515-B North McDonough St.
Decatur, GA, 30030
Doors 7:45 PM / Show 8:00 PM
Watch & Listen
When the lights go down and the world turns off, the truth comes into focus.
Such moments of quiet introspection invariably inform, impact, and inspire Nashville songstress Angel Snow. As life spins at light speed without pause, she provides understated pop folk bliss that echoes with pure and powerful emotion.
“I think we should all just sit in the dark with one another and see each other for who we really are,” she implores. “Don’t deny who you are now or who you’ve been in the past. Be in the moment more. A lot of my music is about this.”
With warm delivery, soulful intonation, evocative lyricism, and a hint of pop ambition, Angel continues to translate urgent moments into unforgettable music. Over the past decade, she went from penning songs for the likes of Alison Krauss to stepping into the spotlight as a buzzing independent solo act on her 2012 self-titled debut, Angel Snow. Its lead single “These Days” eclipsed over 6 million Spotify streams and counting as she attracted a growing fan base.
In the ensuing years, she built an international profile by regularly touring the globe. 2016’s “Secret” notably featured in a popular video by internet superstar Ingrid Nielsen entitled “Something I Want You To Know (Coming Out),”which went viral with 17 million views. Meanwhile, her 2017 sophomore outing, Magnetic, earned widespread acclaim. Among tastemaker praise, American Songwriterwent so far as to describe it as “superb.” 2018 saw her progress once more. After meeting Ben Kramer of Old Sea Brigade, she enlisted him to produce her Arrows EP.
Together, they unlocked new facets of her sound, embracing swaths of purring ambience, expansive omnichord, delicate guitar, and bass transmissions.
“Ben brought a completely different element to what I do, but we maintained who I am at the same time,” she explains. “We found a lot of common ground we loved. I also messed around with the range of my voice and how deep I can go without being self-conscious. I’m embracing my voice for the first time. We’re bringing the vocal up. I’m much more confident in how I sing. I enjoyed more freedom than I ever have in the process. Lyrically, I was able to craft more of a creative narrative. I love writing short stories. The storytelling became a central part of the EP.”
Over the course of five months, they assembled the six-track EP. In the spirit of experimentation and evolution, they envisioned this body of work in two formats: full production and acoustic. The latter allowed her to experience the songs at their rawest.
“I was able to get outside of myself and see the range of the composition in the acoustic recordings,” she elaborates. “It opened me up a little bit more to embrace the songs for what they are. The emotions really showed through and shined. The feeling behind everything gets to the forefront. It’s a great way for the lyrics and stories to resonate.”
The first single “Window Seat” illuminates the nuances of her narration. Delicate beats and sonic flourishes underscore a vivid and emotionally charged portrait of moving on.
“It’s about going through the storms of life, accepting what’s ahead of you, and taking a window seat to get passed it,” she says. “I was envisioning this girl on a plane, looking out the window, seeing those clouds in the distance, and thinking, ‘I’m going through this by myself.’ You’re accepting who you are and the role you play on the planet in addition to bracing yourself for the next thing to come.”
Her voice echoes with a stirring sense of soul on “Arrows,” which details“a love story of two people who have to let each other go.” “Higher Urgency” hinges on a positive proclamation highlighted by robust vocals and infectious energy.Meanwhile, the unexpectedly upbeat “Maze” recalls an evening of reckless abandon over lush instrumentation.
“Making ‘Maze’helped me,” she admits. “You recognize you can’t get too out of hand. Any of us could go down that wrong path and become too far gone. Somehow, there’s always been a threshold that hasn’t allowed me to go any further when I have tested the limits, so to speak. The experience led me to‘Maze.’I think a lot of people can relate to it.”
In the end, Angel beckons you turn off the lights, close your eyes, and drift off to this music.
“I’m just trying be the best person I know how to be, embrace any and all flaws, and create to the best of my ability,” she leaves off. “I want to be in the moment. I want to use all of the gifts that I’ve been given and take advantage of them while I’m on this planet. That’s my goal.
There's something so freeing about letting go of others' expectations to press on in a direction of your own choosing. Elenowen, husband and wife singer/songwriters Josh and Nicole Johnson, have lit upon their common voice after, roads traveled, trials overcome and years lived. Resonating within themes of finding themselves in each other and the infinite possibilities of what's ahead, Elenowen's sophomore full-length For the Taking is a collection of modern songs keeping an indie tradition alive.
Those familiar with Elenowen's appearance on the inaugural season of NBC's The Voice, their debut album, Pulling Back the Veil or their follow-up singles and EP, will recognize their characteristic tender melodies, lyrical motifs and incandescent acoustic work. But there's something new and exciting in this assortment of songs found on For the Taking, produced by Music City staples Jeremy Bose and Trent Dabbs. Perhaps it's a result of the overwhelming fan support they received by funding the album with Kickstarter, which served to reassure the young duo about their place in the world. Of their freshly realized niche, Nicole says, "We've been doing this for a long time, but it feels like we're newborns, starting all over again."
"We're basically starting from scratch," Josh agrees. "In a way, this record feels a lot like our first one. The whole tone and the way we're going about this album are synonymous with our debut. It's back to just us."