John Kadlecik & The West Philly Fadeaway feat. Marc Brownstein & Aron Magner (The Disco Biscuits) + Mike Greenfield (Lotus)
Cris Jacobs Band
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
John Kadlecik & The West Philly Fadeaway feat. Marc Brownstein & Aron Magner (The Disco Biscuits)
John Kadlecik was born on June 28, 1969 in Council Bluffs, Iowa. His father a city manager, and his mother an artist, John's family moved every few years, and he grew up in several mid-western towns. Omaha, Nebraska; Cincinnati, Ohio; and then, in Davenport, Iowa at the age of nine, John began to study classical violin. Moving to Palatine, Illinois in the Chicago suburbs at the beginning of his high school years, John caught the rock-n-roll bug, and, on a quest to understand improvisation, began teaching himself guitar and mandolin. While still in high school, John played guitar in several bands, covering a broad spectrum of American and British "guitar rock" as well as writing songs and learning the rudiments of multi-track recording.
John flirted briefly with college life, going to William Rainey Harper College as a classical guitar music major. But, he began living on his own, and found work, school, and his own local bands to be too much on his plate. It was during this time that a friend turned John onto the Grateful Dead. He fell in love instantly, and, shortly thereafter, dropped out of college. By this time, however, John was already playing out a few times a year, anywhere an underage musician could find a gig, and Chicago would be where he called home for the next fifteen years of his life.
Once he turned twenty-one, John began playing regularly with several local and regional groups, most notably Hairball Willie and Uncle John's Band. While most of the bands he played with wrote their own music, in 1997 John co-founded the group, Dark Star Orchestra, a band exclusively devoted to playing the well-documented actual setlists of the Grateful Dead. Originally started as a side-project house band for some of the best local deadhead musicians, "DSO" rapidly became a nationally touring band, attracting many guests to join them onstage, including John Fishman, Mike Gordon, Sam Bush, Jorma Kaukonen John Popper, Sanjay Mishra, Tom Constanten, Vince Welnick, Donna Jean Godchaux-Mackay, Bill Kreutzmann, and Bob Weir to name a few.
While spending the better part of twelve years of his life touring with DSO, John also found time for other musical projects, both live and studio. A bluegrass band, numerous short-lived original groups, and then in 2003 John began playing sporadically with Melvin Seals. Out of those shows came a group with Melvin called The Mix, also featuring Greg Anton, Jeff Pevar, and Kevin Rosen. The Mix toured nationally and went on to sign a recording contract, releasing a full length CD in 2004 titled, American Spring, but eventually disbanded for lack time in everyone's schedule to tour. And then, of course, in 2009 John departed from Dark Star Orchestra to join Furthur.
John now lives near Washington, DC with his wife, Katy Gaughan, and, when not on the road with Furthur, performs in the DC area with the newly formed and simply named John K Band, as well as solo acoustic and special guest appearances.
Cris Jacobs Band
When Cris Jacobs began dreaming about a follow-up to his critically acclaimed 2016 album Dust to Gold, he realized early on he'd have to do things differently this time around. His life
had changed drastically since writing those songs: he'd toured extensively and attracted a legion of new, devoted fans; he'd come off the road into a world, with its divisive rhetoric and troubling headlines, he no longer recognized; and, most importantly, he'd gotten married and had his first child. Things had changed, and Jacobs had, too.
Color Where You Are is the work of an artist at an exciting new stage in his life and career, ready to use his talents to share a little beauty with the loved ones and fans who have already
given so much to him. The title nods to Jacobs' experience writing the album, which, as he puts it, he had to do "between tours, coming home, changing diapers, fixing things around the
house.... You name it." He no longer had the luxury of waiting for inspiration to strike, so he colored where he was.
"It was a new discipline for me and a new level of focus that I think brought out the best work," he explains. "I feel like I grew up a little bit. There are people in my life who I truly care about
and things in the world I feel deeply about. That really pushed me in a stronger direction and forced me to feel things on an honest level."
Opening track "Painted Roads," with its soulful groove and clever arrangement, is the perfect encapsulation of just how far Jacobs has come since releasing Dust to Gold. Jacobs is self-assured and confident in his soulful, infectious vocal, while his lyrical craftsmanship shows Jacobs to be a thoughtful songwriter who continuously strives to grow and evolve.
