McDowell Mountain Music Festival, Sunday
Umphrey's McGee, Dr. Dog, Yonder Mountain String Band, Les Claypool's Duo de Twang, jgb band
1202 N. 3rd St
Phoenix, AZ, 85004
Doors 11:00 AM / Show 12:00 PM (event ends at 11:00 PM)
This event is all ages
McDowell Mountain Music Festival
The McDowell Mountain Music Festival, Arizona’s musical and cultural destination, is celebrating its 11th year since its inception in 2004. Headline performers have included David Crosby, The Black Crowes, Grace Potter and the Nocturnals, Blues Travelers, Michael Franti, The Shins, The Roots, Umphrey’s McGee and many others.
The McDowell Mountain Music Festival is the only 100% non-profit music festival in Arizona. Designed to promote three elements – community involvement, corporate participation and charity – McDowell Mountain Music Festival exists to support, entertain and educate the community, the arts and families throughout the state. The Festival attracts visitors from around the country for great music, beautiful Arizona weather and an opportunity to experience true culture. All of the proceeds from the festival will benefit two local, family-based, non-profits: Phoenix Children’s Hospital Foundation and UMOM New Day Center.
McDowell Mountain Music Festival attracts visitors from around the country for great weather, music and an opportunity to experience true culture. One hundred percent of the proceeds from the festival will benefit two local, family-based, non-profits: Phoenix Children’s Hospital Foundation, and UMOM.
The McDowell Mountain Music Festival is a great opportunity to experience the spirit cultivated when people join together to enjoy themselves and help the community. In addition, the music festival offers a marketplace for shopping, a Kid’s Zone, a silent auction/raffle and more.
The McDowell Mountain Music Festival exists to integrate and support the community, the arts and families throughout the state.
To connect the community through a festival gathering including music, arts and food.
To entertain the community, companies and their employees.
To support and grow the arts for future generations to enjoy.
To support the arts in an effort that they may grow and exist for future generations to enjoy.
To provide financial support and education to family based charities in an effort to provide equitable advancement throughout the community.
Every day more and more people are tuning in and turning on to Umphrey's McGee. And for good reason. Like true sons of the American Midwest, Umphrey's McGee has risen to the upper echelons of the improvisational-rock scene through their seamless compositing of diverse musical influences, from progressive-rock to metal to funk to folk to jazz-fusion to classic song-based rock-and roll, all woven together with infectious melodies, thought-provoking lyrics, pristine harmonies, blistering musicianship, and rollicking grooves that keep dem bones a-shaking throughout the course of their patented sonic sagas. Their latest studio release Anchor Drops demonstrates with undeniable conviction the band's fluency in drawing from a wide variety of styles in the American popular music lexicon.
The band has solidified its reputation through a prolific national touring schedule and gripping performances at such high-profile gatherings as the Bonnaroo Music Festival, High Sierra Music Festival, and South By Southwest among others. True to their love of improvisation, Umphrey's McGee provides a unique experience with each performance. Everywhere they play, heads turn and ears prick up at the virtuoso playing, the acrobatic tempo changes and rhythmic shifts, as well as the captivating songs themselves. It's like a carnival of sound. "No one," extols Village Voice critic Richard Gehr, "is doing anything else as ambitiously musical as Umphrey's McGee." The attention they command has also prompted Michael Deeds of the Washington Post to call Umphrey's McGee "rock's undisputed lord of sonic shape-shifting."
"There was this feeling inside me going into making this record that we'd never made an album before," says guitarist/vocalist Scott McMicken of Dr. Dog's Shame, Shame, their Anti- debut and the first album made outside the safe confines of their home studio.
As a band that has traditionally built their scrappily spirited albums layer by layer in the undisturbed seclusion of their Philadelphia studio, Dr. Dog realized they would need to leave these comforts and work in a professional studio with the help of an outside engineer and producer if they were to continue their album-by-album growth. In Rob Schnapf (Beck, Elliott Smith) they found a producer who had earned his reputation making albums in much the same fashion as Dr. Dog had, eventually moving on to the bigger and better sounds that they now wanted. With his help, the intricate arrangements of Fate were peeled back to reveal the raw immediacy of a tight five-man unit honing their craft.
Despite their loyal hometown following, Dr. Dog could have very well remained a Philadelphia phenomenon had McMicken's then-girlfriend not slipped a copy of Toothbrush, a collection of home recordings, to Jim James of My Morning Jacket, who would take them on their first tour and prepare the way for the waves of positive press that would greet 2005's Easy Beat. By 2007, their next album We All Belong was earning the band opening slots for Wilco and the Raconteurs and they were turning up all over late night television. They upped the ante with their sonically ambitious Fate and started headlining their own tours. By the spring of 2009, the treadmill had run them ragged, and their new songs reflected a life spent with the nagging realization that things were out of a balance.
Dr. Dog has created a song cycle of doubt and despair, bookended with the woozily swirling harmonies of Leaman's lonely opener "Stranger" and the harsh self-critique of the title track, a gnarled admission that sometimes it's best to admit your mistakes and move on. Their most openly autobiographical release, ranging from McMicken's exploration of West Philly underlife in "Shadow People" to his account of two soul-bearing late night conversations in "Jackie Wants a Black Eye," it's an album whose dark themes are soothed by bright harmonies, taut guitar riffs, and soaring melodies.
Yonder Mountain String Band
Yonder Mountain String Band has always played music by its own set of rules. Bending bluegrass, rock and countless other influences that the band cites, Yonder has pioneered a sound of their own. With their traditional lineup of instruments, the band may look like a traditional bluegrass band at first glance but they've created their own music that transcends any genre. Dave Johnston points out "What could be more pure than making your own music." Yonder's sound cannot be classified purely as "bluegrass" or "string music" but rather it's an original sound created from "looking at music from [their] own experiences and doing the best job possible." The band continues to play by their own rules on their new record The Show.
The Colorado-based foursome has crisscrossed the country over the past eleven years playing such varied settings as festivals, rock clubs, Red Rocks Amphitheater in the band's home state, and recently the Democratic National Convention in Denver at Mile High Stadium opening for Barack Obama. Their loyal fanbase has been built from this diverse setting of music venues as fans latched on to their genre-defying original sound.
Les Claypool's Duo de Twang
GA: $40-$55; VIP: $150
Tickets Available at the Door
Kids 12 and under get free admission with accompanying adult.
General Admission ticket pricing:
Jan 1 – January 31: $40
Feb 1 – February 28: $45
March 1 – March 21: $50
March 22- March 24: $55
Margaret T. Hance Park
Fri, March 28
Fri, March 28
Fri, March 28
Sat, March 29
Sun, March 30