Psalmships

Psalmships is a band from Philadelphia. They make music that could just barely save your life, or exaggerate your insecurity and introspection to uncomfortable levels. It's all perspective. The music tends to serve as would-be mystical custodian, a guide through some celestial confusion: the loss of religion and the strive for humanity; animals as metaphors for sex and its associated organs; deep shit. The new EP, Keep Your Words, is the first new music in five years and is an electric live wire, throttling the dark folk of previous records against oak trees and low tides. It will see a release in late Spring 2019.

The Bones of J.R. Jones

When Jonathon Robert Linaberry needs a break from city life, he goes Upstate, near the Catskills, to renovate a little farmhouse he purchased a couple of years back. As he pours himself into his work, J.R. doesn’t think about texts, email, or even his music, which he performs solo under the moniker The Bones Of J.R. Jones. His only focus is the house. “That’s been an amazing emotional outlet for me,” he says of his periodic retreats. “To kind of sustain myself after coming from the road and getting back into the grind of the city, to have this, for lack of a better term, Shangri-La.” In a sense, recording and touring as The Bones Of J.R. Jones is its own form of isolation. But you wouldn’t immediately think so: As a one-man band, J.R.’s project, which fuses a moody blend of soul, blues, roots, and Americana, sounds enormous both on record and live in concert. That’s because J.R. plays—and has grown accustomed to playing—every instrument by himself. He’s happy to report, though, that he’s a lot less solitary on his forthcoming third full-length album, Ones To Keep Close, which is due to arrive on May 11. In addition to workshopping the 11-track album with producer and good friend Rob Niederpruem at Hyperballad Music in Brooklyn, J.R. also called on soul-psych luminary Nicole Atkins, who guests on the album’s jangly lead single, “Burden.” “I played a show with [Nicole] in Philadelphia a few months back, and we totally hit it off,” says J.R. of how they met. “It was the first time I ever got to see her live. She’s amazing live, and I guess she liked what I was doing, so we kept in touch. I approached her with this idea of doing a duet, and she agreed!” It’s fitting then, that “Burden,” a quick-footed tune about the emotional isolation that comes with touring as a one-man band, would be performed by two people. “‘Burden’ comes from a spot of catharsis,” says J.R. “I tour a lot by myself, and it’s tough doing it by yourself, being alone all of the time. The whole idea of ‘Burden’ was having that person to share that with. Kind of like misery loves company. Having someone be there. To be your rock. No judgement, just I’m here for you.” J.R. even gathered more bodies in the studio itself, hiring musicians with whom to record and bounce ideas off of. On the gritty “I See You,” J.R. worked with his session percussionist to pick up the pace from a slower, “swampier” drawl to an 180 BPM “swagger.” “It was one of those moments where someone gives you a fresh perspective on something,” recalls J.R. “I was working with a drummer named Ian Chang, and he and Rob had this moment where they were like, what can we do with this? How can we make this as meaty and rocky as possible? And ‘I See You’ was birthed out of that. I love the song. It’s one of my favorite tracks on the record. It’s so in your face, compared to some of the other stuff I do.”

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