Elephant Stone

Formed in Montreal in 2009, Elephant Stone is the brainchild of vocalist, bassist, songwriter, and sitar player, Rishi Dhir. Also featuring Miles Dupire (drums/backing vox) and Gabriel Lambert (geetar/backing vox), Elephant Stone have toured extensively throughout North America and Europe and are prominent members of the burgeoning psych rock scene. Dhir has recorded, performed, and toured with indie rock icons (Beck), legendary cult bands (The Brian Jonestown Massacre), and contemporary psych titans (The Black Angels and The Horrors).

Released in 2009 on Dhir’s own Elephants on Parade label, Elephant Stone’s debut album, The Seven Seas, was nominated for the 2009 Polaris Music Prize, which honors the best full-length Canadian album. Produced by Jace Lasek (The Besnard Lakes), the album introduced Elephant Stone’s innovative blend of rock ‘n’ roll, Hindustani classical music, and infectious pop on an album chockfull of memorable songs, such as “Bombs Bomb Away,” “How Long,” and “The Seven Seas.” The 2010 EP The Glass Box expanded on the spirited sounds of The Seven Seas.

In 2013 Elephant Stone released their second full-length LP, Elephant Stone. The album received critical acclaim from NPR, Brooklyn Vegan, Consequence of Sound, and other important media outlets. It also contained Dhir’s finest batch of songs yet, especially the singles “Heavy Moon” and “Love the Sinner, Hate the Sin,” as well as the raga-drenched meditation, “A Silent Moment.”

A third album – The Three Poisons – followed in 2014. Elephant Stone’s heaviest, grooviest, and most ambitious record to date, The Three Poisons yielded the band’s two biggest hits: “Knock You from Yr Mountain” and “Child of Nature (Om Namah Shivaya).” And the darkly compelling and inventive “Three Poisons” showcased Dhir’s lyrical exploration of Buddhist themes and The Tibetan Book of the Dead.

The Three Poisons remix album – ES3PRMX – appeared in 2015 as a digital download. Anton Newcombe of The Brian Jonestown Massacre, Tom Furse of The Horrors, Alex Maas of The Black Angels, Peter Holmström of The Dandy Warhols, and more contributed remixes.

In 2016 Elephant Stone released their fourth album, Ship of Fools, via Elephants On Parade/Burger Records.

-- Paul Gleason (2016)

"If one were to qualify the work of Elephant Stone, the first adjective would undoubtedly be "experimental". The Montreal band is already on its fourth album, with the release of Ship of Fools. Yet the audacity and talent of these three Canadian boys continues to amaze us." ★★★★
- Rolling Stone France

“Ship Of Fools is a gloriously and unapologetically joyous listen, and one that serves to remind us how the Flaming Lips lost their mojo, while simultaneously showing Empire Of The Sun the way forward.” ★★★★
- Classic Rock

“The crown jewels of Montreal psych-rock… brood with headphones or dance at a big outdoor festival to this.” ★★★★1/2
- Exclaim!

“Breezy melodies over a pop blueprint, adding luscious psychedelic accompaniment that welcomes experimentation and often features Dhir's sitar.” ★★★1/2
- AllMusic

“For those who think Alexis Taylor fronting Garbage sounds like an intriguing proposition.” ★★★
- MOJO

“Poppier hooks, tighter arrangements, stronger melodies and meatier beats. They still get their freak on — but now they know how to make it count. So much for playing the fool.” ★★★1/2
- Toronto Sun

“An unbeatable maelstrom of melody and groove… on another level.”
- The Big Takeover

Frankie and the Witch Fingers

Over the course of five years and five LP’s, L.A. veterans, Frankie and the Witch Fingers, have been mutating and perfecting their high-powered rock n’ roll sound. After savagely touring the USA and Europe, this four-headed beast has shown no signs of relenting—appearing like summoned daemons and dosing crowds with cerebral party fuel.
The main attraction of Frankie and the Witch Fingers is their explosive performance. With their rowdy and visceral approach to live shows, each member brings their own devilry to induce an experience of bacchanal proportions.

Using absurd lyrical imagery—soaked in hallucination, paranoia, and lust—the band’s M.O. strikes into dark yet playful territory. This sense of radical duality is astir at every turn, in every time signature change. Airy vocal harmonies over heavily-serrated riffs. Low-key shamanic roots under vivid high-strangeness. Rambling stretches and punctuated licks. Cutting heads and kissing lips. All this revealing a stereophonic schizophrenia that has flowed throughout their body of work: an ebb & flow of flowery-poppy horror.

The band’s latest incarnation is primed to break new sonic ground, edging into the funky and preternatural. Just when you think the trip couldn’t get any weirder, Frankie and the Witch Fingers cranks up the dial, shatters the mundane, and summons new visions.

Emerald Siam

Arising out of the ashes of beloved Denver noise rock band Overcasters, the gents of Emerald Siam present their brand of big, loud, droning, danceable space and psych rock, catapulting audiences ears and souls forward, forward to the precipice of the abyss.

Emerald Siam began at the end of 2012 with the shared vision of guitarist/vocalist Kurt Ottaway and bassist Todd Spriggs. With the addition of guitarist Billy Armijo and drummer Greg Johnson, the group melds their shared and disparate influences into a swirling mass of jarring reverbed guitars, thumping bottom end and a monster beat.

To date, Emerald Siam has been incredibly lucky to have shared the stage with the likes of The Warlocks, Crystal Stilts, Dead Meadow, A Place to Bury Strangers, Wovenhand, Mystic Braves, Weekend, Tjutjuna, The Fresh & Onlys, The Wytches, Dum Dum Girls, True Widow, Disappears, Myrrors and many others.

$15.00 - $18.00

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