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Blue Ridge Rock Festival

BLUE RIDGE ROCK FESTIVAL
The 3rd Annual FAN DRIVEN Rock Experience

2019 Dates: September 7th & 8th

DeVault Vineyards -- Concord, Virginia

Godsmack

Godsmack is an American hard rock band from Lawrence, Massachusetts, formed in 1996. The band comprises founder, frontman and songwriter Sully Erna, guitarist Tony Rombola, bassist Robbie Merrill and drummer Shannon Larkin. Since its formation, Godsmack has released four studio albums, one EP, four DVDs, and one greatest hits collection.

Godsmack has sold over 10 million albums in the United States with an additional two million worldwide, including over 2 million singles sales worldwide. The band has had two number one albums (Faceless and IV) on the Billboard 200. They have had a record-breaking fifteen top ten mainstream rock singles, a debut album selling over five million copies in just two years and have also been nominated for three Grammy Awards. The band has sold almost 17 million albums, singles, DVD's and compilation CD's, making them one of the most successful modern rock bands.

Dexter Holland (vocals, guitar), Noodles (guitar), Greg K (bass) and Pete Parada(drums) are The Offspring, one of rock's most exciting and enduring bands. The Offspring have performed over 1100 shows across the globe and sold more than 40 million albums worldwide. Their 1994 release Smash remains the highest-selling album of all-time on an independent label. Among the band's best-known hits are the rock anthems "Self Esteem," "Come Out And Play (Keep 'Em Separated)," "The Kids Aren't Alright", "Pretty Fly (For a White Guy)", and "You're Gonna Go Far, Kid.”

A Day To Remember

Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1 on Billboard’s Rock, Indie and/or Alternative Charts. They’ve also sold more than a million units, racked up over 500 million Spotify streams and 600 million YouTube views, garnered two gold-selling albums and singles (and one silver album in the UK) and sold out entire continental tours (including their own curated Self Help Festival), amassing a global fanbase whose members number in the millions. All of which explains why Rolling Stone called them “An Artist You Need To Know.” In other words, their creative process has worked and worked well.

But for new album Bad Vibrations, the Ocala, Florida-based quintet of vocalist Jeremy McKinnon, guitarists Kevin Skaff and Neil Westfall, bassist Joshua Woodard and drummer Alex Shelnutt switched gears and headed for uncharted territory. Their path included a loose and much more collaborative songwriting process, one that also saw them recording for the first time with producers Bill Stevenson (Descendents, Black Flag) and Jason Livermore (Rise Against, NOFX). And though the album’s being released on the band’s own ADTR Records (like 2013′s Common Courtesy), this record marks their first distribution deal with Epitaph and is the first time they’ve worked with Grammy winner Andy Wallace (Foo Fighters, Slayer), who was brought in to mix.

“We completely changed the way we wrote, recorded and mixed this album,” says vocalist Jeremy McKinnon. “It was one of the most unique recording experiences we’ve ever had. We rented a cabin in the Colorado mountains and just wrote with the five of us together in a room, which was the polar opposite of the last three albums we’ve made. We just let things happen organically and in the moment. I think it forever changed the way we make music. And working with Bill was an awesome experience. He was a bit hard to read at first, so I think we subconsciously pushed ourselves harder to try to impress him. As a result, we gave this album everything we had.”

Recorded at Stevenson’s Fort Collins-based Blasting Room Studios, Bad Vibrations masterfully channels the kinetic energy that recently found A Day To Remember named “The Best Live Band Of 2015″ by Alternative Press. The band decided to forgo digitally driven production and focus on live recording. “These days it seems like a lot of heavy sounding music is heading more and more in a digital direction,” notes McKinnon. “That’s not necessarily a bad thing, but we wanted to go the opposite way and make something that’s aggressive but has more of a natural flow and feel to it.”

By powering Bad Vibrations with so much raw passion, A Day To Remember ultimately deliver some of their most emotionally intense material to date. “I’m like a child screaming in a room when I write,” laughs McKinnon. “I’m singing about the things that are frustrating me, but at some point there’s an arc within the song. It’s almost like I’m giving advice to another person about whatever I’m struggling with, but I think I’m really just trying to give that advice to myself.”

The catharsis-inducing album sees the band tackling duplicity and deception (on the gloriously frenzied ‘Same About You’), the destructive nature of judgmental behavior (on ‘Justified,’ a track shot through with soaring harmonies and sprawling guitar work), addiction (on the darkly charged ‘Reassemble’), and friendship poisoned by unchecked ego (on ‘Bullfight,’ a track with a classic-punk chorus that brilliantly gives way to a Viking-metal-inspired bridge).

