Rooted in triple-stacked harmonies, southern storytelling, and cosmic country twang, Cordovas create their own version of American roots-rock with That Santa Fe Channel.

The album marks the band's ATO Records debut, arriving after more than a half-decade's worth of international touring, communal living, and shared songwriting sessions. It's a timely - and timeless - version of a sound that's existed for 50 years, ever since pioneers like the Grateful Dead and the Allman Bothers Band blurred the lines between rock, country, and amplified folk music. If That Santa Fe Channel nods to the band's influences, though, it's still a fiercely unique album, recorded in a series of live takes that shine a light not only on Cordovas' songwriting chops, but their strength as a raw, rugged live band, as well.

That Santa Fe Channel was produced by the Milk Carton Kids' Kenneth Pattengale in East Nashville, not far from the home that doubles as the band's rehearsal space, headquarters, and shared living quarters. There, in a converted barn behind the property's main house, the guys logged countless hours fine-tuning a sound that's already earned praise from outlets like NPR Music and Rolling Stone, who described the group as "the harmony-heavy, guitar-fueled house band at a Big Pink keg party in 1968." With its western wooziness and siesta-friendly swagger, That Santa Fe Channel also nods to the band's other home bases: Southern California, where bassist and band leader Joe Firstman lived for years; and Todos Santos, Mexico, where Cordovas' five members travel every winter to write new songs, sharpen old standbys, and oversee the acclaimed Tropic of Cancer Concert Series. The result is a record that's steeped in
- but not limited to - southern sounds and California charm. It's American music without borders.

Years before Cordovas' formation, Firstman traveled the country as a solo musician. Raised in North Carolina, he moved to Hollywood as a determined 20 year-old, signing a major-label deal with Atlantic Records in 2002. His debut album, War of Women, hit stores one year later. When a dizzying blur of acclaimed shows - including opening dates for Sheryl Crow and Willie Nelson - weren't enough to satisfy the expectations of a big-budget record label, Firstman lost his contract and took a new job as music director on Last Call with Carson Daly. It was good work, with Firstman performing nightly alongside first-rate musicians like Thundercat and Kamasi Washington. Still, the need to create his own music was ever-present. With Cordovas, he's found his ultimate vehicle: a collaborative band with multiple lead singers and a collective approach not only to songwriting, but to existing. Cordovas aren't just bandmates. They're roommates. They're co-conspirators. They're a family.

"The Cordovas are a 24-hour, 7-days-a-week job," clarifies Firstman, who shares the bandd's roster with drummer Graham Spillman, keyboardist Sevans Henderson, and dueling lead guitarists Lucca Soria and Toby Weaver. "You're always on call to play, to adapt to another man's idea, to pick up a guitar or look at a lyrics sheet. We're eating dinner together, hanging out together, and making art. We don't have rehearsal times, because rehearsal is always. You have to honor the art first, and everything else comes second."

Living in such close quarters - both at home and on the road - has turned Cordovas into a band of brothers. Stop by the band's East Nashville compound and you may find Soria and Weaver picking their way through bluegrass songs inside the barn, while Firstman wraps up family dinner in the kitchen and Spillman fixes the band's RV outside. There's a communal vibe to the band's existence that bleeds over into their songs, where it's often hard to pinpoint a single person's voice in those thick, swooning harmonies. That Santa Fe Channel is the soundtrack to that communal existence: a collection of songs written together, performed together, and lived together.

And what a soundtrack it is. There's the Band-influenced boogie-woogie of "Standin'; on the Porch," full of blue notes and pedal steel. There's the layered melodies of "I'm the One Who Needs You Tonight,: the classic chord changes of "Selfish Loner," the barroom piano of "Step Back Red," and the hungover charm of the album's opener, "This Town's a Drag," which finds Firstman searching for illegal thrills in a dry town. Together, That Santa Fe Channel's nine songs paint the picture of a band on the rise, heading for a horizon whose beauty can match their own.

The Honey Blazer Band

New Mexican

New Mexican is the solo project of American folk rock musician Matt Hoffman.

Born in Las Cruces, NM and raised in Fort Collins, CO, Hoffman grew up singing and playing piano, drums and guitar. His father is the son of a New Mexican small businessman who was the owner of Hoffman's Melody Shop in Alamogordo, NM during the late 1940s through the late 1960s. Hoffman's mother was born in hanover, Germany, the daughter of a rocket scientist. in the 1950s her family emigrated to U.S., landing at Holloman Air Force Base in southern New Mexico. Hoffman feels strongly connected with these roots: his earliest musical instruction came from his Oma, a talented musician and painter, whose artwork of myriad New Mexican landscapes is featured on www.newmexicanmusic.com. Hoffman also plays his father's 1973 Guild Dreadnought as his main acoustic.

In high school Hoffman's focus was drums, and much of his initial experience in bands took place behind a drum kit. However, he always took a keen interest in the language of music, studying intently both formally and in his own songwriting and composition.

In 2009 Hoffman collaborated with Trent Nelson, and the two of them formed the band Strange Americans. Their debut album, A Royal Battle released in 2012 and was received with "almost unanimous enthusiasm" in the Denver community, (ListenUpDenver). The record placed on many lists including Marquee Magazine's 10 Best Local Releases of 2012 and landed Strange Americans alongside Denver bands to watch including the Lumineers.

Since A Royal Battle Hoffman has released Lateral Moves (EP, solo, 2013), Mammoth Cave Live (EP, solo, 2014), and most recently released That Kind of Luster (Strange Americans, 2014).

Strange Americans have shared the stage with such acts as Chris Stapleton, Water Liars, Cory Branan, Dead Confederate and The Both (Aimee Mann & Ted Leo).

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