The Funky Biscuit Presents
Biscuit Fest 8 Featuring Mike Zito
Albert Castiglia (Solo Acoustic)
303 SE Mizner Blvd
Royal Palm Place
Boca Raton, FL, 33432
Doors 5:00 PM / Show 9:00 PM
This event is minors under 21 with parent or legal guardian
Watch & Listen
There may not be a more honest bluesman than Mike Zito, whose 15th album ‘First Class Life’ comes out May 11 on Ruf Records. The rocking yet poignant title track explores his journey from addiction to sobriety and then musical recognition; he is a two-time 2017 Blues Music Award nominee. “Second chance at a first class life,” he sings, recalling the hard times. The Texas-based musician smiles and continues, “I grew up poor in St. Louis, and now I'm travelling the world to sing my songs.”
Zito’s star has been on the rise of late both solo and as a member of the Royal Southern Brotherhood, with bandmates Cyril Neville, Devon Allman, Charlie Wooton and Yonrico Scott.
As is fitting for a man with the word “Blues” tattooed across his picking hand, ‘First Class Life’ focuses squarely on blues with heart and chops to spare, not to mention wit and openness. The punchy “Time For A Change” conjures the tension in the world today while the exquisite Memphis-style song, “The World We Live In,” which recalls BB King in its world-weariness. The electrified blues bounce of “Dying Day” finds Zito swearing lifelong allegiance to his wife. “Old Black Graveyard” sets the scene of a bluesman’s final resting place and its disrepair, along with some possible supernatural influences, with Zito’s masterful slide guitar flourishes driving it home.
Yet the record’s darker moments are offset by cuts like “Mama Don't Like No Wah Wah,” the funky crash-bang-wallop gem written with Ruf labelmate Bernard Allison about the late legend Koko Taylor. “Bernard told me about his first gig as guitarist for Taylor,” laughs Mike. “Koko didn’t like any effects on the guitar, she wanted it to sound natural. When Bernard made an attempt to use an effect on his guitar after playing with her for months, he got caught. ‘Mama don't like no wah wah’ is what he was told. That’s a song to me!” The two guitar slingers trade off, trying to one up each other atop a funky blues groove, including Allison pulling out his forbidden wah wah pedal. The tongue-in-cheek “Back Problems” is a showcase for Zito’s wit as a songwriter.
In addition to the press and Blues Music Award love, Zito has earned from fellow artists. Anders Osborne says, "I love Mike Zito! He's got that rare kinda voice that resonates in your soul. All his hardship, life experiences and kind heart oozes out of every note his sings. His guitar playing dances delicately between a contemporary blues virtuoso and an old fashion soul man. Mike continues to impress me with his straightforward and honest songwriting. His joy and grace shine through every record he makes. "
Albert Castiglia (Solo Acoustic)
Up All Night. It’s an apt title for Albert Castiglia’s seventh album: nobody sleeps when this man is in town. After 27 years of house-rocking studio albums and smack-in-the-mouth live shows, the Florida bandleader is the acknowledged master of red-raw, sweat-and-hair blues that gives it to you straight. Now, the visceral riffs and bruised soul of Up All Night make everything else sound like a lullaby. “I’d describe the musical vibe of this new album,” says Castiglia simply, “as heavy.”
Released in 2017 on Ruf Records, Up All Night finds Castiglia in a creative swagger after last year’s acclaimed Big Dog. What wasn’t broke then hasn’t been fixed now, with the bluesman once again recording at Dockside Studios, Louisiana, and capturing a warts-and-all mix alongside producer Mike Zito. “I figured since the Big Dog session went so well there, why change studios?” he reasons. “I’ll probably record there for the rest of my life.”
Dockside might be home-turf, but any notion of a comfort zone was dispelled by an edgy new lineup who pushed their bandleader to the wire. “Putting my new band together was a pivotal moment and this recent incarnation has really upped my game,” says Castiglia. “My drummer, Brian Menendez, is very dynamic and gives me that extra spark. He's along the lines of a Ginger Baker or Mitch Mitchell. Jimmy Pritchard is my bass player and he’s solid as a rock. His tone is fat and he's right on time. When I hear him, I think of Bill Wyman or Calvin ‘Fuzz’ Jones. It’s a power trio with no boundaries or restrictions. It’s a pretty amazing sound to me and it’s reflective in Up All Night.”
Up All Night is what happens when fist-tight chemistry meets a songwriter firing on all cylinders. Flying out of the blocks and bottling ten songs on the first day, Castiglia shook the Dockside walls with the most powerful songs of his career. There’s the stinging Hoodoo On Me. The strutting garage-band vibe and scream-it-back chorus of Three Legged Dog. The punchy call-and-response bar-room brawler that is Knocked Down Loaded. “That song was written with my frequent collaborator, Graham Wood Drout,” says Castiglia, “and it brings me back to when I was a young musician and felt like I was ten feet tall and bulletproof.”
Other high-velocity cuts include 95 South’s travelogue, decorated by the inimitable slide-guitar fairydust of Sonny Landreth (“That’s about having to drive from Washington D.C. to my home in South Florida in the middle of a tropical storm”), while Chase Her Around The House splices an early rock ‘n’ roll vibe with an age-old male need (“It’s about coming home and wanting to devour your significant other after being on the road for a long time”).
He’ll pummel you with the rough stuff, but Castiglia can also shift gears to more contemplative moments, whether that’s the rolling and contented acoustic blues of You Got Me To That Place, or its thematic opposite-man, Unhappy House Of Blues. “That song was co-written with Cyril Neville,” he explains. “Cyril wrote the lyrics but I completely relate to them, because they bring me back to unhappier times when I was a struggling musician and I had no support from who I was with. I think anyone can relate to these tunes.”
This isn’t Castiglia’s first time around. Born on August 12th, 1969, in New York – before moving to Florida aged five – he made his professional debut in 1990 with Miami Blues Authority, but truly hit the international radar when Junior Wells invited him into his solo band for several world tours. “It was an incredible adventure,” recalls Castiglia. “Ever since I was a kid, I wanted to be a Chicago bluesman. Junior opened the door for me to do that. He recorded his last studio album, Come On In This House, at Dockside. What a sign!”
The gig was a shop-window, and though Wells died in 1998, there was no stopping Castiglia, whether he was joining the great Atlanta vocalist Sandra Hall for national tours in the late-’90s, or holding his own in onstage jams with everyone from Pinetop Perkins to John Primer. Nobody’s sideman, his own burgeoning solo career began with 2002’s Burn, followed up by 2006’s A Stone’s Throw, 2010’s Keepin On and 2012’s Living The Dream. In 2014, Ruf debut Solid Ground was declared “smouldering and intense” by The Blues Magazine, while last year’s Big Dog was the thrilling culmination of a lifetime’s craft, championed by Blues Blast’s Kim Derr as “the best album I’ve listened to this year”.
That back catalogue is a high bar, but Up All Night raises it, defying you to sleep until you’ve worn out its 11 magnetic tracks. “You’ll rock out and dance like nobody’s watching,” concludes Albert. “If you’re sad, this record will lift you up. If you’re already happy, this album will make you happier. You can listen to this album anywhere, anytime…”
$20.00 - $40.00 General Admission $25.00 Day Of Show
Reserve Seats for this show are subject to a $15 food and beverage minimum
The Funky Biscuit
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