‘Paranoia,’ one of the most urgent tracks on Bad Vibrations, fuses fitful tempos and thrashing riffs in its powerful portrait of mental unraveling—an idea born from the band’s commitment to close collaboration in making the album. “Originally it was a joke song about someone being paranoid, but then Neil and Kevin and I started brainstorming lyrics together, which we’d never done before,” recalls McKinnon. “It ended up being shaped so that the verse is a person talking to a psychiatrist, the pre-chorus is the psychiatrist talking back to that person, and then the chorus is paranoia personified. The whole thing just exploded and came together in this really cool way.”
On ‘Naivety,’ the band slips into a melancholy mood that’s perfectly matched by the song’s bittersweet, pop-perfect melody. Says McKinnon, “It’s about that journey when you’re getting older and starting to view the world as a little less magical than you used to, and you’re missing that youthful enthusiasm from when you were a kid.”

Ultimately, McKinnon says that this particular album-making process breathed new life into the band. “Breaking out of our comfort zone and working in a less controlled way, we ended up making something that feels good to everyone, and we can’t wait to go out and tour on it,” he says. “I think a big part of why our music connects with people is that they’re able to get such an emotional release from our songs. And while most of the songs are me venting about whatever’s affecting me at the time, people who are going through something similar can see that it’s coming from a real, honest place. That’s really the core of what A Day To Remember has always been.”

Bad Vibrations debuted at #2 on the Billboard 200 and #1 on the Top Album Sales Chart. It was also the #1 album in Australia, #6 in the UK and #7 in Germany. After a summer / fall tour with Blink-182, A Day To Remember headlined the Bad Vibes World Tour in Australia, the United Kingdom, Europe and Russia.
2017 saw A Day To Remember play Download Festival in the UK and the X Games Minneapolis among other festival shows in the US and Europe. On March 18th, the band received the keys to the city of Ocala from Mayor Kent Guinn and performed a sold out hometown concert before supporting Avenged Sevenfold on select dates of their summer tour, playing their own headline shows with support from Moose Blood and Wage War and presenting 3 stops of their Self Help Festival. In October, Jeremy McKinnon joined Linkin Park on stage at the Hollywood Bowl to perform 'A Place For My Head' in honor of Chester Bennington.
The following year, A Day To Remember celebrated 15 years of being a band with a headline US tour supported by Papa Roach and Falling In Reverse that included a headline slot at Self Help Festival in San Bernardino, California. They also played North American festivals including Inkcarceration, Montebello Rockfest, Las Rageous and Buku.

Stone Temple Pilots

Alternative Rock / Modern Rock band formed in 1986 in San Diego, California

Previously known as "Mighty Joe Young". Changed their name to "Shirley Temple's Pussy" before settling with "Stone Temple Pilots".

Born Earl Simmons, 18 December 1970, Baltimore, Maryland, USA. Simmons was raised from an early age by his aunt in Yonkers, New York. He took his name from the DMX digital sound machine, and developed a reputation as a DJ on the local projects. He won Source magazine's Unsigned Hype Award in January 1991, and released the promo single "Born Loser" for Columbia Records the following year. He managed to escape from Columbia's punitive contract, but little was heard from him afterwards apart from a 1994 single, "Make A Move". He made a dramatic re-entry onto the hip-hop scene with a show stopping appearance on LL Cool J's "4,3,2,1". Further cameos on Ma$e's "24 Hours To Live", the LOX's "Money, Power & Respect" and the remix of Ice Cube's "We Be Clubbin'" built up a highly marketable reputation. Newly signed to Ruff Ryders/Def Jam Records, DMX returned to recording with the powerful "Get At Me Dog" single, a US Top 40 single built around a B.T. Express guitar sample. Marketed as a return to the chaotic, raw roots of street rap, he became hip-hop's latest sensation during 1998 when his debut album, It's Dark And Hell Is Hot, entered the US Billboard album chart at number 1.

An impressive slice of east coast hardcore rap, the album centred around DMX's ferocious lyrical approach. The follow-up, Flesh Of My Flesh, Blood Of My Blood, stayed at number 1 in the US for three weeks during January 1999. The album included cameo appearances from the Lox, Jay-Z, Mary J. Blige ("Coming From") and Marilyn Manson ("The Omen'). After contributing to the Ruff Ryders" chart-topping Ryde Or Die Vol. 1 set, DMX quickly laid down tracks for his new album. Despite being his third release in the space of two years, ... And Then There Was X was another quality slice of hardcore rap and a welcome antidote to the bland hip-hop product still flooding the American market. The album followed its predecessors to the top of the US charts in January 2000

In This Moment

American post-hardcore band formed in 2013 in Southfield, MI, USA.
The band released their debut EP "Heart Vs Mind" in 2014, and gained popularity after posting a cover of Taylor Swift's "Blank Space" to YouTube in December 2014. The band released their debut album, "Lifelines" on October 21, 2016.

