33 West St.
Annapolis, MD, 21401
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Donavon Frankenreiter's latest album, "The Heart," officially marks the start of the singer-songwriter's second decade as a solo recording artist. It's been over ten years since the release of his self-titled debut, and in that time he has grown, not only as a musician, but also as a man. He's raising a family and nurturing two creative careers-one onstage, one in the waves-but on top of all that, he's still learning what makes him tick. And so, naturally, he named his album after his ticker.
"All these songs are as close to me singing from the heart as I can," says Frankenreiter. "It's a complete record; the songs are intertwined. I had to call it 'The Heart,' that was the theme of the record."
The songs here are seriously sentimental, without question the heaviest material he has released to date. Part of that inspiration came from his co-writer, the prolific songwriter Grant-Lee Phillips, with whom Frankenreiter had collaborated in the past on his album "Pass It Around." He recognized the ease with which the two worked together and sent Phillips a handful of new tunes and ideas. He was astonished at the brilliance of the songs that came back, and so quickly, but also by one of Phillips' suggestions in particular.
"Grant told me, 'You should make the most intimate and honest record you've ever made,'" says Frankenreiter. "So these songs are simple and intimate and honest, they aren't cheeky. There's some ups and downs-I love writing positive songs and happy tunes, but there are some downers here. I feel like it's where I'm at, 42 years old. Every one of these songs means a lot to me. They're from the heart."
To record them, Frankenreiter booked two weeks of studio time in May of 2015 at Blue Rock Studios in Wimberley, Texas. But unlike the privacy afforded by most studios, these sessions were to be live-streamed on the Internet in a soul-baring exhibition for his fans-talk about intimate and honest. With just two bandmates and a studio engineer, Frankenreiter knocked out a song each day and recorded the entire album in full view of a watching public. He had never been so inspired, and embraced every aspect of the situation: the landscape, the lodging, the isolation, the overall challenge.
"There's something magical about Blue Rock Studios and Wimberley, Texas," he says. "It's really powerful, that's one spot that is really bitching. This place is beautiful, a huge estate on 50 acres, cows walking by the windows while you're recording-this open, amazing wilderness. We lived in the studio, and to record there and never have to leave, that's the first time I ever made a record that way. Every morning you wake up and hit it again. I was in such a bubble; it was all about the music. I think about it now and it's emotional."
"I feel really lucky that I got into the game when I did," he says. "I'm still lucky I'm able to make records and that we have a fan base and are able to tour. I started my own record label; it's a way for me to make my own music the way I want to, on my own time, and to put it out my way. So many things have changed and I feel a little wiser than ten years ago. I learned a lot over the last decade, it went by really quick. It's fun to have a new album done and to hit the road with a bunch of new songs, it rejuvenates you to do your thing."