Club Fox Blues Jam
2209 Broadway Street
Redwood City, CA, 94063
Doors 6:30 PM / Show 7:00 PM
This event is 21 and over
Watch & Listen
Club Fox Blues Jam
The Club Fox Blues Jam is heaven on earth for Bay Area blues fans. Through the efforts of a passionate group of local musicians, the hospitality of the Club Fox and local sponsorship, the jam has become the most exciting event in the area's fertile blues scene - and it's attracting both national and international attention. Most importantly, the jam is the catalyst for bringing out more and more blues fans to hear live blues at its spontaneous best.
Every Wednesday from 7 PM to 11 PM, the beautiful historic Club Fox opens its doors to the jam hosted by the elite of Bay Area Blues - Kenny Neal, Steve Freund, Elvin Bishop, Tommy Castro, Rick Estrin, The Ford Blues Band, Volker Strifler, Andy Just, E. C. Scott, Terry Hanck, Kenny Blue Ray, Sonny Rhodes, Daniel Castro, RJ Mischo and Mark Hummel just to mention a few. What follows is a jam like no other. For a mere $5.00 cover charge, folks get to experience some of the finest blues artists, national artists on tour, local luminaries and talented amateurs mixing it up. For the musicians, it's an opportunity to play the blues with peers of unbelievable talent. For the fans in the 240 seat capacity crowd, it's an amazing show every week with new talent and the unpredictable excitement that only a blues jam can bring.
If the music were not enough, appearances at the jam provide an unparalleled promotional opportunity for artists with upcoming area gigs. The buzz following the jam in the highly active local blues community often results in sold-out shows for participating artists. If you are a touring blues performer, drop in and you'll not only get a chance to "cut heads" with the best but also get the word out about your upcoming gig. If you are a member of the blues entertainment media, you'll experience a jam session like no other .
We invite you to come to jam and be a part of this phenomenal event, unequaled since the hay days of LA and Chicago blues.
Join us for the music and be a part of Bay Area blues history.
Chris Cain's jazz-tinged, blues soaked guitar and deep, warm vocals have the maturity and authenticity of bluesmen many years his senior. His expressive style is the result of a lifetime of study and the relentless pursuit of music mastery. His passion and intensity are a blend of his mother's Greek ancestry and his father's soulful black heritage.
Cain was raised on stories of his father’s childhood upbringing on Memphis’ Historic Beale Street and attended his first B.B King concert at the tender age of three. Blues music played continuously on the home stereo and family outings were often trips to concerts. Cain recalls, “I remember when I was a kid, my Dad would be mowing the lawn with the stereo blasting Muddy Waters. When I look back, that was pretty cool! There was always music playing at our house, Ray Charles, B.B. King, Freddie King, Albert King, all the greats.”
At the age of eight, Cain taught himself to play guitar and began playing professionally before he was eighteen. Chris studied music at San Jose City College, and was soon teaching jazz improvisation on campus. Over the next twenty years, Cain would also master piano, bass guitar, clarinet, alto and tenor saxophone. The combination of his blues upbringing and his jazz studies melded to form the searing guitar style that sets Chris Cain apart and has moved him to the top ranks of the blues music scene.
Cain’s debut recording, Late Night City Blues (Blue Rock’it Records-1987) garnered four W.C. Handy Blues Award nominations, including Guitarist of the Year.” Dan Forte of Guitar Player wrote, “An impressive debut album by a top notch guitarist.” Cain’s next two releases; “Cuttin Loose” (Blind Pig Records-1990) and “Can’t Buy a Break” (Blind Pig Records-1992) collected a long list of awards and accolades. In August of 1995 Blind Pig released “Somewhere Along the Way” his 4th compilation of his unique brand of original music sophisticated blues, funk, jazz and gospel.
In 2003 Patrick Ford produced Chris’s latest CD, “Hall Of Shame” (Blue Rock’it Records-2003). “...this is now the sixth Chris Cain solo release I have produced, not to mention his work with me on projects like the Ford Blues Bands’ “In Memory Of Michael Bloomfield” CD, and I continue to be in awe of his incredible talent. As a guitarist/singer, Chris has been praised by mentors like Albert King and peers like Robben Ford.”
Larry Nager (syndicated Scripts-Howard music critic) writes, “Nowadays most young blues players are Strat-wielding Stevie Ray Vaughan-a-bes. Not Chris Cain. With a voice that recalls B.B. King and a thick toned Gibson guitar sound reminiscent of Albert King, Cain is forging a unique style. With his own highly personalized songwriting, “Hall Of Shame” is a giant step in the development of one of the most compelling young bluesmen on today’s scene.”
Through his guitar mastery and remarkable songwriting ability, Chris Cain has established himself as a musical force to be reckoned with. And as San Jose Mercury News music reviewer John Orr writes, “more than anyone else, anywhere, Chris Cain represents the future of the blues.”