Current members:
Brian Burkheiser - clean vocals (2014–present)
Eric Vanlerberghe - unclean vocals (2014–present), clean vocals (2016-present)
Steve Menoian - lead guitar (2014–present)
Dylan Bowman - rhythm guitar, backing vocals (2015–present)

Former members:
Jordan Berger - rhythm guitar, backing vocals (2014–2015)
Lee Runestad - drums (2013–2017)
Tony Camposeo - bass guitar (2015–2016)

HELLYEAH’s previous album, 2014’s Blood for Blood, was the album metal fans and critics were waiting for HELLYEAH to make, based on the revered metal pedigree of the individual members. Such an artistic achievement—the album debuted at No. 1 on the Billboard Hard Rock album chart— meant the band set the bar incredibly high. HELLYEAH —whose core is comprised of singer Chad Gray, guitarist Tom Maxwell, drummer Vinnie Paul, Christian Brady (guitar) and Kyle Sanders (bass)— do not disappoint with their fifth album UNDEN!ABLE.

“We turned a corner with Blood for Blood and we wanted to continue that path,” Paul states. “It’s much heavier and darker, and we take it to another extreme.” The album also fosters a sense of community and the notion that “we’re all in this together” among the metal community we are part of. The upside down “i” in the title is an exclamation point — a subtle indicator of how metal fans live their lives against the grain for their entire daily existence. “It doesn’t matter how old you are — you are always a metal kid,” Chad Gray declares, referencing himself and fans as one.

With the 2007 self-titled debut, HELLYEAH broke the ice, introducing the world to a band comprised of familiar faces who played in influential bands with signature sounds. 2010’s Stampede showed off a more pleasure-seeking side of HELLYEAH. 2012’s Band of Brothers was marked by internal change and further experimentation, while Blood for Blood found the band reaching the summit of brutality, creativity, and artfully mined piss and vinegar. UNDEN!ABLE is the logical next step and it’s frontloaded with songs that crackle with a palpable industrial aggro energy. As guitarist Maxwell succinctly says, “It’s belligerent and brutal, with peaks and valleys that bring you up and down, emotionally and lyrically.”

One reason it’s so belligerent and brutal? The time crunch that came along with crafting the album. The band spent 18 glorious but grueling months on the road in support of Blood for Blood and was given exactly two weeks (!!!) off before it had to start working on UNDEN!ABLE. The pressure and lack of recess awakened a sleeping giant within Maxwell. There was literally no time to waste and he marshalled his emotions for inspiration.

Without any time to decompress, Maxwell came out of the gates in sniper mode, admitting there was “no time for demo-itis!” He confessed, “I was pissed, agitated, and distraught. In the long run, it helped. There was so much intensity in the frustration.” Paul notes that the band “took no time off so that we didn’t get complacent. We knew there was a window of opportunity.” It may not have been optimal at the time, but it yielded a maximized result. “We know we did great, broken ankles and all,” he states. HELLYEAH’s usual formula remained unaltered when it came to the recording process. They demoed at Paul’s home studio in Dallas, TX before writing and recording with Kevin Churko in Las Vegas.

UNDEN!ABLE hosts redemptive, but throttling songs that will “scratch your soul,” according to Gray. “X” is fast, furious and “over the top,” says Paul. “It is something that metal fans need.” It’s expected to become an instant fan favorite. The more contemplative “Human” is moving, yet monstrous. The title track surges with raw energy and industrial crunch. “Love Falls” is a rhythmic and sultry departure for the band, which measures pain and anger equally, while “STARTARIOT” is nothing short of a fist-pumping, fuel-burning heavy metal epic.

UNDEN!ABLE is a complete work, including a cover that is the definitive visual matching the album’s sonic wrath. The artwork was inspired by Chad Gray and designed by William “Wombat” Felch, who the band discovered through his artistic interpretations of HELLYEAH songs on YouTube, and who Paul labeled “like a new member of the band.” The eye is emblematic of the metal community and the kids who find their kindred spirits in HELLYEAH. “The eyes are the portal to the soul,” Gray says. “There is more extremity, so I wanted it to represent looking into the eye of someone who is a member of the metal community being cast out. You always feel like a fighter. So we created this eye and the exclamation point [in the title] as the stamp on this madness. You are looking into the soul of a metalhead.”

Overall, there’s a surging current of hunger in UNDEN!ABLE. The members have had success in the past, but they’re not satisfied with all they have done. “It’s all I know,” Paul muses about what keeps him manning the kit and making new music, despite a career so illustrious that no one would fault him if he chose to hang up the sticks. “I could have quit and could be playing golf. Being a traveling musician? That fuels me. I have a true passion and belief in HELLYEAH and heavy metal music.”

Gray concludes, “We’re all in this together. We are metal fans first and foremost. We play off each other every night with our metal family. As a metal kid, I’d go to shows because I needed the release. Being on the other side now, I need this as bad as the fans do. I need to hit that deck every day and give everything I can.” The divide between HELLYEAH and their fans has been erased with UNDEN!ABLE. It’s an album made for the metal community, by the metal community.

