AEG Live-TMG Presents
9th Annual Green 17 Tour with Flogging Molly
Skinny Lister, David Hause
1402 Clinton St.
Doors 7:00 PM / Show 8:00 PM
This event is 18 and over
Flogging Molly has never conformed to industry tastes; they've always been the outcasts who put their fans before commercial success, and they've always put their music before marketability. The rewards of such independence and integrity are undeniable on Speed of Darkness. You feel it from the first note to the last, the pathos and the passion, the sweeping and rollicking electricity of inspiration.
Founded in Los Angeles in 1997, Flogging Molly has always defied categorization. The infectious originality of their songs is a badge of honor and key to the band's creativity, their urgency. They infuse punk rock with Celtic instruments—violin, mandolin and the accordion—and they merge blues progressions with grinding guitars and traditional Irish music, the music of King's youth. "We're not a traditional band," explains Dublin-born King. "We are influenced by traditional music and inspired by it, but without question we put our own twist on it." Theirs is music of exile and rebellion, of struggle and history and protest. It's music of a country torn down the middle; a deeply beautiful and wounded country that knows no quit, and Flogging Molly pays homage to that resolve in every note. Whether it's a driving anthem like "Black Friday Rule" or the upbeat duet with Lucinda Williams, "Factory Girls", the band's only criteria for its music is simple and bone-deep: that it matter.
Skinny Lister are not your average, modern day, gentrified English folk group. Fronted by Dan Heptinstall and Lorna Thomas; a vocalist with a lusty cackle and flirtatious presence, the London based five-piece hail from across England. Borrowing the nickname from the Lister family, pioneers in the use of anesthetic, the band have grown naturally and organically over the past two years. Yorkshire born songwriter Heptinstall, Lorna’s older brother Max, and long-time shanty singer Sam ‘Mule’ Brace, met some time ago at a folk club in London’s Greenwich area. The arrival of Tyneside bassist Dan Gray and the naturally exuberant Lorna lifted them into another realm. Up on their stomping feet and clicking their heels, the Skinny Lister sound took hold as Dan’s perceptive ballads and folkie idylls were boosted by an eruption of a rambunctious free spirited rum fueled party music. Soon the Skinny Lister sound was charging down the nation’s canals and waterways, bursting into spontaneous song in pubs and clubs, kicking up a summer frenzy at numerous festivals. Over 30 festivals in fact, a nonstop work rate that saw them acknowledged and awarded by PRS as the ‘Hardest Working Band’ of summer 2011. “We travelled hundreds of miles together in a Land Rover with a double bass strapped to the roof, sharing the driving, playing gigs every night and going out to party afterwards. We didn’t make it easy on ourselves but it does bond you as family.” Dan recollects. Their allure is immediate - at a time when modern homegrown folk music often spells designer bearded, theme park Americanisation, Skinny Lister are a welcome throwback to earthier bands. Their musical blend has something of The Pogues’ infectious camaraderie and jovial recklessness combined with the bucolic English landscape of Alfred Wainwright’s fell walking guides. Now, captured by producer David Wrench (Bat for Lashes, James Yorkston) on debut album Forge & Flagon, the band’s distinctive qualities make their mark. Titled after a homemade pub ran by Lorna and Max’s family friends, Forge & Flagon marks Skinny Lister as an outfit who are decidedly more than the sum of their parts. Galvanised by months of road action they transform traditional and contemporary influence into a singular sound. See them live and the impression is fortified. Not least as Lorna’s outgoing crowd connecting personality is replicated by the rum dispensing, skirt hiking, leg shaking, five strong, all female, party starting troupe the Skinny Sisters. The group’s folk roots go back to Leicester where Lorna and melodeon playing Max spent much of their youth at local folk clubs, hanging out under the stairs as the traditional sound filled the air. When Lorna reconnected with Max and Dan in London she found their interest in the local Thameside folk scene had blossomed to provide an exciting outlet for her newly finessed singing and ukulele skills. “As soon as they put the diddles, polkas and jigs in there, there was no holding me back,” she laughs. “We never sat down again,” explains Dan logically. The folk fever proved infectious and irresistible; “For years on the first weekend after Plough Monday every year, my dad has gone to sing songs and get legless with the local Molly Dancers. I disowned him at the time but now, of course, I join him!” notes Lorna.
Guitarist and vocalist Dave Hause, a Philadelphia native, has been a prominent member of the American music scene since the late nineties with his bands The Curse, Paint It Black and most recently The Loved Ones. Whilst touring the world with the catchy and hard-driving Loved Ones, Dave began to work on solo material. In 2010 he laid down some tracks with a new band of friends he dubbed The Empty Bottles Band. They emerged from the studio with a well-crafted album that defies classification. Recorded, produced, engineered and mixed by Pete Steinkopf (of The Bouncing Souls), Resolutions showcases Hause’s songwriting talents and his many influences ranging from Patty Griffin to Paul Westerberg. Resolutions was released in February 2011 on Paper & Plastick in North America and Xtra Mile Recordings in the UK. Dave Hause played his first solo shows in 2009 and has since shared the stage with a wide variety of artists including Billy Bragg, Bob Mould, AFI, Frank Turner, Tim Barry (Avail), Jim Ward (At The Drive-In, Sparta), Tommy Stinson (The Replacements, Guns & Roses), Franz Nicolay, Chuck Ragan (Hot Water Music) and Brian Fallon (Gaslight Anthem).
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