The first American group to sign with Deaf Rock Records, the duo Crocodiles released Love Is Here (The End Is Near), their seventh album this year. Electrically charged with time, the album expresses heartbreak and anxiety on a global scale. But with 20 years of friendship and music backing them, Charlie Rowell and Brandon Welchez (creators of Crocodiles) know how to take on adversity: by persevering and banding together to create 10 songs like lightning bolts in a stormy sky.

For those who missed the beginning, and also for those who have nothing to lose by hearing the story again, Brandon Welchez and Charlie Rowell went on tour for the first time about 20 years ago. They left San Diego together in a van with the motor smoking. The van broke down in Arizona where they found another and continued on into the Northwest of the United States. The second van broke down as well, but Brandon and Charlie finished the tour. When they returned to San Diego, they agreed that they enjoyed the experience and were ready to get on the road again.

Around ten years before, the two met each other in San Diego during an anti-Nazi protest and connected over their interests in DIY Punk. Brandon and Charlie were playing in separate bands that would often go on tour, but without a foreseeable future. The two artists craved music and tour life, wanting to travel and make a career for themselves. The duo created Crocodiles in 2008, first to play garage-rock with a cheap synthesizer, but especially to find the music within themselves.

“It’s lucky that we met, because neither of us wanted to play music just for a few years, then find a job and settle down. If you want to be an artist, you have to do it 1OO percent. Life can be hard, you can be broke and deal with tough times, but at least you know you’re alive,” Brandon said of the duo’s beginning.

Twenty years of friendship and ten years of Crocodiles later, Charlie and Brandon still haven’t changed their motto. They moved around (Charlie now lives in Paris and Brandon in Mexico), their music evolved, they have produced six albums and switched vans and labels, but the heart, energy and faith are still the same. The groups that have inspired the Crocodiles most, among others, are The Fall, Sonic Youth, and Guided By Voices. For the duo, these rock missionaries have demonstrated how to advance, grow and hold together without holding back. In the group, Brandon and Charlie play rock, but they also display their lives, served up, album after album.

For their seventh album, everything is in the title: Love Is Here (The End Is Near). The oldest song on the album, Prisoners, was composed in 2015 when Brandon and Charlie were both in the middle of emotional turmoil. Charlie said of the album, “We didn’t have anything planned, but when we put the texts together, we noticed that they often talked about love and hope that only existed because of their opposites, hate and negativity.” Brandon explained, “The theme of the album is how to handle your life after a breakup, the darker and more painful side of love. And everything that was happening in our lives echoed in the political world: Trump being elected, far-rights rising to power all over the world, the paranoia of this era. Everything seemed dark and hopeless.”

In 2015, Brandon and Charlie were living in New York together, reunited like the beginning of their friendship, and began rocking out in the old-school punk band Flowers of Evil along side members of the band A Place To Bury Strangers. Reuniting and getting back to the basics, the energy and rage from Flowers of Evil had an impact on Love Is Here (The End Is Near). After their sixth album (Dreamless, 2016) with a more pop-electro feel, Love Is Here (The End Is Near) celebrates the return to electric catharsis.

Similar to the era of their first tour, Crocodiles went on tour from the West to the East with their California rock melodies, post summer-of-love (or summer of hate) and the guitars evoke late 70s in New York. The duo recorded Love Is Here (The End Is Near) for three weeks during winter in Mexico with their friend and producer Martin Thulin, in a live setting, with a drummer and a bass player. The songs run through layers of psychedelic fog, full-speed, (Nuclear Love, Love Is Here) or leave a little breathing room (My Far Out Friend, Prisoners). The album is dark with Brandon and Charlie singing of confusion and delusion, but never lost with the offset of strong guitar riffs.

Crocodiles is the first American group to sign with the Strasbourg label Deaf Rock. The connection was made while Charlie was producing the latest album of the group The Blind Suns, also signed with Deaf Rock. Everyone got along and the two Francophiles are excited for this new step in their career. Love is here. For the end, we will have to wait a while longer.

Kate Clover

The moon, hanging ominously in the sky, illuminates puddles of gasoline rainbows dotting Sunset Boulevard. Solitary street rats dart out of shadows and disappear again into the neon night. Car horns blare, night people laugh loudly in their private worlds. In the distance the shattering glass of a dropped vodka bottle echoes off the walls of a dank underpass. The rains have come and the rains have gone. A cool eeriness envelops Los Angeles.

Kate Clover sits hunched over the desk in her tiny room. Scrawled on the sheet in front of her: “It doesn’t matter what you say to me/ It doesn’t matter because I want to believe.”
Belief in self, belief in the eradication of histories, belief in love, belief in hate. In time, these words will be set to fiery punk rock n roll and burned on the altar; an offering, an invitation to all other would-be believers: The grim-faced outcasts, the leopard-print lovers, the glamorously destitute.

She leaves her room and steps out into the long, black night.
A beat up, old Toyota sits parked at the curb in front of her apartment building. Inside wait the gang of musicians she leads; the grizzled, angelic boys. Spent cigarettes are flicked
out of windows as she climbs in. They peel off, heading towards their grimy practice space where they will spend the next several hours repeatedly tearing through her songs.

The moon, dropping ever lower into the black, peers out from behind dark clouds. Kate Clover is back in her tiny room, scrawling more words onto more sheets of paper. Poems
which will eventually form the words that will comprise her
debut album. She is taking her time, doing it her way. Outside the car horns continue blaring. The street rats and night people continue on their paths of elegant decay and the sun starts to slowly rise over Los Angeles.

Clover has yet to release any music but has but has quickly
gained attention by her explosive live shows. She was recently hand selected by King Dude as direct support on an extensive US Spring tour and will embark on a Fall tour with Crocodiles and Death Valley Girls.

$16 adv / $18 door


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