Tech N9ne

Aaron Dontez Yates (born November 8, 1971),better known as Tech N9ne (pronounced "Tech Nine"), is an American rapper, songwriter, record producer, actor, and entrepreneur. In 1999, he and business partner Travis O'Guin founded the record label Strange Music. He has sold over two million albums and has had his music featured in film, television, and video games. In 2009, he won the Left Field Woodie award at the mtvU Woodie Awards.

His stage name originated from the TEC-9 semi-automatic handgun, a name given to him by rapper Black Walt due to his fast-rhyming Chopper style. Yates later applied a deeper meaning to the name, claiming that it stands for the complete technique of rhyme, with "tech" meaning technique and "nine" representing the number of completion.

Collaborative creativity can produce brilliant results, but there’s something almost otherworldly about what emerges from the minds of remarkably talented artists, the types who’ve lived many lifetimes in a short period, left to his/her own devices.

As much as Nine Inch Nails, Smashing Pumpkins, The Cure or Foo Fighters (particularly on that first album) are considered “bands,” they brazenly exhibit the precision focused passion of a specific person; often a person bursting at the seams with something to say. BEARTOOTH began and in many ways continues to be such an artist, bubbling forth from the psyche, soul and complex emotions buried in multitalented instrumentalist and songwriter, Caleb Shomo.

Beartooth shares equal inspiration with brutal metalcore as with old-school punk like The Ramones and the bombastic theatricality of Queen. The end result is a back-to-basics hardcore stomp that would get the crowd moving at a Hatebreed or Terror show, interspersed with a steadfast determination to give equal importance to anthemic choruses.

“I made the whole thing by myself,” Shomo says of Beartooth’s debut album, Disgusting. “The entire record, front to back, is literally a reflection of my thoughts and my mental well-being at the time. The album captures every end of the spectrum musically and lyrically. I know this may sound strange, but I didn’t write these songs for anyone. I wrote just to write. All of the songs came about because I love writing Beartooth songs. That’s it. I won’t record a song unless I love it, unless I believe in it. I won’t do it any other way.”

Beartooth began as a way to blow off steam and add another dimension to Shomo’s genre-hopping creative output. He and his hometown friends started jamming; hanging out in his Columbus, OH basement studio and playing music for fun. They released an EP, Sick, and then hit the road, touring North America and Europe with genre titans August Burns Red, Memphis May Fire, The Word Alive and Of Mice & Men, among others. In between support slots the five-piece headlined everything from basements to club shows, building a strong and devoted following. The EP’s accompanying music videos for “Go Be the Voice” and “I Have a Problem” (both live and traditional) quickly accumulated over 1 million views, and set the stage for the band’s next endeavor, Disgusting.

While he’s still a very young guy, Shomo has lived a lifetime in music already. He had already dabbled in a project with Escape The Fate cofounder Max Green and Craig Mabbit (Blessthefall/The World Alive/Escape The Fate) when he was called up to play keyboards for Attack Attack! at the tender age of 15. The band incited polarizing dialogue around the world, as some jaded critics mocked the group’s “crabcore” while a new generation of fans followed the band’s every move. Shomo found himself thrust into the front man role following a series of lineup changes. The band’s self-titled sophomore effort debuted at #1 on Billboard’s independent chart.

Shomo was handling all of the vocals, programming and production duties by the time the third Attack Attack! album, This Means War, broke into the Top 10. The record sold 17,000 copies in its first week, debuting at #8 on the Billboard Top 200.

Battling the same type of depression, anxiety and overindulgence as many of his fans, Shomo bowed out of Attack Attack! to get himself together, and the songs on Disgusting reflect that struggle.

The closing track, “Sick and Disgusting,” is so personal that Shomo has trouble listening to it. It an intense exploration of the mental health issues he’s struggled with, not dissimilar from the raw truth found on Korn’s eponymous debut, or Reznor’s open confessions of drug addiction scattered throughout NIN. It’s a song where Shomo just hit “record” and let it all pour out.

“I almost didn’t put it on the record because I felt embarrassed about people hearing it,” Shomo confesses. “It is really intense for me personally. It’s hard to explain but suffice it to say, it’s a song about a lot of mental health things I’ve dealt with. If people listen to it and understand where I’m coming from and respect it, great. If other people think I sound like an idiot because I start crying in a song, I really don’t care. I know how much I put into that song emotionally. It’s one straight take, all the way through. I realized I’d be shorting myself if I didn’t put it on the record.”

Alternatively, a track like “Beaten in Lips” is written from Caleb’s experiences outside his own world: he wrote it from the perspective of abused kids with nowhere to turn. “I was just thinking about it one day, about how absolutely ridiculous it is that some parents abuse their children,” he explains.

The album’s opening track, “The Lines,” hits a lighter note. “We have been playing that song live before the record comes out. It’s just a fun jam. I wanted to write riffs that people can jump around and get wild to. People can sing at shows and have fun. I want people to sing along so they feel as much a part of the show as we are. I love doing house shows, shows without barricades, floor shows.”

