Motionless In White

Since 2006, Motionless In White has won over audiences around the globe with their aggressive music and arresting imagery, rapidly rising to the upper echelon of modern rock. Albums such as 2010’s Creatures and 2012’s Infamous would galvanize a rabid fan base around the band - currently comprised of lead singer Chris Motionless, guitarists Ryan Sitkowski and Ricky Horror, and drummer Vinny Mauro. Motionless In White’s 2014 LP, Reincarnate, reached new heights, bowing at #9 on the Billboard “Top 200” and claiming #1 on Billboard’s “Hard Rock Albums” chart. GRAVEYARD SHIFT, the band’s latest album arrived in 2017 to critical acclaim, once again topping Billboard’s “Hard Rock Albums” chart led by the Top 20 Active Rock hit “LOUD (F*ck It),” as well as the thunderous singles “Eternally Yours” and “Necessary Evil.” “Motionless In White make sure to leave no gravestone unturned as they explore the vast underworld of rock,” declared Alternative Press, while Rock Sound avowed, “Every cut brings something new to the table… tugging at the heartstrings one moment and cutting straight to the bone the next.”

A fire requires only one match. Sometimes, it can be struck in the oddest of ways, but once those flames spread, it's impossible to contain. After a three-year hiatus, the embers started to collectively glow again for Southern California metal trailblazers Atreyu—Alex Varkatzas [vocals], Brandon Saller [drums/vocals], "BIG" Dan Jacobs [guitar], Travis Miguel [guitar], and Porter McKnight [bass]. Everybody agrees that Dan first planted the seed, individually calling his band mates and urging for a meeting, but a different kind of call really set the wheels in motion. "The first time I talked to Alex in what seemed like forever was when I heard he and his wife were having a child," admits Brandon. "I reached out to congratulate him. That led to us having lunch together, catching up, talking about things, and discussing Atreyu. Soon, the five of us had dinner, and we began mulling around the idea asking, 'What if we did this again? How would we do it? What would we want out of it?' We all seemed to be on the same page. We agreed on doing things the same way. This wouldn't be a nostalgia trip. We were going to play shows and make new music. That was the spark that lit the fire." "The time away from it helped all of us gain perspective," adds Alex. "After doing like 200 shows per year for a decade, we were burnt out when we went away. Once we met up, we missed the band and what it meant to us. It was time to do it again. We were a hundred percent in control of our own destiny and fired up like never before." So, the group began writing in their Orange County rehearsal space, quickly tapping into the spirit millions of fans fell in love with, but harnessing their newfound wisdom along the way. In secret, they hit the studio with producer Fred Archambault [Avenged Sevenfold] and began cutting what would become their sixth full-length album, Long Live [Search and Destroy Records/Spinefarm Records] and first since 2009's Congregation of the Damned. As a "Thank You" to fans in 2014, they gave away their first recording—the scorching "So Others May Live" on their web site for free to an overwhelmingly positive audience response. In between rapturous high-profile gigs at Aftershock Festival, Slipknot's KNOTFEST, and South by So What?!, the group finished the album at their own pace and on their own terms. "It was such an honest process," exclaims Alex. "Aside from the actual sound of the production, Fred's biggest asset was letting us be ourselves and giving us free reign to do what we want to do. He kept the ship going the right way, helping us realize our ideas. We're at our best musically and performance-wise when we're allowed to be us. Long Live is us." The first single and title track is locked and loaded with a guttural guitar smash, visceral growls, gang chants, acrobatic drumming, and a massive choral refrain. It announces Atreyu's return with not just a bang, but a shotgun blast

After almost a decade long of global fuckery, Wilson has done the opposite of what every other band seems to do—they stopped taking shit so seriously! In the process of their, “personal awakening” they forged a new path for themselves and their sound by combining their brand of in-your-face rock n roll with the influence of Hip-Hop and all things 90s. Tasty Nasty is fresh, exciting, and most importantly fun! And it all started with a hit of acid.

Wilson's vocalist, Chad Nicefield, took a trip to Asia with his friends to pursue happiness. Once he experimented with acid he had a revelation about his life and his outlook on the band’s music changed everything. “I just kind of realized who we are as people and our DNA was that of a bunch of lovable, silly dudes, that love to make music," says Nicefield. "The world needs to know that about us. That needs to be in transparent our music.”

Now with no worries or inhibitions holding them back, the guys in Wilson embark on a journey through nostalgia and endearing nonsense on eleven brand new tracks. The opening track, “Dumptruck” is a sonic punch to the face as it kicks in with gang vocals chanting, “This shit bumps, this shit fucks, this shit dumps like a dump truck.” Followed by roaring guitar riffs and a chorus that really does “fuck”, the opener is a perfect dose to set your mind up for the next 35 some-odd-minutes. “Wrong Side of History” follows a Bizkit-ish path, leading you straight into the fever.

From that moment on you’re on their ride. With hints of the decade that shaped their musical tastes, combined with slick production and big singalong choruses, Tasty Nasty is equal parts self-deprecating and hilarious. This acid is one hell of a drug, as the fever dream truly kicks in, songs such as “Like A Baller” “My Hustle” and “Summertime Treat” are there to prove it! It’s not until track ten do you get a throwback to the old, heavier side of Wilson with, “House of Fuckery.” But that’s not what this record is about. It’s about looking ahead, not staring in the rearview mirror. And that, my friends, is Tasty Nasty.

$30

Tickets

* General Admission * Standing Room Only- If Seating Is Available, It Will Be Limited And On A Strictly First Come/First Serve Basis * No Re-Entry * All Ages Event * Additional $2 Cash Surcharge At The Door For Attendees Under 21 * Attendees Under 16 Must Be Accompanied By A Ticketed, Adult Guardian *

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