Twin XL

Los Angeles trio, Twin XL, is the creative brainchild of songwriters and producers, Cameron Walker-Wright (vocals) and brothers Stephen Gomez (bass) and John Gomez (guitar). Walker-Wright is part of the synth-pop band Nekokat and the Gomez brothers rose to international fame in The Summer Set. Collectively, the three have written and produced for artists such as All Time Low, Lindsey Stirling, Life of Dillon, as well as having their music featured in commercials and trailers such as Disney’s Christopher Robin and ABC’s Lucifer.
Though Walker-Wright and the Gomez brothers have been working as full-time writer/producers, a part of similar social circles and often ran into each other at random gigs across the country for years, it wasn’t until early 2017 after another serendipitous meeting at a LA house party, that they decided to try a day in the studio together.
The synergy between the three was clear and Twin XL was born - a perfect storm of the glistening retro synths, catchy bass-lines, memorable melodies and Walker’s smooth vocal. The EP, entirely written and produced by the band, is a balanced dichotomy of bright and summery and dark and mysterious, fusing together an infectious anti-pop sound.
From top-class performing musicians each in their own right, writers, producers, friends, and now band mates, TwinXL are paving their way to the top turning a night out at a party into a nostalgic and distinctive musical sequel full of indelible anti-pop glory.

Chase Johnson and Nick Gross met in the third grade. Growing together from such a young age they developed the kind of friendship that turns into brotherhood. Butting heads against each other, but standing back to back against the world. They bonded over their love of music, in particular the give-no-f’s ethos of their native Southern Californian punk scene. Drawn to the spotlight from an early age, Chase fell easily into the role of frontman (didn’t hurt that he could actually sing). Nick loved to beat the crap out of things, and discovered he could do that with a modicum of coordination--hence he became the drummer. Their high school band was scooped up by a major and somehow ended up on a hit reality MTV show (with Chase unwittingly emerging as a focal point).
The whole ordeal left a bad taste in the bands’ mouth, and they said screw it. Chase moved on to pursue his passion for photography, and Nick wanted to inspire young people in a way he had never been; founding Find Your Grind - a platform that offers scholarships, curriculum and guidance to expose high school students to non-conventional life/work paths.
Last year Nick and Chase reconnected, and decided to take all they’d learned and do right by music--their true love. Savvier about the business, and elevated in their taste level (they’re no longer playing skate punk), they started Half The Animal. After getting burned by the industry at a young age, Nick and Chase decided to bet on themselves and pool all their resources to develop and launch their project independently. In a short amount of time HTA has accomplished more than most bands with record deals do over the course of multiple albums. HTA toured with Atlas Genius last fall and are going out with Smallpools in May. They’ve already been in with monster producers such as JKash (Charlie Puth, Maroon 5) and Ammo (Mike Posner, Katy Perry), and more recently have been working on a collection of songs with Captain Cuts (Walk The Moon, Iconapop) and Sam Martin (G-Eazy, Jhené Aiko).
When going in with Cuts, HTA had a vision to approach altrock from a new angle. They wanted to capture the chillwave of 2018 with modern production, unique sounds, but with a rock n roll attitude. They wanted memorable melodies that weren’t predictable, and lyrics that spoke to the dichotomy of Chase Johnson - an exuberant, fashion-forward extrovert, who struggles with a reclusive demon-plagued vulnerability.
These new songs with Captain Cuts and Sam Martin will be the cornerstone of the 2018 launch of Half The Animal. They have radio smashes in the can, but will be rolling things out slowly and building organically throughout the year. The first record they are letting us hear is “Too Late” - an uptempo driver with hints of early U2 that will be released during the Smallpools tour on May 11.

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