There’s a beautiful authenticity in Beartooth’s music, which is the result of Shomo’s simple intention: to write songs for the sake of writing songs. There is nothing calculated, nothing crafted for mass appeal. It’s simply the truth of his experiences and emotions.

“Red Bull has been backing whatever I want to do musically which has been really refreshing,” Shomo says. “There isn’t any pressure to write certain types of songs or to have a certain sound. I don’t go into my basement thinking, ‘OK, I’ve got to write a pop song’ or ‘I’ve got to write a heavy song.’ The songs are what they are and are allowed to be whatever comes out of me. Beartooth ends up having a lot of dynamics that way, a lot of diversity. I never want to make a record that becomes boring.”

Yelawolf

Born December 30, 1979 in Gadsden, Alabama, Yelawolf spent much of his childhood in various locations around the southern United States, including Baton Rouge, Louisiana, Atlanta, Georgia, and Antioch, Tennessee. Atha is of Caucasian and Cherokee descent, and the name Yelawolf is a reference to his Native American roots.

Yelawolf is an avid skateboarder and made attempts at a professional skateboarding career but was forced to abandon it due to injuries. He began releasing mixtapes independently in 2007, and was briefly signed to Columbia Records in 2007, leaving the label the same year along with Kawan "KP" Prather.

In 2010 he appeared on the track "Down This Road" from Bizarre's third studio album "Friday Night at St. Andrews", and on Big Boi's first solo album "Sir Lucious Left Foot: The Son of Chico Dusty" track "You Ain't No DJ" which was produced by André 3000. Appearing on Paul Wall's fifth studio album "Heart of a Champion" track "Live It", which also featured Jay Electronica and Raekwon, which was produced by Travis Barker, as well.

In 2010, Yelawolf confirmed he had signed with Interscope Records, announcing that he is working in his debut studio album with the label, and that he had a desire to work with Eminem.

On July 2, 2010, Yelawolf told Rap-Up that he went to Eminem's Studio in Detroit, Michigan to meet him and record a track for Yelawolf's upcoming debut studio album titled "Trunk Muzik: 0-60", being his first project with a major label and set to be released at October 26 of the year under Ghet-O-Vision Entertainment/Interscope Records.

Of Mice & Men

Of Mice & Men is an American metalcore band from Costa Mesa, California.

Multi-platinum American rockers, HINDER, continue to drive a career of longevity that few bands achieve. Their stats resonate just that, selling over 4 million albums and 10 million singles, garnering north of 500 million video views, and passing the 400 million streams mark. Throw on top the endless energy HINDER has brought to over 15 headlining tours and you can see why they are still rocking long since their formation in 2001.

August 11th of 2017 brought another career highlight. The release of their 6th Studio album, coincidently titled THE REIGN, on The End Records/BMG. This would be their 3rd release with the New York based record label, preceded by HINDER’s first ever acoustic EP STRIPPED on May 13, 2016. Their 5th full-length studio album When The Smoke Clears entered the Billboard 200 while also claiming four other Top 10 chart positions upon its on May 12, 2015.

As one of the few rock bands to grab massive cross-over success, HINDER’s 2005 debut album, Extreme Behavior, climbed to #6 on the Billboard 200 chart and was the 2nd Top Rock Album. Get Stoned would be the album’s first radio single, climbing to a #4 mainstream rock spot. What followed would end up being one of the biggest songs of the year, Lips of an Angel, which peaked within the top 10 across several Billboard singles charts, including #1 at Top 40 and Pop 100. Extreme Behavior has since been certified 3x Platinum. Their hometown inducted them into the Oklahoma Music Hall of Fame in 2007. In 2008 their sophomore effort, Take It To The Limit, surpassed their debut by peaking at #4 on the Billboard 200 and hitting the Mainstream Rock chart at #3 with single Use Me. This solidified HINDER as the biggest new breakout rock act and catapulting them into packed arenas worldwide with the likes of Aerosmith, Mötley Crüe, Nickelback, 3 Doors Down, Papa Roach, and many others. HINDER proved consistent record hit making by following up with a #1 Top Modern Rock/Alternative Album, All American Nightmare (LP 3), and a #3 Top Hard Rock Album, Welcome To The Freakshow (LP 5).

**FIRST SHOW IN 8 YEARS**

- Gold record sales on Year of the Spider
- Gold record sales on 13 Ways to Bleed on Stage + The #3 Album on the Billboard Charts
- Platinum record sales on The Walk to Remember Soundtrack
- Appearances on: The Tonight Show, Jimmy Kimmel, Hard Rock Live Concert Series, Carson Daly Show, Pepsi Smash and even a 30 minute Cold special on MTV2.

American rock band formed in 1986 in Jacksonville, Florida, as Grundig. After some lineup changes and a breakup, they reformed under the name Cold in 1996. With two gold-albums, Cold has sold over two million records in the US alone. On November 17, 2006, it was announced on Myspace that, after a period of uncertainty since that February, the group had decided to disband. In July 2008, it was announced that the original line-up would reunite for a tour in early 2009. This became permanent and the band released their fifth studio album Superfiction on July 19, 2011.

