Brokeback, Chris Brokaw, Mark Charles Morgan


A sense of place has been essential to the music of Brokeback since guitarist/bassist Douglas McCombs first launched the project in 1995. Initially conceived as a solo outlet, the Chicago group has taken on new dimensions over the past two decades, morphing from the lean, pastoral ambience of the first album, Field Recordings from the Cook County Water Table, to the more muscular, taut arrangements and dynamic swells of the last release, Brokeback and the Black Rock, for which McCombs assembled a new quartet lineup. Each album develops with exacting detail, revealing McCombs’s gift for dialing in the essence of a mood, feeling, or distant locale with a handful of reverb-laden guitar tones, elegant and sustained, strategically placed and sparingly deployed. The instrumental landscapes he creates on Illinois River Valley Blues are utterly transportive, evoking familiar open-frontier soundtracks and charting out new sonic territory.

Thematically this is McCombs’s most personal offering yet, reflecting on his early years growing up along the Illinois River corridor between Peoria and Chicago. The sepia-toned opener “Ride Ahead and Light the Way for Me” is drawn from memories of evening rides on the river with his father, while the noir album bookend “Night Falls on Chillicothe” is named for a river town north of Peoria near where McCombs’s grandparents lived. “I remember hearing the trains at night while I was in bed and knowing they had just come from Chillicothe,” he says.

Though the inspiration is McCombs’s, the execution is wholly a group effort. With the same instrumentation and mostly the same lineup as the previous album, the band stretches its leader’s eternal fascination with the roots of American guitar music in bold new directions. A serpentine mystique runs through “Rise, Fernanda, Rise!,” and “Cairo Levee” conjures a desert atmosphere closer to the Sahara than the American southwest. Side one of the album closes with a moody, meditative take on “Spanish Venus,” a ballad written by cornetist and sometime Brokeback collaborator Rob Mazurek. “I could hear Brokeback doing the tune from the moment I heard him workshopping it with Pulsar Quartet at a little cocktail bar in Logan Square,” says McCombs.

Several songs feature lush, multi-layered vocals by Amalea Tshilds (the Paulina Hollers), who made a deep impression on McCombs with a spellbinding a cappella performance a couple years ago. “I often imagine female vocals on Brokeback records, but I wanted it to be someone that I have personal history with, someone who can nail it, not to mention someone who I know digs the music,” he says. “That's why Mary Hansen sang on all those earlier records and why I wanted Lea for this.”

McCombs’s singular approach to guitar and bass, characteristic of his work with Tortoise, is expertly enhanced here by James Elkington (Tweedy, Steve Gunn) on second guitar (moving over from drums on the last record). The two salute one of McCombs’s favorite bands, Television, with latticed dual leads on the stately yet aggressive “On the Move and Vanishing,” while Elkington’s subtle layers of pedal steel and organ burnish more ruminative forays like “Andalusia, IL” and “Ursula.” Their intertwining flights are anchored by the sturdy yet versatile rhythm team of bassist Pete Croke (Exit Verse, Tight Phantomz) and drummer Areif Sless-Kitain (the Eternals), the newest member of Brokeback.

Chris Brokaw

Chris Brokaw is perhaps best known for his works with the rock bands Codeine and Come. He has released over two dozen solo recordings of instrumental and vocal musics; composes for films and dance companies; and currently plays in the bands Charnel Ground, the Martha's Vineyard Ferries and the Lemonheads. He works in duos with Lori Goldston; Jeff Barsky; Geoff Farina; Chris Guttmacher; and with Matthew Nolan, performing live scores to the silent films of Peter Hutton. He has worked as an accompanist to Christina Rosenvinge, Thurston Moore, Jennifer O'Connor, Rhys Chatham, Steve Wynn, and GG Allin. His new album "End Of The Night" is out now on VDSQ/Black Editions in the US and Tak:Til overseas.

Mark Charles Morgan

MARK CHARLES MORGAN is most well known as the guitarist and singer of Sightings, a New York City based avant rock band which existed from 1998 to 2013. The band was sometimes accused of exploring the outer reaches of sound in a traditional three piece rock format by the Wire, Village Voice and Pitchfork among others. They released 10 full length albums on the labels Load, Ecstatic Peace, Fusetron and Dais in addition to a few 7" singles. They extensively toured the US, Canada, Europe and Japan. Morgan also collaborated with No Neck Blues Band member Pat Murano in Key of Shame (they released two separate albums on Italian labels Planam and Holidays) and Thurston Moore and Bill Nace in the guitar trio An Alien Heat. Morgan’s most recent release is his first solo guitar record Department of Heraldry released on Bill Nace’s Open Mouth label and has been reviewed in the Wire.



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