"It's about choosing to live in the present, and see the everyday details of the world, rather than postponing living or paying attention in hopes of some distant prize or destination," Jacobs says of "Painted Roads." "We get so caught up in 'success' and ambition, and are so goal-oriented, that we sometimes lose sight of the beauty in the everyday. 'Color where you are' is the notion of creating beauty now, no matter the circumstance."
"Painted Roads" was one of the first songs Jacobs and the band (who co-produced the album together) recorded for Color Where You Are, with his band mates taking Jacobs' original Tom Petty-inspired arrangement and giving it an off-kilter, syncopated groove. For the first time, Jacobs wrote the bulk of the album's songs in the studio, camping out at Richmond's Montrose Studios to flesh out "germs and ideas that had been floating around" with band members Todd Herrington (bass), Dusty Ray Simmons (drums/percussion) and Jonathan Sloane (guitar).
"I booked the studio time and put a gun to my head and that sometimes works," Jacobs says. "In this case it did. It feels like a specific time period and specific vibe and emotional space that came through in all of these songs. It was a really organic process."
While life as a family man changed Jacobs' perspective (and schedule), current events also had a profound impact on Jacobs' songwriting, with commentary on social and political issues
finding its way into tracks like "Afterglow" and "Under the Big Top." Color Where You Are is a hopeful affair, though, with Jacobs employing thoughtful criticism and messages of empowerment instead of wallowing or ruminating.
"The political climate is causing a different sort of energy and angst in me that’s never been there before," he explains. "It’s not a political album by any means, but those forces out there certainly dictated a lot of the writing on this record."
On "Afterglow," Jacobs searches for optimism and healing in trying times. His emotional vocal is buoyed by a passionate, swelling performance from the band, making the track one of Color Where You Are's most poignant moments. "It's about the hope that after the storm we are currently trying to survive in, we will see true light like never before," Jacobs says. "That the constant threats to our foundations will cause us to examine and strengthen them, and come out the other side with stronger hearts and clearer vision. 'There will come horses, there will
come voices' -- that we will be forced to show our true hand like never before because of our dire need to defend it."
Elsewhere, on "Under the Big Top," Jacobs channels swampy, gritty Southern rock influences to shine a light on narrow-mindedness and lazy thinking. Crunchy riffs and a fat bass groove make the track, despite its heady message, one of the album's many songs you can't help but move to.
"'Under the Big Top' is commentary on society’s evolution into gullible, easily distracted, lazymindedness," Jacobs says. “'Pretty lights junkie like a moth to candle,' always distracted by the brightest, loudest, biggest, rather than remembering how to seek for ourselves and find truth and love. We instead over-consume and are given every opportunity to do so. What we
end up with is a circus of sorts, with tricksters and hucksters and loud mouths with no real value taking up all of our attention and ruling us, because we are too easily manipulated."
Grooves abound on Color Where You Are, as on standout track "Rooster Coop," which finds Jacobs and the band sniffing around the henhouse over greasy slide guitar, a deep, deep pocket and a truly funky bass line. "All I knew was that I wanted to write a song that merged country and funk," Jacobs says of "Rooster Coop." "We started out with the main groove of the tune and the first line that popped into my head was, 'There’s something funky in the barnyard.' So naturally, I wrote a song about a scandalous love tryst amongst farm animals."
Spanning rock, folk, soul and funk and drawing from inspiration that runs the gamut from the henhouse to the White House, Color Where You Are is a kaleidoscopic portrait of Cris Jacobs as a songwriter, musician and bandleader. It's the work of a devoted father and an empathetic member of the human race. More than that, it's a reminder that there's beauty to be found everywhere, if you just take a moment to color where you are.
"What am I trying to do with my music?" Jacobs muses. "The simple answer is this: I’m trying to connect with people. To express real-life human emotions and make people feel things. To connect my love of music with my love of writing and conjure up all of the joy and emotions that those things bring to me. To hopefully have people walk away feeling lighter or happier or
more inspired to go be a better person somehow after listening... I want to create a body of work that my family will be proud of one day, and to show off."
$20.00 - $25.00
$20 in advance; $25 day of show
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