Sometimes when band members reunite, it's as if no time has passed and nothing has changed. That couldn't be further from the truth for 10 Years. And, that's a good thing. When guitarist/drummer Brian Vodinh and guitarist Matt Wantland returned to the Knoxville, Tennessee alt-metal/post-grunge band for their eighth album and Mascot Records debut, (how to live) AS GHOSTS, they burst through their comfort zones to create something new. Something better. Something career-defining.

"It's funny, I named our last record, [2015's] From Birth to Burial, because I thought it was our final record because it just didn't feel like 10 Years without Brian and Matt. But having them back is really a reunion of the core writing team and this new record actually feels like a real rebirth for the band," says singer Jesse Hasek.

While Vodinh handled drums and guitar on the new album, he's switching to just guitar for the live shows, moving Chad Huff from guitar to bass, while Kyle Mayer stays on drums. "We're bringing it back the way they should be," says Vodinh, who left the band due to family commitments in 2013. "It feels great to be back with these guys and we're in such a better place musically and creatively than ever before."

That better place stems, in part, from a more collaborative writing process. "It used to be that just Jesse and I would write the full song, and the other guys would add a little spice to it. This time, we're starting the writing process as a full band. Sometimes it starts with a riff. Sometimes it starts with a vocal. Our formula is no formula, and it kind of works. And, we work together in a more constructive and healthier environment now," explains Vodinh.

The sixth collaborator was Grammy award-winning producer Nick Raskulinecz (Alice in Chains, Foo Fighters, Deftones). "Nick made us step outside our comfort zone," explains Hasek. "It made for a different sounding record. The one thing we never wanted to do is recreate the same thing over and over. We have always been musicians that love to explore and venture into new horizons."

It wasn't easy, the band admits. "Nick threw us curve-balls and challenged us to re-write stuff and do things we normally wouldn't have done. He helped us cut away the fat and really get to the meat and potatoes of each song. He pushed us and was challenging at times, but it helped us grow."

The result is 10 Years' most dynamic and multi-dimensional record to date. Raskulinecz encouraged the band to strip away some of the vocal production they've grown accustomed to in order to reveal a more intimate side of Hasek. "Historically, we like to orchestrate a lot of vocal parts. We'll have harmonies and layers. This time around, Nick had us strip a lot of that away. There are a lot of moments where the only vocal is just Jesse, and not this big freaking epic thing. It makes Jesse more human. And I think the more human Jesse comes across, the more relatable his lyrics are," says Vodinh.

Raskulinecz also helped Hasek be more straightforward in his lyrics and message. "In the past, I've written a lot of songs that were pretty ambiguous. But on this record, I'm more comfortable being direct and talking about things that are important to me. I'm older and find myself reflecting on the world more especially after having traveled the world and talk to people and really see what's going on," says Hasek.

The title track, "Ghosts," is one such song. "After traveling the world and seeing all the political, social, and religious turmoil, it had me thinking about how many people are judging and preparing for death, but are actually missing life. And, instead of using spirituality for good, a lot of people use it to point fingers and judge. Instead of worrying where we end up in the end, we need to focus on the now and the humanity."

"Burnout" is another observation on mankind. "It's about a person that's right there in the limelight, has every opportunity to see the greatest things in life that are right in front of them, but they are too inside themselves to see it," says Hasek.

"Blood Red Sky" was originally from a solo EP Vodinh had recorded. "The song grabbed my ear the first time I heard it because it had such a different vibe," says Hasek, "but I had a different vocal idea for it so we changed it up. It's about the struggle of maintaining everyday life and how fast your existence just flashes before your eyes. But, it also says that we are surviving and will make it through — that we will always fight through."

On the first single, "Novacaine," Hasek looks inward. "Six albums and a hundred songs in, I wondered if I've already written my best stuff," he admits. "But at some point, you start to get real adult problems. Life has such a numbing to it. You see people go from such optimism in their 20s to having life just beat them down later. I think we all kind of get desensitized and numb to life on some level. That's what this song is about."

10 Years has come a long way since their inception in 1999. The band landed a deal with Universal/Republic Records on the strength of their two independent releases, 2001's Into the Half Moon and 2004's Killing All That Holds You. Their major label debut, 2005's The Autumn Effect, debuted at No. 1 on Billboard's Heatseekers Album chart thanks to their breakthrough hit, "Wasteland," which topped Billboard's Modern Rock Tracks chart, and "Through the Iris," which hit No. 20 on Billboard Hot Mainstream Rock Tracks.
The band followed that success with 2008's Division, featuring co-production work from Rick Parashar (Alice In Chains, Pearl Jam). The album peaked at No. 12 on The Billboard 200 and spawned the hit "Beautiful," which reached No. 6 on the Hot Mainstream Rock Tracks. The momentum continued with 2010's Feeding the Wolves, which was produced by Howard Benson (My Chemical Romance, 3 Doors Down) and bowed at No. 17 on The Billboard 200, while the single, "Shoot It Out," peaked at No. 6 on Hot Mainstream Rock Tracks and spent 25 weeks on the chart.
The group, which toured the world with such rock greats at Linkin Park, Korn, and Deftones, went back to their indie roots with 2012's Minus the Machine on their own Palehorse Records, which was part of Warner Music Label Group. The album debuted at No. 2 on the Hard Rock Albums chart, No. 8 on the Top Rock Albums chart, and No. 26 on The Billboard 200.

