stage diving from balconies and dancing manically as the WITCH’s blend of psychedelic rock and African rhythms permeated the surrounding atmosphere.
Jagari is the charismatic sole surviving original member of the band. As Zambia’s economy stagnated and the country buckled under the AIDS crisis, WITCH fell apart. Jagari retreated to a life of quasi-anonymity as a university music professor before being wrongfully arrested during Zambia’s toughest hour. Now a man in his 60s, he spends his time mining gemstones hoping to strike it rich, until very recently the band being just a nostalgic memory of his youth.
Largely unknown outside of their home country, WITCH finally got the exposure they deserved when Now Again Records reissued their entire discography in 2012. This allowed Jagari to play outside Africa for the first time and for a new generation of fans to discover his music. In 2016 he began a collaboration with Dutch musicians Jacco Gardner and Nic Mauskoviç, and together with them, in September 2017 WITCH headed out on its extremely successful first ever European Tour.
This fall, WITCH will embark on their first US / North American tour.
Pacheco Brothers, David and Rene, began their prolific music careers as Thee Commons; underdogs in the East L.A. music scene. Inspired by the Roots of Chicha compilations and the psych rock sounds coming out of Southern California they embraced both worlds with open arms. Unable to properly play “cumbia” rhythms they quickly learned from their peers in Boyle Heights and gave their best interpretation of the genre. High-spirited and determined they worked on a formula that would become their signature “Psychedelic Cumbia Punk” sound. A sound, not latino enough for the Mexicans nor surf enough for the psych-punks. This paradoxical approach, gregarious attitude, and live wire shows landed them slots on West Coast festival favorites, namely Coachella, Desert Daze, and Tropicalia. LA Weekly made it clear: "If Thee Commons aren’t the best live band in Los Angeles, they’re damn near the top.”
However, after 3 LP’s and a collection of EP’s and singles, the brothers Pacheco decided to work on a different live and studio sound. Seeking a new sound they were inspired by the likes of Django Reinhardt, Joan Sebastian, Edith Piaf, Meridian Brothers and obscure soundtracks by Nino Rota. Yet, rather than start from scratch the brothers expanded on their “psychedelic cumbia punk” sound and reshaped it with a cinematic, orchestrated and carnivalesque twist. With the support of their friends and family they moved forward with the idea to rebrand and start anew. Focusing on their song craft, they began to experiment with different instrumentations and working with a myriad of studio musicians. Maturing as songwriters the brothers are now faced with the challenge of presenting their studio recordings onto a live stage. All the meanwhile, they are also endlessly working on converting new and previous Thee Commons fan to join the Tropa Magica caravan.