Bonnie Montgomery, Summer Dean, Will Stewart
2514 10th Ave S
Birmingham, AL, 35205
Doors 9:00 PM / Show 10:00 PM
This event is 21 and over
Watch & Listen
Country singer / composer from Arkansas
Upon first listening to Bonnie Montgomery, it’s easy to mistakenly assume that you’ve stumbled upon a long-buried track by a legend from the golden era of country/western music. Such is the artistry of this Arkansas native and silver-voiced songstress. Her story is of her journey, but she presents it through a folk/bluegrass/country perspective that’s traditional and timeless.
With "Forever", her second full-length album, Montgomery once again delves into classic country sounds and storytelling.
“It’s a concept album inspired by Willie Nelson’s Phases and Stages,” Montgomery says. “The songs are about life on the road, loss, and the mysticism of West Texas. We recorded it with love and magic in Austin, Texas, at Dale Watson’s Ameripolitan Studios."
Montgomery’s stunning vocal chops and ability to draw listeners in with her natural songwriting talent should come as no surprise: her musical roots run deep. Brought up among the never-ending sound of music that flowed through her family’s Arkansas music store, her childhood was heavily steeped in Ozark bluegrass, Texas swing, Delta blues, as well as gospel and rock and roll. Surrounded by talented musicians that ran the gamut from performers on the original Sun Records to bluegrass greats and opera singers, Montgomery expanded her musical horizons and began performing whenever possible.
Classically-trained and ready to bring her own distinct sound to the world, Montgomery released her first two EP’s (Cruel in 2011 followed by Joy in 2013) before debuting her first full-length, self-titled album in 2014. She traveled the U.S. and Europe on a tour for the album, sharing the stage with artists such as Gossip, Shovels and Rope, Robert Ellis, Hayes Carll, Billy Jo Shaver, Turnpike Troubadours, Pokey LaFarge, Wayne “The Train” Hancock, Joe Ely, Moot Davis, Mike and the Moonpies, Dale Watson, Chris Stapleton, Jason James, and Sturgill Simpson, among others.
2016 was a big year for Montgomery. It kicked off with her being named the Ameripolitan Outlaw Female of the Year. Springtime marked the premiere of her modern folk opera Billy Blythe (written about the childhood of Arkansas native Bill Clinton) by Opera Ithaca in New York. The show won the attention of critics at The New Yorker, The Economist, The Huffington Post, and the London Daily Telegraph.
With the release of "Forever", the journey continues. On the stage and up the highway, through love and despair, and from the Arkansas foothills to the vastness of West Texas: there’s no telling where Montgomery will take her listeners next.
Americana / Country from Ft. Worth TX
“Once you’ve heard her faintly twangy voice – it’s nearly impossible to forget”
– Preston Jones, Star Telegram
“Summer has a real soulful, country sound and puts on an amazing live performance. She is a really good songwriter, and she connects to both men and women.”
– Shayne Hollinger, 95.9 The Ranch
Summer Dean is as authentic as they come.
Recently nominated as Ameripolitan Outlaw Female of the year, she puts on a heck of a show! Her raw lyrics, a bare-boned honest voice, and approachable confidence is evident on any stage and set her apart from other women of today’s country music scene. From full theater seats to a packed honky tonk dancefloor, Summer’s audience falls in love with with the country songstress and quickly become loyal fans. Summer has released her debut album, Unladylike, with plans to release a full-length in 2019. She and her band play numerous venues from legendary dancehalls to beautiful theaters, while establishing a firm-foothold in the thriving music scene of Fort Worth. Summer has opened for numerous buzzy artist such as Marty Sturart, Dale Watson, Gary P. Nunn, Sam Outlaw, Max Stalling, The Cactus Blossoms, Mike and the Moonpies, The Derailers and more.
Rock from Birmingham AL
In March 2016, Will Stewart headed back home to Alabama.
He'd been away for years, living in Nashville while earning his stripes as a songwriter, frontman, and lead guitarist. His fans reached as far away as London, where The Guardian — one of the U.K.'s most widely-reached papers — hailed his work.
Still, something kept drawing him down South. He'd grown up there, surrounded by the twang of classic country music and the stomp of rootsy rock & roll. Alabama was a complicated place, its history filled with dark characters and cultural clashes, but it was oddly compelling, too. It was home. Unable to resist the pull, Stewart returned to Birmingham. There, after a decade away, he rediscovered his muse: the Modern South, whose characters, complexities, open spaces, and strange beauty are all channeled into Stewart's full-length solo debut, County Seat.
Released in 2017, County Seat is a guitar-fueled Americana record, caught somewhere between the worlds of country and electrified rock. The songs are roomy and lush, the result of an inspired — led by Stewart, who handles singing and guitar-playing duties — whose members recorded all nine tracks in two short days. There are swirls of swooning pedal steel, layers of vocal harmony, and the pastoral punch of a songwriter looking to turn the landscape of his home state into music. Close your eyes while playing songs like "Brush Arbor," whose title references Dennis Covington's Salvation on Sand Mountain, and you'll hear Stewart's Alabama home.
County Seat is also a record about time. On the album's title track, Stewart sings about a lonely man in his twilight years, hoping to find some sort of transcendence from an otherwise mundane, day-to-day life. During the nostalgic "Sipsey," Stewart longs for the wonder and innocence of young adulthood. And with "Heaven Knows Why," he takes a look at his own vices, realizing the hour has come to leave some of those habits behind. Like Stewart's own move back to Birmingham, County Seat finds its narrator in constant motion, hoping to weather the mysteries and murkiness of the 21st century South by holding on to a shred of hope.
Co-produced with Les Nuby (who also engineered and mixed the album) and recorded in a series of live takes, County Seat nods to a number of songwriters who sing about the beauty of their homeland without glossing over its imperfections. There are electrified moments influenced by Neil Young, guitar arpeggios suited for R.E.M., turns-of-phrase worthy of Bob Dylan, and the modern-day folksy charm of Hiss Golden Messenger. On an album that evokes some heavy starpower, though, Will Stewart shines the brightest. This is his first full-length release as a solo artist: a rallying cry from a Son of the South who, having returned home after a long trip, looks at his birthplace with renewed eyes.
The Nick is a Private Club - Membership Card ($5 Per Year) & Valid ID to Enter
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