"We self-produced our last few records, so it was good to give the reigns over to someone else for the first time in awhile. We had to really let go and trust and I think in doing that, it opened us to new ideas and helped us stretch creatively," says Hasek.

(how to live) AS GHOSTS might be the band's 8th album. But, to them, it feels like a new start. "There was a heavier, darker tone to our last record because we weren't in a good place," adds the singer. "Ghosts has a brighter side to it because we're all in a really happy, optimistic, and excited place about music and life. We're ready to see how the world embraces it."

Memphis May Fire

Memphis May Fire (often shortened to MMF) is an American post-hardcore band based in Dallas, Texas and currently signed to Rise Records.

6 DOVE Awards
2 Grammy Nominations
20 #1 Rock Singles
2 Top 10 albums on Billboard 200
5 Top 20 Active Rock Singles
Career album sales in excess of 1 Million

Over the last decade, RED has emerged as a career artist. Their honesty and transparency about who they are as human beings, what motivates and inspires them, and what they aim to accomplish with each step forward has established an army of loyal fans.

The band’s success emerged through a pure emotional connection with their audience, the power of their live performances, and most importantly, the passionate, honest dedication of band members Michael Barnes, Anthony Armstrong, and Randy Armstrong. Michael offers, “There is a certain ache in the melody and passion of our music. I feel it can reach emotionally into the soul of the listener and open up places in their heart they didn’t know existed. We wear our emotions on our sleeves, and are OK with who we are and telling others about the struggles we are facing.” Anthony adds, “We deliver our music and message aggressively using themes of theatricality and delving into the darkest parts of our lives in order to bring out the good. We are relentless and will stop at nothing to deliver great music that will inspire and bring the best we’ve got in our performances.

New Years Day

Krizz Kaliko

DeFord grew up in Nashville, particularly the Southside community of Antioch. He received the nickname "JellyRoll" from his mother and kept it to honor an incarcerated friend. DeFord was incarcerated himself at age 14, which precipitated an ongoing cycle of incarceration until 2009 which included a drug possession conviction.[1] Following the styles of UGK, 8Ball & MJG, Three 6 Mafia, Chamillionare and Paul Wall JellyRoll began crafting his own rhymes as a "therapeutic means" to deal with difficult situations.[2]

The secret to SOiL's fertile make-up is contained in "Inside."
Clawing to the surface of the cut's cement-mixer rhythm, Ryan McCombs' hell-hound bellow locks into step with the stuttering stun-guitar riff. "Everything that stains me breaks me," he barks with drill-sergeant fury. "Everything that breaks me stains me." He then cuts free of his bandmates' imposing march and sears SOiL's M.O. straight into SCARS's napalm heart.

"It's just a gut reaction trapped in this aggressive action."
In a mere ten words, Ryan neatly summarizes why hard-rock fans will carry SCARS with them for years. The same economy, intensity and honesty informs every note and syllable of the Chicago-based quintet's J Records debut--from the break-out single "Halo" to the epic album closer "Black 7."
For Ryan, bassist Tim King, drummer Tom Schofield, and guitarists Adam Zadel and Shaun Glass, the album's focused aggression is just a by-product of their indefinable chemistry. That force was initially conjured when King discovered Indiana native McCombs--the elusive element in an otherwise complete band--on a compilation disc.

"As soon as I heard Ryan's voice, I knew," recalls Tim. "I immediately told the other guys, 'I've found our singer. I don't care what we have to do to get him--this is the right guy.' Luckily, Ryan called me back and he was really into the songs we'd written. And when the five of us got together, it all just happened: SOiL was born. It came together so fast and easy, it was almost magical."

Despite SOiL's gentle birth in the late '90s, struggle and sacrifice were part of the subsequent equation. After generating a regional fanbase through gigging and guerilla marketing, they signed with an independent label--which folded days after releasing the band's now-coveted debut, Throttle Junkies.

The setback only fueled SOiL's resolve, even though Ryan was living in the band's rehearsal space by then. "I never doubted we'd get to the point we're at now," maintains Shaun. "I think the struggles we went through made us write better songs, and gave us greater determination."

