Heroes Live Entertainment presents
The Alarm, Modern English, Jay Aston's Gene Loves Jezebel: SIGMA LXXXV Tour
34 NE 11th Street
Miami, FL, 33132
Doors 7:00 PM / Show 7:30 PM (event ends at 11:00 PM)
This event is 18 and over
The Alarm was made in Wales, UK and by the time of 1981’s debut single ‘Unsafe Building’, featured a daring mix of amped-up acoustic guitars, harmonica and passionate vocals that invited the enduring description “Bob Dylan meets The Clash”.
This is the sound of The Alarm that has been heard around the world ever since, with 17 Top 50 UK singles, a host of successful albums and over 6 million sales worldwide, a career that has also seen founding member Mike Peters sing on stage with the likes of Bob Dylan, Neil Young, Bruce Springsteen and U2. Hits include “Sixty Eight Guns”, “Strength”, “Rain In The Summertime”, “Where Were You Hiding When The Storm Broke?”, “Spirit Of ’76” and more.
Modern English were formed in Colchester, Essex, England, in 1977 by Robbie Grey (Vocals), Gary McDowell (Guitar) and Michael Conroy (Bass). Originally known as the Lepers, the band made their name in the burgeoning punk scene where they would get together exclusively to play at parties, until they were picked up by 4AD. Richard Brown (Drums) and Stephen Walker (Keyboards) were subsequently added to the line-up of the band. A debut single, "Drowning Man" was released in 1980 on the Limp Records label. The band's debut full-length; "Mesh & Lace", released by 4AD a year later, it drew heavily on the gloomy post-punk sound already patented by bands such as Joy Division. The follow-up "After The Snow" showed a huge progression, as they introduced warmth and strong guitar harmonies (most notably on the minor classic "I Melt With You"), rejecting the tinny bleakness of the debut. It was especially well received in the USA, and the band relocated to New York to consolidate a popularity encouraged by college radio. 1984's "Richochet Days" had a crisper production but less creative experimentation. By the time of "Stop Start" (1986), the band had left 4AD and Walker and Brown had quit the band and Aaron Davidson (Keyboards, Guitar) had joined. Grey initially returned to England to form a new outfit, but reconvened Modern English in 1990 with Davidson and Conroy. They released "Pillow Lips" on the TVT label in 1990, Robbie Grey and band member Ted Mason co wrote and produced a second release for TVT though it received very little enthusiasm from the label. Locked into contractual obligations, Grey subsequently put the band on hold to study and travel, leaving Mason to handle the legal issues. In 1995, Modern English again re-formed with the line up of Matthew Shipley (Keyboards) Ted Mason (Guitar) and of course, Robbie Grey. They recorded "Everything's Mad" on the Imago label. In 1998 the line up changed again, keeping Matthew Shipley and adding Steven Walker (guitars), Ian Robbins (bass) and Jon Solomon (drums). In 1999 Ian was replaced by Nik Williams (bass). In 2001 they recorded a new album 'Soundtrack' with producer Hugh Jones but due to the collapse of the record company it was shelved. Finally in 2010 this album is being released by Darla with a US tour at the planning stage.
Jay Aston's Gene Loves Jezebel
Jay Aston’s Gene Loves Jezebel
(with original members Jay Aston, James Stevenson, Pete Rizzo)
Gene Loves Jezebel (GLJ) are a British rock band formed in the early 1980s whose best-known songs include “Heartache”, “Desire (Come and Get It)” (1986), “The Motion Of Love” (1987), “Jealous” (1990) and “Break The Chain” (1993) as well as their broody dark alternative club hits “Bruises” (1983), “Influenza (Relapse)” (1984), and “The Cow” (1985).