Fittingly, "Halo" was among the first--and most effortlessly written--songs to emerge during the group's new beginning. "I will stone you, stone you, wrap my arms around you, my little halo," Ryan howls in the unforgettable chorus, before testifying "my hands are scarred with time." Though the band likes to leave lyrical interpretation open to the listener, Ryan acknowledges the irony of the song's inspiration. "I finally sat down and wrote a song about trying to make a life out of what I love to do," he says, "and that wound up being the song that's done quite a bit for us." "The reaction was immediate the first night we played 'Halo,'" remembers Shaun. "The kids were singing along with Ryan. It was apparent the song really meant something to them."

"It's great to see fans connect with something I've written," admits Ryan. "It means a lot to me that someone might listen to one of our songs and it might help them through a difficult situation the way songs did for me as a kid." The strength of the fans' reaction wasn't lost on the music industry, either. When the froth finally settled in the wake of a signing frenzy, the band had aligned with Clive Davis' new empire, J Records.
Produced by Johnny K. (Disturbed, Machine Head) and mixed by Kevin Shirley (Aerosmith, Iron Maiden), with "Halo" polished by Tom Lord-Alge (Blink-182, Green Day), SOiL's label debut, SCARS, captures the ferocity of the band's life show as well as a timeless style that Tim calls "heaviness with classic elements." "We didn't want to go overboard with in-the-now effects," notes Adam. "The songs speak for themselves."
And as you'd expect from an album dubbed SCARS, the stories aren't pretty, but they're unflinchingly honest. "All of my lyrics come from things I've experienced," reveals Ryan. "And it's always been a joke that I've never written a happy song. But that's just the reality of the life I've lived. The title embodies the whole album: Each song is an individual mental or emotional scar I've endured." Or as he shouts on "Inside": "It's just a gut reaction trapped in this aggressive action."
That flame-pure equation speaks volumes about the way in which SCARS will tattoo its mark on the world. "We've all worked very hard and given up a lot," concludes Tom. "It's not just luck--there was a lot of sweat that went into this. We weren't going to settle for putting out anything less than a great album. It was all or nothing."

Smile Empty Soul

Smile Empty Soul is a heavy alternative trio formed while its three members were still in Santa Clarita, CA, high schools. Led by singer/guitarist Sean Danielson, the band also included drummer Derek Gledhill and bassist Ryan Martin. After honing their sound with numerous hometown gigs, Smile Empty Soul began venturing to the Sunset Strip, and eventually passed a demo to Todd Parker of the Los Angeles indie ThroBack. That exposure led to a deal with Jason Flom's Lava imprint, which was expanding in the wake of early signee Kid Rock's white-hot success. The trio hooked up with producer John Lewis Parker, who was at the helm for their self-titled debut, issued by Lava in May 2003. With its screeching guitars and Danielson's rage-filled vocals, the album was indebted to the alternative sounds of the early '90s.

Ask anyone who has ever been in a band, and they’ll tell you. Being in a band is hard. Making it work for 20 years? That is really, really hard.

This has certainly been the case for Louisville, KY-based metal band FLAW. The band has seen multiple line-up changes over the years, however the core of Chris Volz (vocals) and Jason Daunt (guitar) remain as the creative driving force of poised to re-emerge on the strength of their finest set of recordings to date. The band has signed a deal with Pavement Entertainment, and is set to release Divided We Fall on August 19, 2016.

FLAW’s story began with the independent release of home-grown albums American Arrogance (1996), Flaw (1998) and Drama (2000). It was the songs on these recordings that garnered the attention of Universal Republic Records, who signed the band and released the break-through Through The Eyes in 2001. The offering topped the Billboard "Heatseekers" chart, largely fueled by the singles "Payback" and "Whole." The band then followed-up with an album entitled Endangered Species via Republic in 2004, but soon thereafter the band went through personnel changes and ended their relationship with the label. The band’s tumultuous relationship with themselves, and their label, were reflected in their songs. It was the life and energy captured in these songs that propelled the band forward. It was always FLAW fans’ connection to their songs that carried the band on. “We would not be where we are today without our hardcore fans,” says Volz. “The Flaw Family is the backbone of everything we do, and we cannot wait to get out and tour in support of this new record”.

FLAW a band that is re-emerging on the strength of renewed focus and energy, and that energy is captured on the lead single from “Divided We Fall”, a song called “Live and Breathe” that is a vessel of raw human experience and emotion. The band has waited 12 years to release a proper album, to rally and come together. They trust that together, FLAW can accomplish great things, and their fans are poised and ready to answer the call.

Cinder

In 2001 CINDER signed a record deal with Geffen Records and recorded the album Break Your Silence with Scott Weiland (of Stone Temple Pilots and Velvet Revolver) co-produced with Jay Baumartner (Papa Roach, Alien Ant Farm, and Drowning Pool) and John kurzweg (Creed, Puddle of Mudd).
Cinder began touring with heavy weights as Creed, Sevendust and 30 Seconds to Mars gaining a loyal following across America. Unfortunately, before the release date Geffen Records was bought out and many bands including Cinder were dropped from the label and the album never released.
2019 Brings the return of CINDER with a all new album and tours

$35.00-$600.00

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